So out of curiosity I finally watched the 1982 Conan yesterday. This Conan movie was my first foray into Hyboria, and I really enjoyed it, unlike most people who read the books/comics and watched the original movies back in the '80s. Maybe that's why I prefer this Conan movie to the others.
This one was just above and beyond better than the 1980 version. I don't see why people on here were putting it on such a high pedestal. The acting in this wasn't the best, but it was worse in the original IMO. I like Arnold, but his performance was nothing spectacular. I thought he'd be *beep* up people left and right more so than Jason Momoa did in this, but I thought Jason's Conan was more scarier and warrior-like than Arnold's, who felt more like a big, dumb brute.
And James Earl Jones's villain wasn't as impressive as I thought he would be. I'm not saying Jason Lang's villain was better, but c'mon. Both kind of wanted the same thing, controlling the world.
And the 1980 version was much more cheesier than this one. I can't hate on the effects, as I have a place in my heart for old stop-motion effects and whatnot, but c'mon, Jones's character turning into a snake had me in stitches, and when he makes that girl jump to her death? Heh....
And the new one just feels more violent and action-packed, which is how it should be when you have "Barbarian" in the title. I'm not saying I didn't enjoy the Arnold version, I liked it for what it was, but I just don't see the reason this one gets all the hate when the original isn't any better, when it has far worse problems than this one. Nostalgic reasons, I'll place my money on.
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Because some people think it's a better film, in many regards? Most of what you state are extremely subjective opinions, and you shouldn't minimize other peoples opinions just because they differ from your own.
That being said, which movie you prefer has a lot to do with what kind of movie you wanted it to be. If you wanted a movie with a quicker pace, fast action sequences, and good special effects, then of course you would prefer the newer one. You wanted a popcorn flick and the new one was entertaining enough to serve that purpose.
The 1982 version strayed quite a bit from what most purists would consider to be Conan canon. Overall, just in tone, it felt quite a bit closer to the classic epics stories like Gilgamesh, The Odyssey, Beowulf, etc. The sensibilities felt quite a bit more stoic and old fashioned, and far less modernized than the new one was.
I could pick apart both movies scene by scene and give you reasons why I thought the original was better, but I don't think either of us cares quite that much, and it won't do anything to change your mind since you clearly enjoyed one more than the other.
So instead I will give you just one example. The reason I fail to connect with the 2011 Conan is because he was too sensationalized to feel real (of course they did try to stay closer to the books). It starts with us seeing him in the womb, when suddenly a sword penetrates it, and he is birthed right there in the middle of battle, with his father literally stopping in the middle of a fight to hold him up in the air, as if for some invisible cameras. Even if it was closer to canon, it looked ridiculous. Also, the child Conan was implied to have been born superior, literally born a legend whose father was the leader of their people, better and stronger than everyone else. He was destined for greatness for no reason, and I feel this took away from his depth as a character.
In the 1982 version however, he is just a boy. The village feels more pastoral and realistic than the new version did. His father is just a blacksmith, teaching him about his people's beliefs. When the raiders come to destroy his village, he is fishing. He isn't born into his legend, he is forged into it over years. The conflict is so much more powerful and poignant because of what he went through. He is made into a killer, and it makes the dynamic between him and Thulsa Doom SO much more interesting. Thulsa even says basically, you are what you are because I made you that way, I am your father, without me you are nothing. Which turned out to be true because after Conan killed him, he ended up almost having an existential crisis, having finally achieved his only life goal.
Like I said, I can give you 20 more examples of why I felt the original movie was a better made film, with a far more compelling and substantive storyline, (don't get me started on your having equated the two villains solely on the basis of their end goals...which you didn't quite get right anyway, btw). Ultimately this is just my opinion, however it was not one born from some stubbornly myopic nostalgia, as you say.
Really, BOTH are crap because they don't feature Elves, Orcs and streetwise Californian teenagers who are turned into Ninjas overnight when they're made to polish a car, ha ha!!
Tastes change. Back then, Conan was meant to appeal to that kind of audience. These days we mostly want special effects, not plot or character development (which many people cannot even spell). Besides, it's been ages, so we're about due yet another Batman, Spiderman or Superman re-re-re-re-boot, aren't we? Or perhaps some Tim Burton masterpiece where Johnny Depp has an English accent and stars opposite a mentally unstable Helena Bonham Carter?
To be honest, I've kinda given up on modern movies now and gotten into computer games, for the decent mental stimulation.
I agree. What we really need to do is just take the list of the top 20 highest grossing films of the last ten years, and just keep making those movies over and over again, each time with bigger explosions and more nudity and less talking. Just epic music and Michael Bay spinning closeups for the rest of time, screaming and crying, with the only semblance of development being well developed boobies.
In fact, screw the movies, I just want to walk into theaters, empty my pockets onto the floor, and have theater workers pelt me in the face with pre-release merchandise.
I'm not someone who wants effects over quality. I love a lot of old movies, like 1981's Excalibur, 1980's Dragonslayer, which I have on DVD, and even if the effects are dated, it still makes for a great fantasy film.
And you made good points about Conan's birth. But I don't get what you mean by the village in the new one not being as realistic as the original's. It looked like a quaint enough village to me.
I love the 1982 Conan and even the sequel, but I like the new Conan because he feels like a barbarian, not just looking like one. Jason Momoa's Conan killed many more people than Arnold's, but this was sort of remedied within the first five minutes of "Destroyer", where Conan actually felt like a badass barbarian.
And I just don't see why people hate this one for being cheesy, when the original is just as. Like I said, nostalgia is blinding them, so they hate on the new one just because it's more up-to-date. I get it, if someone tried to remake, say, "Excalibur" (which they might, I hear), I'd be defensive since it's just perfect in my eyes, even with the flaws it has.
And with the two movies' villains, how did I get their intentions wrong? Thulsa Doom wanted control over people to enlist in his cult, and inevitably take over, and Khalar Zym wanted to revive his dead sorceress wife to become a god and take over. Though they are different, yes, they are still basically the same kind of person, bent on controlling others.
I did enjoy reading your response, though, and to see what you had to say on this matter, instead of straight-out bashing the new Conan and praising the original.
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And I just don't see why people hate this one for being cheesy, when the original is just as.
The first one is cheesy in a comedic way. It's an almost typical 80s Arnie flick. The new one is more like a bad joke that no-one laughs at - It's just not funny.
Also, the hatred for the new one seems to be because it was touted/advertised/suggested as being a far more accurate and true-to-the-book version than 1982... what we got was a Summer flick action-fest of a now cliched Xena style, with only a vague resemblance and a couple of mis-contextualised half-quotes from the books.
This latter point that people often stress to me is no different than Gandalf saying, "Oh, there's one all powerful ring", rather than the whole "One Ring To Rule Them All" verse - You need the full passage for it to have the same impact.
Expectations were high, mainly due to pre-release misrepresentation and the results were disappointing for many. I've sat through some dire fantasy films, including both Yor and the Barbarian Queen series - Conan 2011 has a bigger budget, but is still on the same level of sophistication.
Love Excalibur by the way, so I didn't mean to imply you have bad taste in movies, just that these two are absolutely nothing alike in intent, tone, or pacing.
What I meant is that the new movie seemed quite a bit more...comic bookey, if that makes any sense. Again that was probably the intent, but for my personal taste, for this story I preferred the more serious tone of the 1982 version. I'm comparing these as individual movies and could care less about the books.
The scene with the birth was the first standout. Then Ron Pearlman, who I typically love in movies, seemed totally out of place, and he looked as if they threw every pelt on him that they could find for the sole purpose of making him look more leader-ey. Then whatever young Conan encountered in the wild were roaring at him, and seemed less terrifying than contrived and silly. Then of course there is the 'poor misunderstood' young Conan who shows up late, the outcast who defiantly goes out and shows everyone that he is better than him by showing up with a bunch of severed heads. The sensibilities are all extremely modern ones that we see OVER and OVER and OVER in movies nowadays. The hero always has to be the poor misunderstood outcast who for no reason whatsoever is imbued with superhuman abilities, and I just don't think it makes for a very compelling story.
I think there was something a little more intangible at play here for me as well, because it is hard for me to describe, but the original just seemed less like EVERY village you ever see in an action movie, and more like a real primitive little tribe that you might stumble on in the middle of a forest. It didn't focus on Conan and his super abilities, or on the same rite of passage we see in countless movies, it just showed people living and working. It focused less on the fact that Conan was destined to become some legend, and more on the fact that Conan would have had a normal, peaceful life. Instead he was ripped from that and cast into brutality and slavery for years. A lot more interesting than just...MAN IS BORN LEGEND, WAITS FOR LEGEND TO BEGIN, which is what the 2011 one felt like.
As for you thinking the original Arnold Conan was less barbarian like, I would have to say that I think you are just holding him to your idea of the modern superhero character. Being a barbarian just means that you are brutal, uncivilized, cold, and primitive. That you think he should also be a lithe, acrobatic, warrior has more to do with your modern sensibilities I think. 2011 Conan freed a bunch of slaves from their owners, then fell in love with some pretty priestess and ran around trying to save her. 1982 Conan almost left Subotai chained up, and only let him go after he made him laugh. Then when he DID fall in love, he just flat out left her, and then didn't even shed a tear when setting her funeral pyre. Again, the sensibilities in the 2011 version are very, very modern, whereas the 1982 version seems more in line with what a barbarian might actually act like. I agree that Arnold is less athletic looking than Momoa, but I felt the superficial difference was less important than the psychology and sensibilities driving each character.
As for the villans, it isn't that I think you are wrong, but rather being a bit reductive. My gripe with the 2011 villains is that they seemed incredibly one dimensional and boring, they were caricatures devoid of any real character depth. The mother and daughter were just...crazy, and the guy just seemed like an AH who was half drunk on power, half obsessed with his wife. And that was it, just 'YES MORE POWER HAHAHA!' It would be like if I told you to sit down and speed write whatever popped into your head about a bad guy for a movie, you would be like...'he likes killing uhhhhh and hes evil uhhhh and his wife looks scary and is a witch, and there is a magic mask that gives you power over everything'...and that's where the development stopped, none of it ever changes throughout the movie.
In the 1982 version, Thulsa Doom was very philosophical. When he first razed Conan's village to the ground, he wasn't seeking power (he already had it), he was possessed with finding the answer to a question; the riddle of steel, the meaning of power. One can infer that he had already begotten himself armies and vast weaponries, and suddenly found that it meant nothing to him because he realized the emptiness of the kind of power he had. Years later we find that he has found the answer he was looking for, because he isn't still doing the same thing. Rather than a warlord running around killing, he sits in his Mountain of Power, and pilgrims are flocking to him to devote themselves to some kind of religion that he has created.
He says to Conan, "steel isn't strong, boy, FLESH is stronger...what is steel compared to the hand that wields it? Look at the strength in your body, the desire in your heart, I gave you this!"
And what you realize with his final speech to his followers is that he has found the ultimate power, and it isn't some magic mask, it is the ability to make people follow you to the point where they would set themselves on fire if you told them to. It becomes apparent that he does NOT want to control the world, it is that he has likely become tired of people, these people he sees as evil;
"All that is evil, all their allies: your parents, their leaders, those who would call themselves your judges, those who have lied and corrupted the Earth, they shall be cleansed."
He is almost like Smith in the Matrix. He once had power over people but has become disgusted by them and what they do to everything around them, and has decided that the best use of his power is to free the world from their corruption.
I won't keep going on and on though. Like I said in an earlier post, I can give you dozens of reasons behind my liking the first movie better. It is just that while the 2011 version was entertaining and fun, it had none of these interesting things that I see in the 1982 version. To me, the one movie was a comic book movie, and the other was a film that just happened to have elements of high fantasy in it, very much like Boorman's Excalibur.
Anyway, enjoy both movies either way! We're all free to like what we like, after all.
Again, you brought up some great points. Thanks for your input. It's actually something I look over and consider unlike most responses of "it sucks LOL!".
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You're in the minority with that view. You can argue that we're biased, but that argument cuts both ways. You admitted that you saw the new film first, so you are just as biased in that way as anyone who is nostalgic for the original film.
It's far more than just nostalgia. The 1982 film was simply much more well received, both by critics and audiences. A look at rotten tomatoes or imdb shows that much rather clearly.
I will agree that this one is better than a lot of people give it credit for, but it's also worse than the vehement fans on this board will admit. The action is great and it generally all looks very good, but the plot and characters are not particularly compelling. The villains in particular were fairly hammy, boring, and one-dimensional.
Also, Momoa's Conan was hardly more menacing than Arnold's. He was a bit of an angsty teen in this film, and although the 1982 Conan was brutish (which Conan is supposed to be) he was also much less a child, and was a more fully realized character. I didn't care for tween Conan very much either.
Another thing, I thought the romance angle in this one was pretty contrived. I liked the original film because the love interest wasn't "the chosen one", she was just a fellow thief and warrior who earned the respect of Conan in their travels. It was much more organic. There are so many generic plot devices and contrivances in this script that it prevents it from really taking off.
The 3D gimmick shots didn't help matters much, either, although there have been far worse examples in the last couple years.