Lynchian...
(SPOLIERS... I THINK) I really thought the latter third of this film, when he finally becomes the ghost, was really Lynchian (to it's massive merit, btw). Those slightly wobbly shots as he stalked eeriely through the corridors of others' homes really reminded me of Lost Highway, and to a lesser extent the succeeding Lynch films which all utilise this camera technique. Anyone else agree?
An excellent film, totally unique 10/10