I am sorry but this western didn't do anything for me. It seems all the directors and actors want to do is to recreate the past down to the very last detail (though they don't even manage that). The trouble is these films lack the atmosphere, personality, and glamour of the traditional western. The stories are wooden and the characterisation is on the lean side. The actors just don't have the aura of their predecessors and what the hell are English actors doing in westerns with American accents? (I'm British by the way)
People like Mitchum, Wayne, James Stewart, Glenn Ford, Widmark, and even Clint Eastwood among countless other star names had personality and star appeal and more significantly a track record in westerns. The scripts were fantastic - this one was a mess - and the supporting cast had depth - Spall etc were totally wasted here(he might well have got away with a classy Slim Pickens turn given the chance). It was all these things and the glamour of the leading actresses like Jean Peters, Claire Trevor, Barbara Stanwyck, Jane Russell, and Maureen O'Hara that made these films. Renee Zellweger looked like an old hag suffering from piles.
Ed Harris and Viggo Mortensen did the best they could I suppose but the lack of emotion killed their characters and the story didn't help either. And the baddie just wasn't interesting enough, though I like Irons in other stuff.
When you see James Stewart up against that great baddie Robert Ryan or Widmark playing piggy in the middle in Warlock they have raw emotion and it is what makes the western so great. Who cares about the make of spurs for God's sake? We want to be entertained.
You would have enjoyed some of the earlier threads here. Some people just don't want their concept of The Western messed with. Smile when you say that, partner.
But some of us liked this one, with all its referents to the classic westerns and its modern twists. And even its acting. And some of us are even able to see beyond RZ's face -- which is hardly as bad as all that, after all -- to see that she did a fine job, as the other actors did.
There were a lot of Brits around in the time and place the movie is set, you know. Maybe even a few of your ancestors? I don't recall if all the classic westerns left them out, but in reality, there they were. Along with many other things left out of the western in the romantic mode. Like real-looking heroines and outhouses and just what those saloon girls did for a living. And so on.
Lots of the classic westerns are available on DVD. Why not enjoy them there?
You mention Robert Mitchum, John Wayne, James Stewart, Glenn Ford, Richard Widmark, and Clint Eastwood. I certainly relished these guys in movies growing up, and I have the greatest respect for them. However, it seems to me that they were always actually playing themselves, or some version of themselves, in their movies, particularly westerns. There is nothing wrong with that, as it is certain that they gave great enjoyment to the viewer (certainly to me). But you make James Stewart sheriff of a town, and it's going to be a lot different movie than if John Wayne is sheriff.
However, I think Viggo Mortensen and Ed Harris, certainly in Appaloosa, but also in general, go a level beyond. They are immersing themselves in characters which don't give the same impression of self. Viggo and Ed could have swapped parts in Appaloosa, and it would still be an equally wonderful movie. That's not because they are just capable journeymen who don't give much flavor to a part; it's because they are magnificently versatile and convincing actors, and they can give you any flavor you want.
There really have always been many very different kinds of Westerns. Appaloosa isn't much like Rio Bravo, but then Rio Bravo wasn't that much like High Noon, either. I love them all; at least all the great ones.
And the classic western I think you are thinking of can never be dead, as long as they are all accessable to both old and new fans. This is a wondrous time to be alive, with the whole rich tapestry of filmdom for all its history available to us on demand via video! I remember when that was not the case at all. You had to take what was showing at the theaters.
"One thing about Westerns that I've been contemplating about and trying to put a finger on is what exactly is different about today's Westerns."
I enjoyed your post concerning "APPALOOSA". I think I put my finger on it! For one thing they never had the greatest villain of all time: Charles "Blackie" King
This is a realistic western. Were you cant go to far with the story or the characters. They must stay within certain limits.
If you take the old classical westerns. They were more a black and white storytelling. Were the bad guys were bad, and the good guys were good.
Compare two WW2 war movies. Were eagles dare and Saving private Ryan. Two completly different films in the same period. Both are enjoyable but in different ways.
I certainly see what you mean.......and speaking of WW2 films, how about those early 1940's John Wayne war movies which were completely different from W.E.D. and S.P.R.
That would make 3 different kind of films. It depends on the feelings of society when these movies are made.
I haven't yet read anything here that explains why good Westerns can't still be made; they can. What's needed is good ideas and good directing and you can pull off a great work within the Western genre. Then again, maybe our lives are too complex now and it's now harder to surprise and delight people within such a minimalist genre. This shouldn't be so, and I don't count myself among such malcontents. But maybe there's been a change in attitude amongst modern directors and viewers, distracted as we are by the dramatic possibilities offered by modern technology, both in filmmaking and in the lives of protagonists. We are being asked to come back down to earth from Transformers and content ourselves with the lone horseman, the creaking boardwalk, the 6-shooter. As mgtbltp hints, there's no 'modern take' on a Western, assuming of course we can agree on a fundamental definition of the genre. Atmosphere is not the monopoly of the Golden Age; it's all about our attitude towards a modern-day director's efforts to get the Western atmosphere up there on the big screen. I for one would also like to see a totally different take on the Western, a movie done from the point of view of the Chinese community, with a dramatic storyline playing out and with some traditional shootouts between the Europeans featuring as occasional occurences in the background.
"But I still don't think you understand the genre."
I think you have a veeeeery narrow view of what YOU think the 'genre' SHOULD be and if anyone disagrees then you make statements like the above that seem to be really snooty like you know better than everyone else. That may not be your intent, but that's what I'm seeing.
I think this movie is a great example of what a western CAN be. I mean, own up, ALOT of the old 'classic' westerns are garbage. They were unrealistic from look to characters to plot. They were filled with 2-dimensinoal characters with no moral complexities; they were either totally good or totally bad. Or worse, singing cowboys. Or they had unbelievable over-the-top characters, like Clint Eastwood that would outshoot 10 men that already had their guns pointed at him.
I'm just sayin'....them 'good old days of the classic great westerns' weren't so great. This movie had atmosphere. Real western atmosphere. You just wanted something YOU like. Might I suggest The Quick and the Dead? (don't worry, it's not historically accurate.) ;)
Interesting thread ... however, I am somewhat shocked to see (after doing a limited review of the rest of this and the other threads on this film) that nobody has caught on that Apaloosa is effectively a remake (or at the least, a very similar premise) of the 1959 film, Warlock ... starring none other than Glen Ford, Richard Widmark, and Anthony Quinn. Check it out, it was a great one! oink
It wasn't a remake, since it was very close -- the director said about 85% straight out of the book -- to the book of the same name written by Robert B. Parker just a few years ago. And I don't think it was that close to WARLOCK, at least not as I recall it.
But in any case, there aren't that many themes in Westerns, as in any genre. It's the way the themes are worked out that makes the difference. this is a good one, and better acted than most.
I have seen WARLOCK many, many times. It is one of my favorite Western movies. (The book was even better.) And except that you have a town importing a professional gunfighter to clean up a town, it is nothing like APPALOOSA (which I also enjoyed).
Even the close friendship between the gunfighting marshal and his sidekick is different. Hitch and Cole are close friends but there's nothing like the creepy, obsessive undertones to the Anthony Quinn character's devotion to the marshal in WARLOCK.