mysogynistic?
from Slant's review:
"There's something about the film's godly lead character that reeks of arrogance (he's superior to other thieves, because instead of taking something physical from people's homes, he leaves would-be spiritual imprints behind), but more troublesome is the film's final scene, in which Sun-hwa happily accepts the man that beats her because Tae-suk is also there with her (though it's entirely possible that Tae-suk may be dead and is only there in spirit). When Sun-haw says "I love you" to the shape-shifting Tae-suk (not her husband, as the older man seems to think), you get the impression that that's all the her husband needed to hear in order to stop hitting her. Once again, Kim proves that the attention he pays to the spirit world and how it interacts with the real world is obsessive and alluring on the surface, but his view of flesh-and-blood women and victimhood still feels head-fu*ked."
how did you interpret the ending?