MovieChat Forums > I'll Sleep When I'm Dead (2004) Discussion > Help--The End Scene With Rampling Was Co...

Help--The End Scene With Rampling Was Confusing


Ok, colleagues, did the Irish Hitman kill her? It looked as if she had blood on her neck and upper chest, but I wasn't sure. Your thoughts would be appreciated.

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Here's what I saw and what I thought of the film's ending (and yes, I watched the ending more than once).

It's still daylight when Helen returns to her home. It's dark when Will is shown driving the car away from the carwash behind the audio of the phone conversation when he tells her he'll be there in three hours.
It's daylight when Helen is sitting on the stairs with the hitman. That she's wearing her coat suggests that she was ready to leave with Will when she opened her door. There's no blood on her or the wall, she's still breathing, and he's just holding the gun, not pointing it at her or the door.

I think Will was seeking a way to revenge his brother without returning to his old life. It required him to appear to have returned to his old life, hence the barber, the suit, the car. He would finish his business w/Boad, pick up Helen, and leave all that behind.

His plan was not to kill Boad but to ruin Boads life with the fear that Will could return at any moment to kill him. When his anger overcame him and he went back and killed Boad, he could no longer face Helen and left without her. She and the hitman wait through the long night but he never arrives. Is Helen glad that he's not murdered by the hitman? Devastated that he's abandoned her? Exhausted with fear? I think her expression says all those things.

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Thanks - that's a great explanation.

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I thought the hitman had killed her while waiting for Will.Although your explanation seems plausible and welll thought out.

I think it is vague on whether Will will return to his old life, although he didn't seem intent on it.

Anyone know what the director says about it?

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Just watched this movie late last night and I know I need to watch it again before sending it back to Netflix. Do like that explanation of the ending though. Couldn't figure why Frank Turner had to be it in at all. Waited through most of the movie for Will to avenge what happened to his brother.

Also agree with the comment.....there are a lot of unanswered questions in this movie.

Clive looks great with the longer hair and fuzz on the face. I didn't even realize that was him at first.....the walk gave him away to me.

Could be a much better movie with a little more meat to it.

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I agree that the explanation of the ending was a good one, it made me think of a couple things I did not see. I also agree that turner didn't need to be in the movie at all. I disagree that Clive Owens looks good with facial hair. That man is too good looking to be hiding behind a lumberjack mask. Anyway. I think the point in including Turner was to make it suspenseful(sp?) since the underlying plot itself was not. I was really angry when I saw the ending. The first five to ten minutes after the movie was full of expletives and wonder on why I had rented this suck ass film. But then I thought about it and realized the film ended exactly the way it should have. The movie was about the rape and suicide of Davey and that situation's resolution, not the return of Gangsta Will. The topic is one that was somber and needed a little something to keep the viewer interested- the chance of watching Will kill the crap out of some people kept me going. But, of course, it never got there because it was not what was meant to happen. Will found out about his brother's suicide and wanted to discover why he did it and avenge it. Thats what he did. He found out why Davey killed himself, found the person responsible, and got his revenge. The ending was a great way to leave you hanging, wondering what happened next. It still ticked me off though. And I wish he hadn't of shot the dog, dammit.

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This whole thread made me appreciate the movie much more.....



However it wouldve been infinitely more satisfying and entertaining if it'd become a badass revenge flick. I do respect the director for doing something different. But in the end it clearly left a sour taste in most viewers' mouths...

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[deleted]

If Will was an intelligent gangster with a "heart of gold", he would never allow his feelings to involve putting additional innocent people's lives in danger.

The call to the woman was a set-up. It allowed him to get close to Boad without having to manuever. He used her, knowing all along that nothing would happen.

He left in the same way and manner that he scared Boad with.

If anything happened to his brother's friend, or the woman, he made it plainly clear through his actions that he would have the ability to come back at any time and end their lives as well.

Now they have to live with the fact that if they hurt someone else he loves, he'll catch them when they least expect it.

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Bravo! well said! I never thought of that - and now I like the movie even more! thanks! (yeah, I know, that's a lot of exclamation points)

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SPOILERS*******



Thanks for the explanation Odessa! I was mystified by the end and a bit angry. I hate those unresolved, ambiguous endings. I didn't realize that so many hours had passed between the time Clive said he was going to pick up Helen. At least 12 hours maybe? Anyway, now that I think of it he was going to pick her up at night and the scene on the stairs was during the day, I think.

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I think you're right with your explanation of the ending - but we shouldn't have to watch it 2 or 3 times just to figure out what we are seeing. I think it was a very effective ending, it just wasn't obvious if Helen was dead or alive, and the scene came and went too suddenly after the excitement for us to realise the significance

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Nice one I never picked that up!! I am glad he survived!! The hitman obviously waited with Helen through the night!! Will's original intention was to come back in three hours for her (or perhaps he knew by her weird behaviour that she betrayed him and thus mis directed her AND HER BLANK REACTION SHOWS SHE KNEW THIS and perhaps was feeling guilty about this!!)
Its definetly early morning and way past the three hour deadline and he is by the sea so perhaps he is going abroad as his original intention was when he saw Davey's ghost!!

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The thing is, that her damn face is so frigid that you just don't know if she's dead or not... I think she was born dead!

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Thanks for the explanation. That puts a lot of things in perspective. I liked the tone and pacing of this movie and Will's character, but hate the ending. A more interesting approach would have been to explore Will's character a bit deeper. What caused his 'breakdown' and eventual decision to leave town? I kept thinking a similar tragedy could have happened to another family member or Charlotte Rampling's character to push Will to abandon his old lifestyle, and now another tragedy drags him back in. But nothing came of it unfortunately.

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I believe his explanation for his own breakdown was that he realized he had wasted his life being a gangster. In the end we see that he lived a lavish life as a gangster but clearly that is not what he wanted to be remembered for...when he is dead. Not much is remembered of the dead.

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i second that emotion odessas-1. Just posted an almost identical interpretation on another thread.

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Good analysis. One wrinkle I'd like to add.

The whole film is about Will deciding if he's going to go back to who he used to be, whether his brother's death is going to make him a gangster again.

It seems as though it has. He tells Helen to pack her things because he's about to retake London and he doesn't want her to be hurt b/c of him.

When he goes to kill Boad he has every intention of killing him and resuming his reign as a gangster. He tells Boad he will kill him eventually, meaning he is intent on staying in London. But then he makes the decision to split the difference. He can be an ordinary person and still kill his brother's rapist. It doesn't mean he has to resume the life he doesn't want. The film applauds that decision by showing that if he did resume his old life, that he would have been killed by the hitman waiting at Helen's house. At the end he's decided to go away again and, as he said to Helen previously, grieve.

(btw, Helen is assuredly alive when last seen)

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Thank you very much, I couldn't have put it better myself.

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Ahh, the wonders of our imagination. I think this is exactly what the director wants us to use. Here are my takes:

1) Will returns to kill Boad, which is a good thing, sense he is about to get killed himself. Can't let the bad guy get away, now can we. Will eventual returns to get her, is killed. Whether she is dead or alive doesn't really matter. But in her eyes you can see she is emotionally numb.... and dead inside.

2) Will returns to kill Boad, because we (and he) know he will never return tot he city again. He is determined to leave his old life behind, and that includes his ex-girlfriend. He left her behind once without any intention on returning, he can do it again. The last scene is a long shot of him driving away... away from it all. She lived, for if she died, he'd have to come back and do this all over again.

..just my take on it.

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i'm pretty sure that rampling was still alive. In the end scene, you can see her breathing. she's sitting there waiting with the hitman behind her. MY take on the whole thing was that the hitman was in some way in on it with Rampling - that she was going to let Will get killed. When Will didn't show up (which he didn't, as is clear by the ending shot of him leaving), the hitman more than likely stalked off in a rage. You could see that despite the diver talking about how discreet his cousin was, the guy was just not THAT good.

Just my take on it. Will got himself together to revenge his brother in style, one more return to his previous life, but in the end, he was leaving it all behind. Rampling may have been in on the whole thing, that's unclear - but I do think that the ending was pretty cut and dry. And a very good film, I must say.

---
"There are worse things in life than being wet, so let us get on with it."
fwank.net

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She was still alive- just sitting there..now did he kill her after Will doesn't show? don't really know....

Nobody notices the sober Indians. On tv the drunk Indians emote In books drunk Indians philosophize

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Charlotte Rampling sat there saying, I had a career. I knew a good career. And this film, is no way to continue my career. The exhaustion you saw was her comment about this film.

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i thought every scene with rampling was unclear, it's unclear why she was in the movie. maybe she was the mother to the brothers... it wasnt clear who she was ... an ex? a business partner? part of the old gang? (i think we were owed a better ending, and clearer dialogue also..i had to use the english subtitles to find out what was being said a few times.)






When I'm not at work or at church, I watch dvd's. What have you seen that's good?

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Will was a stereotype of a strong silent good/guy avenger. But he definitely did not seem like a mob boss type who would strike jealousy and fear of territoriality into the heart of Turner

Davey was a stereotypical trainspotting buffoon.

Who was the Mickser? What use was his overacted role?

Mrs. Bartz...Ever wonder where the extras from Benny Hill went?

The back of Sheridan's dress with its spaghetti strings crisscross design definitely belonged in this movie and should be in every movie I see.

There was one good line: "Then, the act was, to use a legal term, non-consensual buggery."

But that was far outweighed by these clichéd and thouroughly predictable lines:

Will: I wanna kill you so badly I can taste it.

Will: I'm gonna kill you. I am going to kill you. Not now. Not tonight. That would be too easy. Maybe next week. Next month. You'll never know. Think about it. One day, one night, I'll be there.

And this was lifted right from the Brawny paper towel man:

Will: Look at me. Look at what I've become. I sometimes don't talk to another living soul for *beep* days, weeks. I'm always on the move. I trust no one, nothing. And it's got *beep* to do with escape or withdrawal or fear. It's grief. For a life wasted. And now there's Davey. Another *beep* wasted life.

How did they ever get Clive Owen to recite these lines with a straight face?

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ok, i can completely slove this. i have just met mike hodges (yay!) and and asked him this myself. helen is not dead. you no its early morning in this scene because (if you listen) there are children laughing outside the house, and the hit man is waiting for will. helen wasnt going to go with will, and will wasnt going to come back. this is for a few reasons. mike asked lots of older and younger woman whether they would go with him, and the younger ones said yes, where as the older said no. it would have been unntural to the flow of the story if she had given everything up and gone with him. he is now on the run, and gone back to his old life. just what helen didnt want him to do. will wasnt going to go back because he is clever, and knew helen well. he knew that he was going to be killed, and that helen wouldnt want to be in hiding with him. he loved her and its not fair (she was an ex by the way). the film is left unclear because it leaves it free for you to set up your own judgements about it, and what will happen. but thats how mike sees it in his head.

....so there!

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my first thought was at the end will was on his way back to his old life of crime... when will first came back, his old "gang" offered him a drink and he didn't drink... after hearing about his brother's situation, he asked the psychiatrist for a drink... then was back at his old "hideout" drinking... his former "gang" also tied up that one guy... will gets out the car, shaves, wears a suit knowing he was always that person even though he tried to hide/run from it... i think the blank look on helen was her realizing will was back and it was about to get ugly (maybe it was her life that was wasted loving this maniac)... any thoughts?

the hitman at her house would have clued her into the fact that will was up to no good... another clue was will's worry his brother's death was going to be frowned upon at the funeral, what would everyone think?... in the end he speaks of his brother... ebert's rule of evaluating a movie is you can't assume, you have to work with what you see and i think some of those moments lead to will returning to who he was... it's all cool though!

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did you ask him why we can't get the damn soundtrack anywhere? :P

---
"There are worse things in life than being wet, so let us get on with it."
fwank.net

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OK, that answers a lot, thanks.

It makes me think that I may be the only one who thought this...but my first thought was -- isn't the "brother from Belfast" the same guy who was driving Davey to the party in the beginning? In which case, I figured Will had set up the whole thing -- the chauffer (really a member of his gang) -- recommending another member so as to completely dismantle Turner's gang and also protect Helen.

Anyone else think this?

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Gatto, that is hilarious!

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thanks

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I didn't read through all the posts but here's what I think. She's definitely not dead. She's staring at the door. The hitman is forcing her to wait till Will returns. He's using her residence to ambush Will, and you know he'll kill her too once he takes Will out. No witnesses. I'm thinking the hitman forced Helen into revealing the three hour plan, but it appears they may have sat on the stairs all night waiting. When the camera shows the door and windows, it appears to be daylight outside. When Will called Helen and told her the plan, it was night and she was still dressed. I'm thinking Will changed his mind about Helen after killing Boad, thinking Helen wouldn't approve. And as poor Helen is sitting there watching the door, she realizes he's not coming back for her, and ponders her own fate.

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I think yes he did kill her and he was waiting for Will, who was now heading off in his car unknowing to what might well be the doom that awaits at the end of the road that he was now following again, after having detoured for three years.

This movie reminded me a lot of Performance, particularly the way the ending is left hanging.

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