I thought the wife had obviously tried to talk to him about getting out of the marriage and he didn't want to.
There's nothing in the film to support that. Their interactions were very brief, but in fact
he tried to talk to
her, and she simply brushed him off. I can't imagine conversations with him were particuarly pleasant, given how arrogant and know-it-all he was, but even so ... unless, of course, you're just adopting the standard position these days of "the man is always the offender, the woman the badly-done-by"...
He ... grew into someone admirable and likeable. I felt like cheering at the end.
Funny how perceptions differ. I
never found him likeable, let alone admirable, and it was at the end I wanted to slap him the most. Unbearable and egotistical as he was, although he ended up doing the nominally "right" thing, I don't think it was
ever actually for the wife; it was all about not letting Crawford beat him and trying to prove Crawford wrong about naming Willy's "weakness" (though, in fact, Crawford was right). I don't believe Beachum ever saw anything beyond his own ego.
My one gripe about the film was Hopkins's wandering accent. At some points, it was Oirish and then he just seemed to forget about it altogether.
Yeah, I don't think consistent accents are a strength of his. In "The World's Fastest Indian" he was the most Welsh-sounding New Zealander I've ever heard.
You might very well think that. I couldn't possibly comment.
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