I watched In the Mood for Love today for the first time...the first WKW movie I've seen, as I had not heard of WKW before MBN came along...and while watching Tony Leung, I can totally get why WKW chose Jude for his "Americanized" film, and after seeing Maggie Cheung, why he fancies Norah Jones...I think her look and her style of music combined together generate a kind of mood that fits in with his type of art.
I personally need to watch In the Mood for Love again because I could not really "follow" it, but what I eventually found I had to do was relinquish myself to the mood that was created by the visuals and the characters...to watch it like art. If that's wrong, then I totally missed it. But I do plan to see it again. And I suspect that watching MBN will be the same experience. If we expect a typical rom-com or predictable love story, then we will miss the boat.
As far as WKW working with a non-Asian cast, I know very little about the man except for what I've read in relation to My Blueberry Nights, which I am anticipating seeing in the theater soon...but what I question for those that begrudge his choices in this film is, why? If this is the film he wanted to make, the art he wanted to present, why feel strange about it and not just go with it, if you are indeed a fan? If he has given you what you have already come to expect from him, why not allow yourself to be taken somewhere else by him? Or if you can't accept it, just don't watch it, and wait for his next creation to come along. But personally, I'm glad he did this film in the way that he did because he chose a cast that I am familiar with and now it's led me to more of his work, which honestly I may not have sought out otherwise.
You're supposed to be the leading lady in your own life, for God's sake!
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