I have seen the US version in its entirety, and only an episode or two of the UK (although I am now deeply in love with Phil Glenister -- and Michael Imperioli) so I am not really qualified to say which is better.
However -- NOTHING, and I mean NOTHING I have seen on tv can beat the drama and raw emotion of Sam in 1973, looking up to see the Twin Towers.
I am a New Yorker and I cannot tell you how I completely out of nowhere burst into hysterical tears when I first saw that.
Great art, wish fulfillment -- I don't know, but it sure was effective. If you were living in NYC on 9/11, knew people who worked there -- I cannot put it into words, but that opening scene was exceptionally powerful. The UK version cannot compete -- although it might be better in a million other ways, I think no sereies opener has ever had the impact the US version of Life On Mars did.
timberdan wrote: <<I never realised that showing images of buildings before they were destroyed was what made good tv.>>
It may not always, but it did in this case. It made brilliant tv. It was a great image and a great idea.
I wonder why, when someone tells you that she found an image so powerful that it caused her to burst into tears, you think it is acceptable to respond in a snotty, rude way.
If you didn't like it -- fine. But have some manners. You can explain your feelings without being belittling and obnoxious -- or, actually, maybe you can't.
timberdan wrote: <<Actually i can... but it's far more funnier to be belittling and obnoxious. >>
So, you think it's FUNNY to be belittling and obnoxious? It's actually rude and unfeeling. Some might call it cruel.
It's ugly behavior.
If you truly can express yourself without being unkind, and yet you choose to be unkind -- mocking a person who says an image made her burst into tears is a really slimy way to be unkind -- well, then, I guess you just choose to be a bad person. I have never understood people like you, not since I first (and generally last -- but some people never grow up) enountered them on schoolyard playgrounds.
timberdan wrote: <<Actually i can... but it's far more funnier to be belittling and obnoxious.>>
More funnier? I can't decide which is worse -- your grammar or your manners.
timberdan wrote: <<Oh grow up.>>
You are the one who is acting like a 5th grade bully. You should grow up.
timberdan wrote: <<The shot of the twintowers was cheap lazy writing to get a emotional responce from people.>>
Well, I guess whether or not the writing was cheap and lazy is a matter of opinion. However, you do realize that the writers of the BBC version did the EXACT SAME THING in their opening; the US writers copied it but had material that was stronger, more emotionally resonant. Manchester is lucky it didn't have that material. So, you are basically saying that the UK LOM had <<cheap, lazy writing.>>
Oh, you may not be aware of this, but good writing gets an emotional response from people. Maybe you think that creating an emotional response is cheap and lazy; it's not. I think any emotional response other than anger scares you.
timberdan wrote: <<It's like the joke from family guy, if politicians mention 9/11 people suddenly become supportive behind any issue.>>
I don't expect you to have good manners because 9/11 was mentioned. I just expect good manners from decent people. It is unkind and ugly and -- despite all your efforts -- unjustifiable to mock someone who says she was crying.
timberdan wrote: <<The same applies to the media. The Us life on mars show a shot o the twin towers to make people go 'wow, look in 1973 the towers were still there. Damn the terroist etc' >>
It was the strongest possible image any writer could have used to bring home the fact that Sam is NOT in 2008. I wasn't expecting it -- it was a huge shock. You think it was cheap and lazy. I don't.
timberdan wrote: <<It's nothing but cheap lazy writing which is why i'm belittling you, because you think that cheap shot made it better then the version that had good writing and good acting. >>
Okay. You are belittling me because you are a nasty person. That is the only reason you are belittling me. It has nothing to do with me. You chose to be abusive to me -- you made that choice because that is the kind of person you are. I said the image moved me to tears; you think that justifies being verbally abusive. That's really rather sick of you.
You believe that the UK LOM had better writing. Again, I can't judge, not having seen it all. However, I do think that someone who writes as badly as you really isn't in any position to judge writing.
I know your manners are bad and your grammar is bad. It is now becoming clear that your reading comprehension is bad, too. You said, <<i'm belittling you, because you think that cheap shot made it better then the version that had good writing and good acting. >>
Now, as I mentioned, your bad grammar makes your meaning unclear. However, your words imply you think that I believe the whole US LOM is better than the UK LOM because of the opening scene. I like the US opening scene better; I am not qualified, as I said in my original post, to say which entire series is better since I have only seen a couple of episodes of the UK LOM.
timberdan wrote: <<I'm sseen all of the us version. It's awful.>>
That's your opinion and you are entitled to it. You might want to think about revising what you wrote, however. Proof-reading is your friend.
timberdan wrote: <<Gene hunt being major tom, that was just cringing. Sam calling himself luke skywalker to his mother was pathetic. They guy playing sam couldn't act and kietel just looked bored. >>
Again, all your opinion and you are entitled to your opinion. You give me nothing to back up your opinion, but that doesn't surprise me.
The fact remains, however, that you are not only rude, you feel entitled to be abusive to people just because they disagree with you. That's narcissistic. It's sick. I posted something -- I wasn't even talking to you -- and said that the opening scene moved me to tears. You, in a classic, grade-school bully way, mocked that and feel justified in doing so. You continue to be abusive, telling me to "grow up," etc. It's strange. I think -- I could be wrong, but I think you feel guilty. That guilt makes you angry and since you cannot admit you have done anything wrong, you have to blame me. Instead of acting like an adult and saying, "Hey, I made a mistake," you just dig yourself in deeper by trying to justify your obnoxious behavior.
You try to blame me for your bad behavior. Your telling me to "Grow up" is one example.
Your "explanation" of your nastiness is another. You try to make YOUR behavior MY fault -- note when you wrote <<i'm belittling you, because you think that cheap shot made it better then the version that had good writing and good acting. >>
That's classic abuser stuff.
You are threatened by genuine emotion, cannot handle it when people have opinions different from yours, lash out at those who show emotion or express ideas that are different from yours, then blame those people for your bad behavior.
You need help. Honestly, I suggest you work on your emotional problems before your academic ones. I am pretty sure you'll work on neither, since you don't have the strength to admit you are wrong, but if by some miracle you decide to make life better for yourself and those around you, start with the emotional stuff. There is no shame in being a bad writer/reader, but your behavior is shameful and you have probably hurt defenseless people. If you can stop that, do.
You should begin by researching what constitutes classic domestic/verbal abuse. You were probably a victim of it and are probably a perpetrator in RL. I hope that changes. Good luck.
... because I expessed an opinion,? ... what a nasty little mini-nazi you are ... see how easy it is to call people names from the safety of your computer desk? ... talk about the mouse that roared.
The UK version is much better than the US version. But it has nothing to do with the writing and everything to do with the casting.
Harvey Keitel is a fine actor, don't get me wrong, but he was SO WRONG for this role. Phil Glenister brought hidden depths to his protrayal of Gene Hunt that Keitel lacked. Perhaps, if I hadn't seen the original, and with nothing to compare it to, I would have been OK with Keitel's performance. But I did see the original. Keitel didn't measure up.
The image of the Twin Towers was not lazy writing. It was the perfect and appropriate visual to use to prove to Sam that he "isn't in Kansas anymore."
I'm not a New Yorker. I did not lose any friends or loved ones on 9/11. My cousin lost his best friend. For him, the image of the Twin Towers is still very painful and very emotional.
coolbluegreen had a visceral reaction to the image. COMPLETELY understandable.
timberdan, your response to coolbluegreen was cold, callous and insensitive. COMPLETELY inappropriate and uncalled for. You should apologize.
lmsm945 wrote: <<I'm not a New Yorker. I did not lose any friends or loved ones on 9/11. My cousin lost his best friend. For him, the image of the Twin Towers is still very painful and very emotional.
coolbluegreen had a visceral reaction to the image. COMPLETELY understandable.
timberdan, your response to coolbluegreen was cold, callous and insensitive. COMPLETELY inappropriate and uncalled for. You should apologize.>>
Thank you. It's so strange you posted this today. I was going across the bridge on the B train and looked and just sort of thought, "The Twin Towers used to be there." Weird. Because I rarely, rarely ever think that anymore. But the thought floated through my head today and I come home to this chivalrous post of yours. Thanks again -- I appreciate what you said.
I agree with everything you say lmsm945, Glenister made the character his own and is difficult to emulate. Also, I'm a Scot, and have never been in a situation anything like 9/11 and cannot really comprehend what it must have been like for people who were and suffered losses etc as a result, but I shall allow them their feelings on the issue without reproach and hope I never have to suffer the same way.
"What number?" "8" "Can't....smile....without you......yep, I'm gonna need another beer too!"
I completely agree with Timberdan. What a self-righteous, self-involved, passive-aggressive person you are. Before you reply in a knee-jerk way, you might want to read back some of replies. Timberdan was commenting in a humourous way not in an aggressive way at all. Perhaps its the English humour not translating. Anyway, I won't be logging back into this particular forum again so save your fingers!!
david.thomp wrote: <<I completely agree with Timberdan.>>
On what? And go ahead -- that's your right.
david.thomp wrote: <<What a self-righteous, self-involved, passive-aggressive person you are.>>
Ridiculous. I am outright aggressive. Passive-aggressive? Hardly. I am a New Yorker, after all.
david.thomp wrote: <<Before you reply in a knee-jerk way, you might want to read back some of replies.>>
I did. When I looked back at the replies, I saw Timberdan getting scolded by lmsm945, Bradjanet, Geesuz, E-Klien-1, and Garshaw for the callous way he spoke to me. In fact, I saw Timberdan being told he should apologize. The replies back up my claim that Timberdan was obnoxious and rude.
david.thomp wrote: <<Timberdan was commenting in a humourous way not in an aggressive way at all.>>
As I said, nearly EVERYONE involved in this thread criticized the way Timberdan spoke to me. No one, NO ONE, found him funny. That should tell you something -- but it doesn't. For some reason, that's not enough for you to see or admit the truth. Timberdan wasn't being funny. He was being unkind, even abusive. If you truly can't tell the difference, don't have children.
david.thomp wrote: <<Perhaps its the English humour not translating.>>
No, there was no English humor in Timberdan's responses. Are you trying to tell me that the shimmering wit of Austen or Thackeray is to be found in phrases like Timberdan's "Oh, grow up," or the grammatically appalling "Actually i can... but it's far more funnier to be belittling and obnoxious"? It's not. You can lie to yourself, but it doesn't make those lies true.
david.thomp wrote: <<Anyway, I won't be logging back into this particular forum again so save your fingers!!>>
You don't log on a lot at all -- it makes me wonder if you are a sock puppet. And I will respond whether you want me to or not. Why do you think I should or would do what you tell me?
timberdan2 wrote: <<he's not my sock puppet... i don't need one.>>
I wasn't aware that anyone *needed* a sock puppet. Some people *think* they do. David.thomp bears certain marks of a sock puppet -- he has an exceptionally brief posting history; there are many deleted posts in his few threads; he has posted where you do, and his nym is uninspired.
timberdan2 wrote: <<and he's right, i was using humour... or humor...>>
It is downright suspicious that you are going to great lengths to point out a difference in spelling, a difference that appears to "prove" that you and david.thomp are from different countries and therefore could not be one and the same.
Furthermore, your statement diverts attention away from the truth. You were NOT humorous. Almost NO ONE thought you were using humor. You were chastised by many posters for being insensitive and cruel.
timberdan2 wrote: <<actually to be honest i wrote that post so long ago i forgot what i said to be frank.>>
What is your point? It's funny, the way you keep using words like "honest" and "frank." You aren't being any of these things.
timberdan2 wrote: <<But i'm sure it was funny.>>
What makes you so sure? Nearly everyone who read it scolded you for it. They didn't find it funny. They found it obnoxious and unnecessary.
timberdan2 wrote: <<If you found it abusive and cruel... well, i guess you have the same opinion of me that my mother has.>>
The correct way to end that sentence after the ellipsis would have been, "I am sorry."
That would be the gracious and mature thing to do and feel. It does seem, in this thread at least, that a lot of people have a low opinion of what you said and how you said it. You might want to think about why so many people felt what you said was wrong.
If you care about how you make others feel, you should make some changes in how you communicate.
It you don't care about how you make others feel, then you won't. Your decision will have a greater impact on your life than on mine, than on any of the posters in this thread, than on anyone else's -- although, from what you say, it looks as if your mother would be thrilled if you were more kind and considerate. However, you will do what you want to do.
Since you don't quote, I have no way of knowing what that scintillating bit of wit was created to respond to.
timberdan2 wrote: <<Anyway, i see three posters agreed with me,>>
Agreed with you about what? Try quoting. As it stands, I have no idea what you are talking about. You have proven nothing, just made a claim.
timberdan2 wrote: <<as for some of the others, well as you can see from my lack of responces, i didn't feel the need to over anayise what they said. >>
So? By "some of the others" I guess (again, you are so unclear it's hard to tell) you are referring to the many people who chastised you for being obnoxious and mean.
timberdan2 wrote: <<Also, i dont se why i need to apoligise.>>
I know you don't. People apologize when they have hurt someone without meaning to. That is one of the reasons people apologize. For example, if I hurt someone's feelings, I apologize. Apologizing is a way of showing that another human being's emotions matter to you and that you acknowledge that you hurt that person's feelings -- you didn't mean to hurt them, but you did. When you apologize, you are saying, "I didn't mean to hurt you, but I know I did and I am sorry I caused you pain."
timberdan2 wrote: <<I don't believe that showing the twin towers made the us version a good show,>>
You know I don't think that, either. Why are you lying? You are trying to avoid dealing with the truth. Well, maybem despite the fact that I have said I didn't mean that and despite the fact that I never said that, you think I did. It's possible that your reading comprehension is as bad as your writing.
timberdan2 wrote: <<and i stand by that.>>
Stand by it all you like. That is not the issue here. I never claimed that the opening shot in the US version made the US show as a whole better. I just think the opening scene in the US version is more powerful. As I have said many times, I cannot compare the two shows in depth because I have only seen a few episodes of the BBC LOM.
timberdan2 wrote: <<I'm not going to say sorry to you for having that opinion.>>
No one is asking you to -- I wasn't. I really do think you know this -- you are just trying to avoid dealing with the real issue, your mean behavior and how many people called you on it.
You have deleted most (if not all) of your responses, but since I quote, I still have them. They prove that you KNOW the real reason you should apologize. For example, you wrote things like <<it's far more funnier to be belittling and obnoxious.>> In other words, you find being belittling amusing.
In case you still aren't sure why people thought you should apologize, lmsm945 wrote: <<timberdan, your response to coolbluegreen was cold, callous and insensitive. COMPLETELY inappropriate and uncalled for. You should apologize.>>
You see? No one is asking you to apologize for disliking the US LOM. People think you should apologize because you were <<cold, callous, and insensitive.>>
You know that and are just pretending to think otherwise. You know you said some dreadful things. That is why you removed your posts,
timberdan2 wrote: <<Now you can give a reply where you quote and anaylise everything i said,>>
Absolutely. I am glad I quote. It helps me respond to what people are actually saying. An added side benefit, one I didn't anticipate, is that I have a record of what someone said, just in case he gets all cowardly and removes his posts.
timberdan2 wrote: <<cus you clearly have too much time on your hands.>>
You can't handle the truth about yourself. If it makes you feel better to insult me -- well, actually, it won't make you feel better, but go ahead.
timberdan2 wrote: <<Byb bye pet. like the other poster, i don't think i'll bother replying to you.>>
The other poster? Who? Your sock puppet? Maybe you will reply. Maybe you won't. I don't care. Whether or not you reply, you are what you are -- you are a cowardly person who cannot deal with being called on his mean behavior. You can't admit what you have done. You can't apologize. You will never make any changes or grow until you are honest with yourself and others.
I agree that the US version was terrible, I couldn't watch it myself, but you are just being nasty and rude. The problem everyone has was your intention to deride a tragic real event, which is still an open wound to some, in a cheap shot at a TV show you didn't like. Showing the buildings had nothing to do with anything except the expression of loss. You are the one reading politics into it. How could you ignore the elephant in the room in a flashback show based in NYC? You have to show them. If you go back in 1973 the WTC is brand new, just opened, the largest thing built at the time. It's like seeing a child, knowing that he will be horribly killed in front of your eyes in 28 years
I will admit the shot of the twin towers is good, and i must admit it's one of those images that's particularly powerful if it's something you can deeply relate to. One great moment doesn't make the whole show better though. Personally, whilst the US version was pretty good in its own right, the UK version is just better overall: fantastic acting, better realism, especially with the political incorrectness that would've gone on back then, which the US version toned down considerably in my opinion, an ending that isn't quite so....corny as the US version, and, of course, DCI Gene Hunt. Harvey Kietel's a great actor, but the fact is that Philip Glenister is much, MUCH cooler as Hunt.
DodgeTower wrote: <<I will admit the shot of the twin towers is good,>>
Thank you.
DodgeTower wrote: <<and i must admit it's one of those images that's particularly powerful if it's something you can deeply relate to.>>
Ugh, that day. Being trapped in Brooklyn, unable to contact my brother, who worked there (he's fine) or my mother (who worked near there) for hours and hours. Being unable to get back to Manhattan, having to stay with a crazy co-worker, the military aircraft flying overhead, finally getting to a tv and seeing the dust-covered people (one of whom was my brother, although I never saw him on tv). I don't think about it much at all now, but that scene brought it back to me with tremendous force, like a blow to the chest. Oh, god, and all the "Have you seen?" signs of the lost people posted in every subway and the endless calling of people (once the phones worked) to make sure they were okay and it never ends. Just a few months ago, I was at a friend's house and noted a cute drawing on her fridge signed by a young girl she babysat. I noted the unusual last name and said, "I dated a boy in college with that name. Is her father..." and she stopped me and said, "Her father died on 9/11 when she was a baby." I never found out if it's the same guy and I don't even want to know -- and see? It's THIS stuff that rushed out to me when I saw that image, this stuff that caused that incomprehensible rush of tears. Great, powerful image.
DodgeTower wrote: <<One great moment doesn't make the whole show better though.>>
I never said it did. Did you see my subject line or read my original post? I haven't see all of the BBC LOM, so I can't judge. From what I have seen, I love the BBC LOM, and LOVE Phil Glenister as Gene Hunt. But that character would NEVER work in NYC in the 1970s. Harvey Keitel captures the NYC 1970s character much better. But, ah, is Phil Glenister attractive! But so is Michael Imperioli -- did you know I started watching The Sopranos because of the US LOM? Yeah -- my crush on Imperioli was that strong. Odd, isn't it, because Jason O'Mara is much more conventionally "hot." Oh, and that BBC Annie -- what a babe. She beats the US Annie all to heck. Of course, none of these things matter, but they are all I can discuss in detail, having only scene a couple of BBC LOM episodes -- and more Ashes to Ashes -- cannot resist Phil Glenister as Gene Hunt.
DodgeTower wrote: <<Personally, whilst the US version was pretty good in its own right,>>
I loved it. It was a lot of fun. It really captured that American 1970s cop show feel.
DodgeTower wrote: <<the UK version is just better overall: fantastic acting, better realism,>>
I will have to take your word for it, because I don't know what Manchester was like in the 1970s. I do know that Keitel captured the NYC public servant in the 1970s -- my neighbor at that time was a detective. Keitel got it.
DodgeTower wrote: <<especially with the political incorrectness that would've gone on back then, which the US version toned down considerably in my opinion,>>
Hmmmmm, New York. New York has always been ahead of th curve in terms of PC -- had to be. There are so many different people here. There was plenty of non-PC stuff in the US LOM, though -- but again, I am sure Manchester in the 1970s was worse than NYC.
DodgeTower wrote: <<an ending that isn't quite so....corny as the US version, and, of course, DCI Gene Hunt. Harvey Kietel's a great actor, but the fact is that Philip Glenister is much, MUCH cooler as Hunt.>>
The US Gene Hunt is a different man than the UK Gene Hunt. They are practically two different roles. Of course, I will agree with you if you say Glenister is sexier. Meaningless, I know...I can't help it. Horrible. As for the American ending...interesting. I don't know how it's cornier than the UK ending. Both had happy endings -- actually, the UK ending was happier, imo, and even more improbable. I mean, isn't time travel more improbably than space travel? Whatever. I'd jump off a roof for that Annie. What a voice! Those eyes! What a dish. Look at me -- I'm doing it again. God!
Oh, i'm not disagreeing that the UK ending was a happy ending. Quite the contrary, in fact. I love happy endings if they're done right. What i found corny about the US ending (and spoilers for anyone else reading this) was a lot of things: Sam finding out that Gene Hunt was his father (ugh!), the fact that they're on a mission to Mars, and that their search for a cure for cancer was referred to as a "gene hunt"...Ugh! No thanks!
When Sam jumped off the roof in the UK version, i almost welled up in tears! That was an incredible moment done really well, and the fact that they did a happy ending out of a suicide and made it convincing was brilliant (speaking as someone who is EXTREMELY against suicide, that's saying something)! And I agree with ya about BBC Annie! Hell, i'd probably jump off a roof for her, too! Why it took so long for Sam to kiss her, i don't know!
Mrs. Gideon wrote: <<Actually you are right. I'd love to, and will endeavour to if I get the opportunity. But I don't like these too tucked-in, too squared-off ideas. >>
Mrs. Gideon, your response has totally impressed me. It is rare to see that kind of common sense online. And the ability to admit that one may have made a mistake -- that another may be right -- only the very strong have that ability and you have it, Mrs. Gideon. Well done.
And do watch it...watch it until the very end, because it's not too tucked-in or squared-off...I'll say no more.
DodgerTower wrote: <<Oh, i'm not disagreeing that the UK ending was a happy ending. Quite the contrary, in fact. I love happy endings if they're done right.>>
I do, too.
DodgerTower wrote: <<What i found corny about the US ending (and spoilers for anyone else reading this) was a lot of things: Sam finding out that Gene Hunt was his father (ugh!), the fact that they're on a mission to Mars, and that their search for a cure for cancer was referred to as a "gene hunt"...Ugh! No thanks!>>
Although I have since heard the US ending is based on a Spanish movie, I guess the thing that made it palatable for me was that it was totally unexpected. It has the awful "it's all a dream" thing -- except there is a twist on that that made think. I liked the "gene hunt" pun. I love puns. And it of course explained the name.
And I LOVED the idea that Keitel said, "Wherever you are, make that your home." Sam in the UK version actually doesn't do that -- he leaves 2006 because he can't make it his home. But that idea is a seductive one, especially since so many people -- or is this just an American thing? -- are stuck in places, they don't like, jobs, relationships, etc.
DodgerTower wrote: <<When Sam jumped off the roof in the UK version,>>
That always reminds me of the Yes video for Owner of a Lonely Heart. Have you ever seen it.
DodgerTower wrote: <<i almost welled up in tears!>>
Oh, stop being so British. You should have cried like an American b*tch -- me, for example. Tears are good. They clean you out and stabilize you.
DodgerTower wrote: <<That was an incredible moment done really well, and the fact that they did a happy ending out of a suicide and made it convincing was brilliant (speaking as someone who is EXTREMELY against suicide, that's saying something)!>>
Was it a suicide? Did he die? Did 2006 Sam die so 1973 Sam could live? And since Sam was alive in 1973 -- too confusing. Sam committed suicide so he could live. It's not your average suicide. He left one life...wait, I'm getting it...so he could have another. He threw everything away because he couldn't make where he was a home...he had to go to his real home. Remember all that Wizard of Oz stuff? Frank Morgan? There's no place like home? Oh, I was also reminded yesterday that the name of the character in A Connecticut Yankee in King Arthur's Court is Hank Morgan. He also time travels back (way back) and makes his home in the past. I cried like an American b*tch when I read that book.
DodgerTower wrote: << And I agree with ya about BBC Annie!>>
You have excellent taste.
DodgerTower wrote: <<Hell, i'd probably jump off a roof for her, too! Why it took so long for Sam to kiss her, i don't know! >>
Oh, building of sexual tension. Keeps us watching. You know.
"That always reminds me of the Yes video for Owner of a Lonely Heart. Have you ever seen it."
Can't say i have.
"Oh, stop being so British. You should have cried like an American b*tch -- me, for example. Tears are good. They clean you out and stabilize you."
Well...there have been genuine moments where i've cried over tv. Doctor Who series finales, for example. Especially the 4th one: that REALLY made me bloody weep like a British b*stard, i can tell ya! Ever watched it?
DodgerTower wrote: <<Well...there have been genuine moments where i've cried over tv. Doctor Who series finales, for example. Especially the 4th one: that REALLY made me bloody weep like a British b*stard, i can tell ya! Ever watched it?>>
Yes, yes! Now I finally have! And I thank all the gods that I have! Doctor Who was one of those things I never watched, saw one day, ran out and bought all the DVDs, and became instantly addicted (to the Eccleston/Tennant years). And I too cried at the series finales, especially the 4th one. However, certain eps made me cry, too, like the Silence in the Library and the Forest of the Dead two-parter. Oh, I LOVE Doctor Who. Is it true that the character Sam Tyler's surname came from Rose Tyler? Time travel and all that? I don't know, but I heard that the creators of Sam Tyler wanted to give a nod to the Doctor.
BobRob1, you are more than annoying. You are also abusive and vulgar. If you don't like me, dear, just block me. No need to be a nasty little bully -- well, I guess you have a need to be a nasty little bully because of your emotional problems and that's just sad. For you.
GKars Muse wrote: <<How can this single image make the entire US run better than the British version, even though you admit that the British version is much better in so many ways? That doesn't make sense.>>
You know what doesn't make sense? The fact that you think I said anything remotely like that. I didn't. I wrote: <<I have seen the US version in its entirety, and only an episode or two of the UK (although I am now deeply in love with Phil Glenister -- and Michael Imperioli) so I am not really qualified to say which is better>>
Do you understand what that means? That means I am saying I cannot say which is better because there is no way for me to know. Really -- how on earth did you read what I wrote and and interpret it so badly? What I wrote was quite simple.
I think the US opening scene's big reveal is better -- that's it -- because it has so much more emotional resonance. Manchester is incredibly lucky it doesn't have that resonance, btw.
GKars Muse wrote: <<I think you have fallen into the trap of the emotional response that the US writers wanted to create and mistaken it for superior writing.>>
The writing in the opening scenes of both the US and Brit versions of Life on Mars is quite similar (granted, Maya and Sam's relationship is different). In face, the dialogue scene leading up to the big reveal is practically identical, with some changes made to acoomodate Brit English (mobile phone) and US English (cell phone). That should show you it was NOT the writing I was responding to -- it was THE IMAGE.
GKars Muse wrote: << It is lazy writing more than anything, similar to using "he raped a nun and murdered a priest" to describe a chief antagonist and leaving his characterisation at that. Sure, it gets an emotional response but it is shallow and cliched. >>
If you think the writing is lazy, then condemn the Brits, because, as I said, the writing in that scene is taken from the British version. If you think it is shallow and cliched, blame the Brits. They wrote the scene leading up to the big reveal and the US version copied it.
The power came from the reveal -- it was so painful, such a shock as a New Yorker to see that. Again, let me reinforce just how lucky Manchester is NOT to have something like that to use. England has had -- and given -- its problems. I am not saying it hasn't. But none was used in the opening scene of the BBC LOM to help underscore art, to further a trope, as the image of the Twin Towers was.
To be totally clear -- once again -- in the hope that you will understand -- I never said that the US version is better. I can't, because I haven't seen the entire UK version. I just think that the big reveal in the opening scene of the US version is much more powerful.
The subject line of my post MAY have mislead you. You may have perhaps thought I was giving one example of the many ways in which the US LOM was better than the BBC LOM. However, reading what I wrote in my post should have fixed up that misunderstanding. Did you even read my post?
Gkars Muse wrote: <<Then you need to think about what you write before you write it. I have just read your OP again>>
Again? I don't think you have read it once. You may have looked at it -- or maybe you just skimmed it -- but you aren't reading it or understanding it. What I wrote is quite simple -- why don't you get it?
Gkars Muse wrote: << and it STILL looks as though you think this single image makes the US version a "better" version.>>
It would look the same. I haven't changed it. However, I don't think you have read it -- or perhaps your reading comp is quite bad. I admit the subject line might be misleading, but the post CLEARLY is not.
Let's break down what I wrote.
I wrote <<I have seen the US version in its entirety, and only an episode or two of the UK (although I am now deeply in love with Phil Glenister -- and Michael Imperioli) so I am not really qualified to say which is better.>>
Get it? I am saying I am not qualified to say which is better -- so I am clearly NOT saying the US version is better.
I also wrote: <<I cannot put it into words, but that opening scene was exceptionally powerful. The UK version cannot compete -- although it might be better in a million other ways, I think no series opener has ever had the impact the US version of Life On Mars did.>>
I am wondering how you read that and responded with: <<even though you admit that the British version is much better in so many ways?>>
I NEVER admitted that. I CAN'T. I haven't seen enough of the BBC LOM. Do you know what "might" means? I said the UK version MIGHT be better in a million other ways. I "admit" nothing -- I can't, not having seen the whole BBC LOM.
Gkars Muse wrote: <<I once heard a saying, not saying it applies to the US version because I haven't seen it>>
Whoa, Nellie! WHAT? Now I see why you cannot understand what I wrote. You feel you can judge the US version without seeing it? You think that's valid? Intelligent? Legitimate? It's not. It's prejudiced.
I admit I haven't seen the entire BBC LOM and say I can't judge it. That's a rational way to go about things -- but you can't do that. You believe you can judge something you haven't seen. How narcissistic of you! You call something you have never seen "a turd;" you say it has "lazy writing," and you have absolutely NOTHING on which to base your opinion. Nothing. You let others think and judge for you, I guess, or just let your anti-American bias provide you with pre-fab ideas.
Gkars Muse wrote: << but it is succinct: You can dress a turd in Christmas tinsel, but that doesn't stop it being a turd.>>
Yeah. Try watching something before you judge it. Try learning to improve your reading comp and work on that narcissism while you're at it -- doesn't it occur to you that it is odd for you to judge something you have never seen so harshly? Probably it doesn't.
You feel you can criticize both the US LOM and ME and write <<I think you have fallen into the trap of the emotional response that the US writers wanted to create and mistaken it for superior writing. It is lazy writing more than anything, similar to using "he raped a nun and murdered a priest" to describe a chief antagonist and leaving his characterisation at that. Sure, it gets an emotional response but it is shallow and cliched. >>
without ever actually KNOWING through PERSONAL EXPERIENCE that what you say about the US LOM is true. You call is "shallow" and "cliched" and "lazy" and say I have "fallen into a trap" -- all this about something you have NEVER SEEN. Man, that is just scary. Are you aware that that is how prejudice operates and thrives?
GKars Muse wrote: <<Whatever dude, rant all you want.>>
Rant? Who's ranting? Oh, btw, I am female.
GKars Muse wrote: <<Fact is you got sucked in by writers looking for a a specific emotional response.>>
Ah, yes, that word "fact." It's so odd, the way you feel you know "facts" about a show you have NEVER seen. You shouldn't let other people do your thinking for you...wait a minute -- maybe you should, because you clearly aren't very good at it.
Oh, and btw, when writers look for a specific emotional response and get it -- that is usually considered GOOD. That is what good writing does. Bad writing can do that, sometimes, with teenagers, but good writing does it, too. Wouldn't you say that the good writing in the BBC LOM was created by writers looking for a specific emotional response and getting it? Yeah. So what is wrong with US writers doing the same thing?
Anyway, my emotional response in the scene in question came from a powerful, painful, unexpected image, not the writing (as in dialogue).
GKars Muse wrote: <<That doesn't make the US version superior in any way.>>
I never said it was. Ever. You can pretend I said that. In fact, you are pretending I said that. I didn't say that, but the truth doesn't matter to you.
I said ONE SCENE from the US version was better than its UK counterpart. As for the rest, I don't know -- but, please, continue to pretend I said things I didn't and that you know things you don't. Whatever you do, do not deal in any kind of mature, adult, responsible reality. It might be too much for you.
GKars Muse wrote: <<A lot of other people on this thread read it the same way I did.>>
No, no one else did. No one else read my post and thought I was saying the US series of LOM was better than the BBC LOM. No one. Just you. You REALLY need to work on your reading comp. Apparently, you misunderstood what practically everyone wrote. Some of the posters thought the BBC LOM was better, but no one thought I was saying the US series of LOM was better. No one thought I was saying that because I wrote clear, simple things like "I have seen the US version in its entirety, and only an episode or two of the UK...so I am not really qualified to say which is better." Everyone understood that -- everyone except you.
Not only did you borrow other people's opinions, you also took their words. You pretty much plagiarized what others wrote -- particularly timberdan, the poster who was chastised by more than one person for how callous and rude he was to me. THAT'S the person you choose to plagiarize from. Sheesh.
If you had actually watched the US LOM, I would have to respect your right to have an opinion about it. However, the fact that you have an opinion (and such a strong one!) about something you haven't watched just shows you to be a mindless follower. That, combined with your plagiarism, makes me really doubt whether you have any ethics. People like you make great soldiers -- just follow orders and don't think.
GKars Muse wrote: <<What more is there to say except 'have a nice life'?>>
What more? Well, in your case, I don't think I can stress enough the importance of using your own experience to create your opinions.
Try watching a show before you judge it. And stop plagiarizing.
Try basing your own judgments (on EVERYTHING) on your own experience instead of letting other people dictate how you think. Then use your own words when you write about your own opinions which you came to using your own experience and your own analysis of those experiences. Think for yourself. Write what YOU think using your own words.
Oh, and look at my interaction with Mrs. Gideon in this thread. Perhaps her final posts could teach you something -- they SHOULD. I don't know if they CAN, but there is that possibility. If you learn something, perhaps you will, as you put it, "Have a nice life."
Oh, coolbluegreen, I know it's hard to suffer fools gladly; but I think those two bullies got the rise out of you that they were looking for. That's what rude, argumentative people enjoy doing. Personally, I read your OP just the way it was written. I don't see how anyone could read more into it. Not being a New Yorker, I couldn't feel the depth of emotion you felt, but I surely can empathize with it. I remember the day after 9/11 feeling that our country had lost an immunity to the evils we read about elsewhere in the world. I nearly came to tears then. But, on a lighter subject....... I must say that the US version was enjoyable and I hope you like it. I just finished watching the UK version and it definitely was better overall - the acting, writing, and most definitely the ending. I totally disliked the ending to the US version, so when the UK series ended pretty much how I was hoping, I was extatic. When Sam and Annie FINALLY kissed (Damn, it DID take 'em long enough!) I was blubbering tears of joy. Liz White is absolutely gorgeous! I would have hated it if Sam hadn't finally come to his senses. Philip Glenister was the best thing about the series; I've seen him in other, minor, roles, but this had to be his best. I can't remember how many times I rewound just to hear him rip off one of his hilarious lines. Had me L'ing OL every time. And his car was the coolest! However, one (other) way that the US series was better - Michael Imperioli brought more depth to his role than Dean Andrews did in the UK version. I'd say he was probably my favorite character in the US series - and that's saying alot when Harvey Keitel's in the cast. "The way I see it, that's just a big waste of adrenaline; if your number's up, why fight it; and if it's not, why worry about it?" - Jack Savage
e-klien-1 wrote: <<Oh, coolbluegreen, I know it's hard to suffer fools gladly; but I think those two bullies got the rise out of you that they were looking for.>>
That's what I don't get, have never gotten. Why look to do something like that in the first place? I guess I make an easy target for some people because I just cannot understand what would make someone want to be a total jerk and be mean to people on purpose, for no reason other than to hurt someone. I don't get it and always wonder if they really didn't understand or whatever.
e-klien-1 wrote: <<That's what rude, argumentative people enjoy doing.>>
I am sure you are right. Again, I don't get it and I am glad I don't.
e-klien-1 wrote: <<Personally, I read your OP just the way it was written. I don't see how anyone could read more into it.>>
Me neither! I guess you are right -- there is no way to read more into it -- unless you want to, in order to be an obnoxious jerk. Of course, even then, you are not sincerely misunderstanding -- you are purposefully being a jerk. Again, since I have difficulty understanding why anyone would do that, I wind up giving the benefit of the doubt to those who don't deserve it. You are wise, e-klien-1!
e-klien-1 wrote: <<Not being a New Yorker, I couldn't feel the depth of emotion you felt, but I surely can empathize with it. I remember the day after 9/11 feeling that our country had lost an immunity to the evils we read about elsewhere in the world. I nearly came to tears then.>>
That is a very interesting way to put it. I think all of us have, as you say, a perceived "immunity to evils we read about elsewhere." We all have part of us that thinks, "Well, that could never happen to me," and when it does, the shock that accompanies the pain, the shock that makes us realize that terrible things DO happen to us just like to anyone else and that there is nothing we can do about it is horrible.
That day, New Yorkers went through that strange process alone and together -- as individuals and as New Yorkers. It was the weirdest feeling. It was very difficult to articulate. I mean, we went from feeling almost untouchable to realizing how incredibly vulnerable we were. We had known we were intellectually, but not emotionally, Then -- WHAM -- we all knew it emotionally. That opening scene of LOM brought back a time of naive arrogance when despite all the crime and drugs and corruption, etc., we still felt untouchable enough to build those Towers. Look -- it's been over 8 years and nothing has been built since, not there. Seeing that image, being reminded of a lifetime of thinking nothing could ever happen to changing over night to people who got jumpy when subway stops were closed or whatever -- it was weird.
e-klien-1 wrote: <<But, on a lighter subject....... I must say that the US version was enjoyable and I hope you like it.>>
Oh, I do -- immensely (no pun intended). I fell in tv-love with Michael Imperioli. Yum. His character is a misogynistic jerk, but he...yum! How sexy! And it's very NY, very of-that-time-period. It reminds me a lot of US cop shows of the 70s. People have complained that the Gene Hunts are different and suppose the are, but they need to be. I am sure Manchester detectives and NYC detectives were very different -- and Keitel nails that NYC, civil servant feeling.
e-klien-1 wrote: <<I just finished watching the UK version and it definitely was better overall - the acting, writing, and most definitely the ending.>>
I need to watch the whole BBC run. With subtitles. I'll miss that NYC feel, that obviously a BBC version couldn't have, but the lovely Phil Glenister will more than make up for it and that actor who plays Annie in the BBC run is quite lovely. I haven't seen enough to get past the looks yet. It took me a while to notice how amazing Michael Imperioli is, for example, with the US LOM, because he is not stereotypically US gorgeous (the way the Irish guy who plays Sam Tyler is, for example.).
But that voice on Michael Imperioli is as lovely as a glade-dappled river, running through dark secrets of glen and pine-scented forest...god, that man's voice is a thing of beauty.
e-klien-1 wrote: <<I totally disliked the ending to the US version, so when the UK series ended pretty much how I was hoping, I was extatic. When Sam and Annie FINALLY kissed (Damn, it DID take 'em long enough!) I was blubbering tears of joy. Liz White is absolutely gorgeous!>>
Is THAT her name? Yes, she IS. Oh, yes -- just my type. Beautiful! Gretchen Mol is pretty, but she is no Liz White. Blue eyes, brown hair, gorgeous complexion, a beautiful voice, and I think even dimples just slay me.
e-klien-1 wrote: <<I would have hated it if Sam hadn't finally come to his senses. Philip Glenister was the best thing about the series; I've seen him in other, minor, roles, but this had to be his best. I can't remember how many times I rewound just to hear him rip off one of his hilarious lines. Had me L'ing OL every time. And his car was the coolest! However, one (other) way that the US series was better - Michael Imperioli brought more depth to his role than Dean Andrews did in the UK version. I'd say he was probably my favorite character in the US series - and that's saying alot when Harvey Keitel's in the cast.>>
Michael Imperioli is the hottest thing in the US vestion. Jason O'Mara is stereotypically HOT, smokin' hot, but god, when Michale Imperioli opens his mouth...drool, narcotic glow, warm red and golden lust. I can't get over the way that man speaks. So delicious. Harvey Keitel is a great actor, but he is playing a paternalistic NYC civil servant of the 70s -- a very different character and not a lot of room to be sexy. Did you know I watched "The Sopranos" AFTER LOM? Yep. I never saw it before. But I jut had to see Michael Imperioli.
e-klien-1 wrote: <<"The way I see it, that's just a big waste of adrenaline; if your number's up, why fight it; and if it's not, why worry about it?" - Jack Savage>>
Hi, coolbluegreen - interesting comments!! First, when you say you're happy that you don't get that mean-spirited attitude, and you're happy not to, I recall thinking pretty much the same thing before. Just don't understand what someone gets from being that way and hope I never do. If that makes us easy targets, so be it!:>/ Say, I guess you really like Michael Imperioli??!! I just like his acting; he created a character that you loved to hate, so to speak. He wasn't just a one-dimensional jerk, but a jerk you could sometimes sympathise with. But I DID enjoy reading your peotic descriptions of how he made you feel. Now as for Annie/Liz, I was totally charmed by her soft, breathy voice. And I'm a sucker for a lovely woman with an English accent (I'll have to admit I'm an Anglophile) I see her the same way you see MI: not the conventional stereotypical beauty (or hunk in MI's case) I think that makes her more attractive. I've never seen The Sopranos , but a friend of mine who has, really liked Michael Imperioli. Might have to start renting that series. I think both LOM's did a good job of re-creating the 70's. I've watched The Sweeney, a British cop show from that time, and of course Barney Miller is one of my all-time favorites. When I compare LOM to those shows, I can see how well they evoked that time (makes me nostalgic for those years!) I didn't realize that you haven't seen the entire UK series - you're in for a treat! Enjoy!! "The way I see it, that's just a big waste of adrenaline; if your number's up, why fight it; and if it's not, why worry about it?" - Jack Savage
e-klein-1 wrote: <<Hi, coolbluegreen - interesting comments!! First, when you say you're happy that you don't get that mean-spirited attitude, and you're happy not to, I recall thinking pretty much the same thing before. Just don't understand what someone gets from being that way and hope I never do. If that makes us easy targets, so be it!:>/>>
Right there with you. I cannot understand why anyone would want to act like that and am just glad I don't.
e-klein-1 wrote: <<Say, I guess you really like Michael Imperioli??!!>>
Oh, yeah.
e-klein-1 wrote: <<I just like his acting; he created a character that you loved to hate, so to speak. He wasn't just a one-dimensional jerk, but a jerk you could sometimes sympathise with.>>
Interesting description! I like it. His character was a total jerk, but the actor -- wow. My attraction to him grew slowly, at first I didn't realize what was happening, but suddenly I noticed I was looking to Imperioli if he was in the scene and missing him if he was not. I couldn't figure out what it was about him that made me so attracted (although I am always attracted to amazing talent) especially with the far more conventionally gorgeous Jason O'Mara nearby, but then I realized -- Imperioli's voice. His voice is just gorgeous. And then I wanted to see everything he had ever been in -- and I had a whole lot of Sopranos backlog waiting for me.
e-klein-1 wrote: << But I DID enjoy reading your peotic descriptions of how he made you feel. Now as for Annie/Liz, I was totally charmed by her soft, breathy voice. And I'm a sucker for a lovely woman with an English accent (I'll have to admit I'm an Anglophile) I see her the same way you see MI: not the conventional stereotypical beauty (or hunk in MI's case) I think that makes her more attractive.>>
I actually think the BBC Annie is better looking, a more conventional beauty, than the US Annie. Gretchen Mol is pretty, don't get me wrong -- it's just that Liz White is prettier.
e-klein-1 wrote: <<I've never seen The Sopranos , but a friend of mine who has, really liked Michael Imperioli. Might have to start renting that series.>>
Well, it's brilliant.
e-klein-1 wrote: << I think both LOM's did a good job of re-creating the 70's. I've watched The Sweeney, a British cop show from that time, and of course Barney Miller is one of my all-time favorites. When I compare LOM to those shows, I can see how well they evoked that time (makes me nostalgic for those years!) I didn't realize that you haven't seen the entire UK series - you're in for a treat! Enjoy!! >>
It's really worth it to watch the entire original series and follow it up with Ashes to Ashes. They are both so fabulous and after you see the last ep. of A2A, you'll be thinking about it for days (you'll also want to watch both shows all over again and look for clues). I liked the American LoM, and that scene with the Towers is very powerful, but overall it really cannot compare to the original.
P.S. I'm totally with you on Glenister. ;) ____________________________________
Buffy5X5, I am a huge Joss Whedon fan, so your nym tells me you are a person to be trusted! Of course, your opinion on Glenster also reveals your excellent taste! ;-)
I actually bought the first LOM Brit series (although I am currently entranced with another Tyler -- Rose Tyler -- actually the whole Doctor Who Eccleston/Tennant years and am watching those DVDs) and will watch LOM soon. I have seen a few eps. Thanks for your advice!
Trajan 7 wrote: <<Nothing with the US version is better.>>
Well, that sentence tells me that English is not your first language. You are neither American nor English. You will experience both the US and the UK LOMs through your own lens, whatever that may be.
Your opinion about the LOMs is valid for you. However, as a New Yorker and an American, who was in NYC on 9/11, I have to say, the opening scene in the US LOM was much more powerful and shocking than the same scene in the UK LOM. That's why I like it better. You do realize we are talking about one scene here, right? Anyway, you can disagree. You are coming from a totally different place, so what affects you might not affect me and vice versa.
Do you think your opinion is the only one that can be right, or do you believe it is just right for you?
I wrote (and Trajan quoted) <<Do you think your opinion is the only one that can be right, or do you believe it is just right for you?>>
Trajan wrote: <<Funny where did i say that ? >>
You DIDN'T say that. I obviously KNOW you didn't say that -- that is why I am asking you what you think. Do you see the question mark? That indicates that I am asking you a question -- that I do not know what you think and am asking you for information.
So, again, regarding this question of the opening scene in LOM only -- do you think your opinion is the only one that can be right, that your opinion is universally right, or do you think it is just right for you -- that other opinions may be right for other people?
Trajan wrote: <<If you know i did not say it then there is no need to ask it>>
Well, if there "needs" to be a "need" to ask a question, you have created it. I want the information -- it's not there -- I should ask. I wonder why you won't just simply answer the question. It's an easy one.
Here it is again: Do you think (regarding the opening scenes of the US and UK LOMs only) that your opinion is the only one that can be right, that your opinion is universally right, or do you think it is just right for you -- that other opinions may be right for other people?
It's such an easy question. Why are you trying to avoid answering my question? It's very strange. Why not just answer it? So, now I have two questions -- the original and why you are trying so hard to avoid answering the original.
Trajan 7 wrote: <<Why becuse you keep arguing over what i said.
Just let it go i did not like the American version. Deal with it>> ________________________________________________________________________________
It's so funny. You want me to be saying or thinking things I am not saying or thinking, so you are proceeding with this conversation as if I had said what you want me to be saying -- never mind that I didn't.
You imagine that I am arguing with you over your dislike of the US LOM. But I'm not. You must know that. You can't be that dumb. You pretend to be convinced that I am upset that you don't like the US LOM. Of course, that's not true. However, you have decided it is, despite all evidence to the contrary, and have told me to "let it go." There is nothing to let go! You told me to "deal with it," but there is nothing to deal with. You may think whatever you like of the US LOM. You are perfectly entitled to your opinion of the show. It doesn't bother me -- and that bothers you, for some reason.
The other thing that bothers you, of course, is my question. I asked you, "Do you think your opinion is the only one that can be right, or do you believe it is just right for you?"
Obviously, I believe that my opinion is right for me, but doesn't have to be (in fact, often won't be) right for other people. There -- I have answered my own question.
But this question really bothers you. You won't answer it. That left me with two questions -- the original and then, of course, I wanted to know why you wouldn't answer my question. As I already pointed out, I answered it. I am not asking you to answer anything I wouldn't.
I wonder what you will do now. Will you continue the fantasy conversation you've been having with me in your head and come out with a non sequitur like, "I don't care what you say! You can't convince me to like the US LOM!"
Will you engage in some kind of ad hominem attack? You've been doing that to a certain extent already.
I am pretty sure of one thing -- your response, should you leave one, will have little to do with anything I have actually said -- but everything to do with what you think I should have said, or what you wish I had said. Oh, and you won't answer my question.
Sorry, but I don't agree. I know perfectly well what happened on 9/11 and it is a powerful image and event, but I always found the end of episode 5 of series 1 of the British version more powerful. As a football fan, and someone who has family in Liverpool, I can relate far more to the horrors of football hooliganism. So I know how you feel about it, but that speech by Sam at the end of the episode is always going to be more powerful to me, personally. I don't live in New York, I went on holiday there when I was seven in 1999, but it's obviously not the same.
And on the US series in general, I know they didn't have much time to wrap it up, but the ending was cheap. The episodes also seemed a little overstretched, but that might be because there are more episodes in US series. In the UK version, Sam makes a choice, and he gets his choice because that's all that matters. In the US version, Sam makes a choice, and that choice is ripped away from him and he was given a third option that he had no decision about. That's why the UK version is better.
To be fair, the acting and the writing was good, the US version just seemed like it didn't have the backing, and from my experience of decent American TV series, they don't seem very well backed. Firefly, anyone?
Firefly me! One of the best shows ever. I love Joss Whedon. All the best shows are canceled -- My So-Called Life, Freaks and Geeks, Firefly...at least, by some miracle, Buffy the Vampire Slayer made it.
I watched the US version during its airing, and the visual of the Twin Towers was like a punch in the gut. Much later I discovered the original Uk version, and John Simm's Sam drove me to tears when he was driving away from Maya's crime scene, breaking down and beating himself up for what happened to her. I became an immediate fan of UK Life on Mars and John Simm.