Wow, at first I thought the comment that began this thread was trying to be funny. Actually, it's kinda hilarious.
I agree that maybe the FOX Faith preview might have made people suspicious, but the distributor is the distributor. Just like I'd want right-wing people to approach stories they suspect of being distributed by what they believe to be a left-wing distributor, I think it's fair to say that the OP was ludicrously closed-minded.
I'm totally not a right-wing person and don't appreciate REAL "right-wing propaganda"...but PLEASE. A character who's a billionaire from Texas and is in the oil business isn't going to complain about taxes? Realistic, not propaganda. A mother who obviously loves her daughter more than anything says her best decision was choosing to have her baby 10 years ago? Realistic, not propaganda. (And last I checked, a mother making a choice to have a baby is very much in line with what's *supposed* to be the pro-choice message, just as much as the other perspective.)
No comment about philanthropy that helps families who can't live together due to their children being in treatment having anything to do with an anti-government-healthcare message. Holy cow. Okay, sorry, I do have to comment. REALLY?! If you wanted to pull some 'message' about that plot element, wouldn't it be saying something about why healthcare reform is needed?! (And if you knew any families like this, you'd know that usually financial problems are there due to messed up insurance issues!) But I don't see how anyone could get a moral out of this story element unless they were trying to artificially extract something. The dude's life was changed by this girl and her mother; his idea makes sense.
Propaganda is when you force elements into a story for the purpose of trying to manipulate the audience's thinking. Elements that naturally lend to the story and are true to the characters? Uh, that's called good storytelling. If anything, this was the best "family" genre film I've seen in ages. I actually approached it with major hesitation because I normally don't like films in that category. But this was just a good *story*, and well-made to boot. Plus, it lacked a good deal of the predictable cuteness and moralizing that you tend to expect from this genre--and whatever "moralizing" was in the context of the character giving last words to his grandson (again, natural/realistic, not manipulative/propaganda). Now that I've seen it, the film's initial cynical reviews feel so exaggerated that they come off as more about urbane critics afraid to look un-urbane. I wonder how many movie-goers misjudged it like me when it came out b/c of those reviews...they harshed on it as thought it was supposed to be a high-budget artsy drama (which I do like). PLEASE. If anything, The Ultimate Gift was refreshingly complex for its genre.
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