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An Engineer's perspective of the movie 'unstoppable'


First, I must say that this was a very enjoyable movie well worth the time spent viewing. It does everything a movie should do, intrigue, engage, thrill, and hold your attention. I will dissect a few points but the reader should not take it as me just being critical. I have discussed with several with my co-workers who have seen this movie and we agree that this movie, at the very least increases the mystique and romance of trains and their crews. This movie is truly a "foamer's delight"!

I noticed on other threads the mention of forced early retirement of "Old Heads" like Denzel. The fictitious railroad they are working for was non-union. But the new guys are union and Chris Pine's character was a local chairman for the UTU - United Transportation Union, which I myself am a member of. When there is a renegotation of a work contract where union vs company vs old timers the old timers often do get forced out. The yellow jacket jokes in the movie are tongue in cheek of how newer employees of most major railroads must wear vests for the first 1-5 years.

I have in front of me the incident report of the runaway train the movie was loosely based on. Runaway CSX train May 15, 2001. Location - Stanley Yard in Toledo, Ohio. 3 man crew. CSX 8888 - 22 loads, 25 empties. Engineer failed to control movement to permit stopping in time to line switch, made the decision to dismount and run to line the switch. Engineer tried to remount the engine and his hands slipped off the grad irons and he fell to the ground. He was dragged approx 50 yards taking injuries to his legs and forehead. It travelled 71 miles before being stopped. In that time the train was shot at to try to trigger the fuel shutoff switch like in the movie http://www.youtube.com/watch?v=apsKBo8-zak and a manager eventually boarded the train to bring it to a stop. I watched the interview of this manager the next day on Good Morning America and he said he was "In my comfort zone" when he made the decision to attempt to board the train just like the welder in the movie did. They did attempt to derail it pretty much like they showed in the movie with a series of portable derailers which the train dissentigrated. There was no crew trying to slow it from the front or year. But hell, it makes a helluva good movie!

On to some discrepancies. It was obvious they shot several different endings for the movie, wonder why they made a big deal of the welder on TV at the end - the one who said he was in his comfort zone? Based on the "comfort zone" comment that was made by the RL hero of that day I would bet an alternate ending had Denzel and Chris Pine slowing the train down enough for the welder to jump on board and stop the train.

The scene where the engineer had two locomotives tag the front end to try to steady the speed while some unknown guy tries to rapelle to the locomotive was truly the hardest thing to swallow. If I had tagged my engines to the front of a runaway train, I'd put on some dynamic brakes to keep my locomotives flush against the lead of the runaway, then I'd casually saunter back thru the units and cross over to the cab of the runaway and stop it. We move between moving units over the road all of the time. It did make good suspense though. I thought it was a bit tacky that they have an engineer hero get killed off doing this move and not one thing mentioned in the later script about it at the end.

The politics of the yard master lady, the corporate manager, the CEO was all pretty much spot on, I hate to admit that. Too many times I have seen the big wigs override decisions of their working managers and employees for less than honorable reasons, the results are all too often worse than if they stayed out of it.

Great movie, it'll join my dvd collection that includes Silverstreak, Underseige 2 - Dark territory, and other rail movies I own.

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Thank you so much, suntop007, for your informed review of the movie. I have not seen it yet as it is not released here in NZ until 13 January 2011. I am happy that you enjoyed the movie, especially coming from your perspective.

I have to admit ignorance when it comes to trains. To me, pretty much my sum knowledge is that they are big, rumble a lot from a distance and carry goods and people. I live about a mile from the main trunk line in Auckland and I can hear the trains rumbling along the tracks in the middle of the night sometimes and they seem to go on "forever" at times. I also live about 5-6 miles from Auckland Internationl/Domestic Airport so the sound surround can be quite interesting at times...

A rose for remembrance

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Yo Suntop007 - nice to see the perspective of an actual engineer :) As a British railfan with a fair grounding in American railroading, I enjoy seeing people like yourself commenting on rail-related films.

In response to your post would like to point out though that in the CSX 8888 incident, a crew (engineer Jesse Knowlton and conductor Terry Forson) did chase after the runaway, couple-up, and apply their dynamics. Their actions allowed 8888 to sucessfully negotiate a curve near Kenton and slowed the train enough for trainmaster Jon Hosfeld to board the locomotive. The two of them met with Tony Scott, Chris Pine and Denzel Washington to advise and their personal histories influenced the script (one actually did have a pair of daughters working at Hooters, and the other admitted to getting hired thanks to family connections in the company). The two of them are credited at the end of the movie as technical consultants.

Coupling from the rear was CSX's 'Plan B'. Plan A was the failed use of the derailer. Plan C was to put two locomotives in front of 8888 to slow it down (a possibility repurposed for the movie) and Plan D was to take the track up and force a derailment.

Like you, I also question not having a man try to cross from the lash-up to 777. I assume that engineer Judd Stewart's conductor, the obvious candidate for the job, was Ryan Scott, the ex-Marine who was being suspended from the helicopter (you see him talking with Pine's character at the yard and walking off with Stewart afterwards) - it could have added an extra stunt scene though with a man attempting to cross to the runaway and either being knocked off or find it an impossible jump to make, at which point they attempt Plan B, the heli-drop.

That said though, it was still a highly enjoyable film - did any other bits stand out to you as an engineer, for good or for ill?

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rbdavies86 - Thanks for the info! I was typing down the incident from the actual report my company, Union Pacific, posted to our crews as a safety alert. It was pure coincidence I kept that one report in my clipboard for nearly 10 years. It does not surprise me that the report was lacking in details such as the rear end latch-up, which is a very viable option that they obviously did. But the report and the few you tube videos I pulled up were lacking those specifics. Regarding another poster's question on if the rear pulling unit's dynamics/engine blew would it blast from 40-70 in 30 seconds, it is unlikely. However, the lead units were under power in full throttle 8 and it certainly could lurch from 40-70 in less than 2 minutes.

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Thanks for the input here, interesting reading.

A few questions though, at one point in the movie when the engine at the rear of the runaway blew it's breaks the train sped up from 40mph to 70mph it what seemed like 30 seconds maximum. Do trains of this length really accelerate that quickly? The same for bringing them to a stop, don't they take miles of track to slow down?

Bauer vs. Bourne, that is the question.

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It really depends on whether the train is going uphill or downhill, and how steep that hill is. Seeing that the runaway was just coming off a high bridge out of Stanton, it's very possible that it was going down a pretty hefty grade and could accelerate much more quickly than if it were on level track.

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Thanks for that.I finally looked up info on the original incident.
http://www.youtube.com/watch?v=-vN6jX4S8v8
That train looked like it could have caused a lot of damage.Even going at 46 mph it looked like it was flying it.


http://www.youtube.com/watch?v=jpvcfv5FjfE&feature=related

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Nice to hear somebody who knows confirm how easy it would have been to put an engine in front of the runaway and just casually walk back to the other engine it seemed pretty obvious.

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Thanks for the input. Watching the movie, it became pretty clear that it was overdramatized and not going to be an accurate representation of the real events. Whenever a movie says "Inspired by" or "Based on" true events, I always scoff. It just means you take a small nugget of truth and exagerrate it for maximum dramatic effect.

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I think you have you be careful to recognize the subtle but important difference between a movie that "inspired by / based on true events" and one that is actually attempting to dramaticize true events.

Movies like "The Hunt for Red October", "The Terminal" and this one are literally inpired by a true events. There was an attempt by a political officer aboard a Soviet frigate in 1975 to comandeer his ship. There was a man who lived for years in Paris' Charles De Gaulle Airport. But neither film is attempting to tell these actual stories.

Conversely, "Apollo 13" IS attempting to tell a true story, and despite some creative licenses (everyone watching the Neil Armstrong's first steps from the Lovell home, and Swigert and Haise's arguement) it was considered fairly accurate.

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I was hoping to see commentary by actual locomotive engineers... thank you. Some rather less plausible aspects of the movie are given a new lease now.

One thing still bothers me and it's an example of movie makers' artistic license taken to absurd length.
The train rounds the critical bend at Scranton and rears up all its wheels on one side while making the corner!
Now why would any force strong enough to lift the mass of the train right off the rail on one side, stop acting so hard once the wheels had lifted? From the moment the wheels lift each successive inch of lift is an easier lift for the next. There would be no 'balance point', any force enough to lift the wheels would throw the train right off the tracks.
And the rail flange! For some reason the train rides on one set of wheels just fine, as though it had flanges on both sides of the rail. The lateral force of the train might help a bit but I'm sure that a train car that lifted the wheels on one side would immediately fall off the rail on the other and that would be that.

It's just a movie, fine, but when physics are ignored to such an egregious degree it becomes insulting to the viewer, like that bus in Speed that without even so much as a takeoff ramp, can fly a couple of hundred feet through the air over a missing section of bridge causeway, and land under complete control on the remaining section of bridge that's at an even higher elevation.

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I did not realise that an alternate ending would have been shot with the welder stopping the train. Explains why he spent so long giving the interview at the end.


Its that man again!!

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I need to check the boards more often! To answer this last comment first, it is plausible for a engines or cars to lift off of one rail and somewhat balance. I have witnesses it a few times, and seen a training video on it. More commonly an event similar to this is what we call "rock and roll" which normally occurs between the speeds of 12 and 19 mph. The harmonics of the in train force in that speed frame tend to put out a rhythm that makes the consist sway back and forth, especially on straight rails and on track that may not be in top condition. The train can sway back and forth in this rhythm to the point wheels can teeter off the rail, bounce down and bounce up on other side. I have had this happen about a dozen times. The most immediate cure to reduce this is the exact same thing they did in the movie when the wheels were tipping over - a sublte change in push or pull throws the timing off. In those cases I responded with setting the independent brake and releasing and repeating it about 3 times then a moderate set, by then the swaying generally reduces greatly. This is the same technique as used in the movie - causing jerking forces against the intertia multiple times to anchor it. As much as I point out Hollywood glitz in the movie, that part was a legit solution.
To the other question about the train jupming form about 30 to 70 in what they make it appear to be 30 seconds, not possible. If it was really accelerating at that rate it would have still picked up speed putting them over 100mph and it would have derailed. It is more likely it took 60-120 seconds to make the jump, which seems like an instant to anyone running the train lol!

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Apollo 13 was a rare exception of a movie that went for almost 100% accuracy. There were very few dramatizations and creative licensing there, but usually if something says "inspired by real events" it's a euphemism for, "yeah we got the idea from a few little bits here and there that did happen and we made a movie out of it."

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Yeah, but what do you think about Silver Streak?

http://www.youtube.com/watch?v=fi5PFI3rMTQ

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Now, I don't claim to be an engineer and don't doubt that you are, but don't air brakes on trains require air pressure to *release* the brakes and then vent air to *apply* the brakes? That is, no air pressure/connected hoses, the train doesn't move.

That was the fail-safe design of the railway air brake patented by George Westinghouse in 1872. See <http://en.wikipedia.org/wiki/Railway_air_brake>;.

I have some familiarity with truck brakes and *know* that they have to build up air pressure before they can move. I always thought railroad brakes followed the same design.

I could be wrong, I don't know everything about railroad brakes.

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That's how the brakes work when the cars are coupled into a train for out on the main. For yard movements, the brakes are bled off, and the air reservoir on each car allows the brakes to be operated by the hand brakes on the individual cars.

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Great review!

As the daughter of an engineer (my daddy drove trains for 40 years), my favorite part of the movie was about the characters. Railroading is hard on a marriage - many don't make it.

Having seen my dad interact with colleagues and having heard stories, I thought the characterizations were spot on.

My dad was also able to make calculatioins quickly and seemed to know it all too. My dad was the sort to catch the "four extra cars" bit. I am sure it was annoying to the rookies.

There is no way this could have made it to a movie without the fanastic elements that exceed the bounds of reality.

I loved the movie. I just knew the train parts weren't Gospel fact.

Like a flower in the desert
That only blooms at night
I will quietly resist

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> while some unknown guy tries to rapelle to the locomotive was truly the hardest thing to swallow.

I never quite understood why rappelling was needed. I'd imagine that having a guy standing on the skids of the helicopter while it matched the speed of the train would allow him to jump onto one of the cars (especially into a coal or grain hopper) and climb into the cab.

And it wouldn't even have to be an engineer. Joe Cameraman from the news copter could stop the train once in the cab by using the radio and asking for instructions.

--
What Would Jesus Do For A Klondike Bar (WWJDFAKB)?

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the rappelling truly looked absurd... i was half expecting a stray tree branch to slap him off and throw the chopper off balance (for a nice Hollywood fireball crash).

for the same reason, it would be even more absurd to hover the chopper closer to the train -- the trees beside the track looked to be too close.

the much less absurd suggestion of getting a team to hop over from the front train seems so much more feasible in comparison. granted, it's still risky, but with maybe 5 guys or so, perhaps with a rig set up (and plenty of safety ropes), it would be considerably easier than getting 1206 to latch on from behind and getting Frank (a 50 year old man!) to run-and-hop over half a mile of moving train roofs.

btw, i think it's not impossible to do what Frank did. still incredibly risky, since train roofs are probably rather unstable. at that speed, it's probably like skateboarding down a gravelly slope. any sudden jerks or a mistimed jump while along a slight curve and Frank would be sailing forward at 70mph. nonetheless, relativity allows him to run on top of a 70mph train and even jump across the gaps -- the same physics are applying as for someone running/jumping inside a train. just the height makes it far less stable.

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> btw, i think it's not impossible to do what Frank did. still incredibly risky, since train roofs are probably rather unstable.

I think what makes it worse is that not all of the cars have roofs to walk on. Some were lumber cars, grain cars, and flatbeds. Each of those would take time and major risk to cross while the train was moving.

--
What Would Jesus Do For A Klondike Bar (WWJDFAKB)?

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