Decent film, ruined by Euroweenie anti-Americanism
The minimalism works well, the acting is fantastic with the notable exception of Chloe Sevigny, and the morality message is a good one. Sure it's too long and too slow but if you know that going in you'll be fine.
However, it only works if the film is about evil in general. And unfortunately, the director makes it painfully clear that he is just another anti-American moron, and he is trying to explicitly express his hatred against America. The depression-era photos, the Bowie song, and the fact that this is supposed to be part of a trilogy sarcastically entitled "America: Land of Opportunity" ... dear God Lars, could you be any more of a Eurotrash stereotypical dope?
Apparently not, and it's too bad.