I watched this movie a couple of weeks ago and although at times it was a difficult watch, i absolutely loved it. Isabelle Huppert is just mesmerising in it and has such a beautful face so i was pleased with the lengthy facial shots.
Anyway, there is something niggling at me, for i cant make my mind up about the 'rape' scene. My very initial and instinctive reaction was that it was rape.End of. I watched it again a few days later and changed my mind. Perhaps Walter was doing precisely as the letter requested of him. Perhaps he simply wanted to please Erika who in turn was playing their game.
I then bought the novel and again felt that he was raping her to punish her. She apologises to Walter for the letter and tells him to ignore it. She wanted them to have a "normal" version of love, one without pain as she realises it was not what she wanted or needed.She instead asks for "love and affection". When Walter is raping her she wants to desire him as she "hopes" that she does infact love him, but ends up feeling nothing so asks him to stop as he is hurting her. Obviously he does not.
What confuses me though is the last scene at the Conservatory Erika is waiting for Walter, eager for him to acknowledge her but when he does so just for a bried second, she is clearly dejected and heartbroken. I understand and empathise with her need for love and to an extent have an idea of her mentality but I'm still not sure what happened! It's really very frustrating.lol
I was just wondering if anybody else had any opinions or views on this.
Good film.. My basic take on the film in her non-emotion in the last 'sex/rape' scene, was to show that even if Erika got her way and had the type of 'sex' she wanted in the letter, she wasn't able to drop her 'stiffnes' and become the affectionate person that she hoped that kind of sex would allow her to become. I believe in her fantasies, only the most extream sexual acts she thinks would 'free' her from her authoritarian nature. But then once that scene starts and they start having sex/rape, (i still can't make up my mind which), she realises even this extream degree wont release her.. Even as he is having sex he says somthing like "i'm doing what u asked, now give me a little back", sort of asking her to show him some affection. He then continues to kiss her, but even now she can't allow herself to get wrapped up in the emotion of the moment.
The knife scene, hmm, i think she was so gutted that her fantasies didnt turn out as she planned, it was a lose lose situation. If he had acknowledged her and stopped to talk, i believe she would of stabbed herself infront of him. And as in the film he gave her just a fleeting word and she still stabbed herself.
All interesting views from everyone, and even as i'm writing this i'm changing my mind again, which is why this is a excellent film
I hate Klemmer more and more when I watch this film. He has this whole Mr Nice-Guy thing going on, that hides his true cruel nature, which is really seen when he rejects her in the changing room. I think the camera almost degrades Erika, she looks so pathetic, weak and we almost lose all respect for her. I think Erika definitely wants to enjoy sex and have a normal relationship, but then I also wonder whether or not Erika knows what she wants. The letter could well be saying that by letting Klemmer control her, she loses herself and can enjoy a normal relationship, though it all went so badly wrong. I'll change my mind in a few minutes!
erika doesnt want to enjoy a "normal" sexual relationship. she has no clue what that is. you could say that (deep inside) she wants to let herself go, emotionally and sexually. but thats completely impossible.
i think the letter and her games are not simply an expression of a "sick" sexuality but they show the lack of any sexuality.
she doesnt watch porn to get aroused, but to study the mechanics of sex.
i dont blame klemmer in the least. his feelings for her were true in the beginning. whether he wanted her for a day or life isnt important. but this feelings are betrayed by her, she drags him down to her lifeless perversion, to which he reacts with disgust and anger.
There's also the idea that Erika watches porn to understand what gives people pleasure, she never has pleasre or emotions herself so she simply watches to see what makes others tick, if you like, which is similar to what you said. I still don't like Klemmer though, he's a manipulator and womaniser. However, I am sure he didn't go to Erika knowing of her vulnerabilities, ie he would have used her regardless of her mental state. Haven't you noticed the cruelty in his thoughts about Erika in the book? The book does a lot to explain some parts of the film. I still hate Klemmer the more I watch this though, but not as much as the real villain in her hideous mother.
i didnt read the book, maybe hes portrayed more negatively there.
i dont think klemmer a bad person. hes a little egotistical, but not exploitive. he cares for others. yes maybe hes a womanizer, but im not sure if that is bad in itself.
i think klemmer was as nice to erika as he could be, but hes not the doctor. not knowing what he is letting himself in he didnt protect himself. he changed his behaviour only after he suffered because of her. he could have reacted better, he could have been more mature ...
What I don't like is my feelings to be toyed with. If you can make a point that he was exploiting, manipulating her and that she wanted more than an affair, or that he made it look to her that he wanted more than an affair, then we can talk.
Otherwise no, he's not a bad guy and "womanizer"/"manizer" is not a bad thing per se.
I didn't remember this promiscuity business in the film.
bwfcmichelle just said she thinks "Klemmer is a womanizer", to which I responded "I'm not sure if that's a bad thing", because he wasn't dishonest with her.
That's were you jumped in and everything got blown out of proportion .
No, English isn't my first language. The word might have a predatory connotation, but I didn't see it in Klemmer's behavior.
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what exactly did he do? what is it you are defending? (I guess I need to watch this again lol) well the term is not really positive is what I'm trying to tell you. du bist also eine 'schlampe'?
i don't think he doesn't not love her in that scene, on the contrary, I think he rejects her because he does. He doesn't actually reject her until she uses the word "games" and then he thinks about it, and rejects her, because that is what she asked for. I think he is trying to compromise, in a sick way, to her idea of love because she came and did the same for him.
I saw it as rape, by the way she quietly said "please stop", and how she was crying silently through the whole thing. I think it was more of a punishment on his part, how he kept saying "you can't do that to a man" about how she would turn him on and then leave. It seemed like he was humiliated by the power she had in the relationship and he took the what she desired to a level that was actually harmful, when perhaps she wanted their experiences to be 'safe'? I don't know, I'm just sort of guessing here. It just seemed that it was his way of pitifully reestablishing his sense of power by hurting her immensley when he called her "sick" earlier when he recieved her letter. Also, with the acts that she told him she desired in the letter, that would have been a mutual thing. She would have had some control over it, because she had been the one who requested it. But when he broke into her house and started to hurt her mother as well, and then hit her in the face so hard she got a bloody nose, that was not out of any sense of "love" or trying to give her what she wanted.
Technically it could be interpreted as a rape because she was forced to have sex. But in the other hand she practically ordered him to do it before, when she wrote the letter.
Let's see; Erika is a spinster, a woman not particularly attractive who still lives with her control-freak mother. She is obviously sexually repressed and therefore uses her imagination to escape from her sordid reality. She starts to fantasize about having sex with some dude; The only kind of sex she knows: the one she watches in S&M porn movies. But when confronted with reality she realizes it is not as exciting as she thought, she doesn't like it, actually she is afraid. Therefore she tries to chicken out, but it was too late.
About Walter, he is not your average youngster neither. He has also a kind of paraphilia: feels attracted to bossy, cold and older woman instead of young and beautiful girls. Apparently he has a sort of "platonic" attraction with his mature piano teacher but as soon as he discovers the truth about her, he gets confused. Walter feels both disgusted and attracted. Anyway once he either raped his teacher or just did what he thought she would enjoy, seems he lost interest on her.
That's probably what hurts Erika the most. The fact that she tried to use this boy in order to fulfill his darkest desires but at the end realizes she was the one used. She feels now despised by him and by herself.
The question is: Does Erika feels that she was raped or just punished? Does Walter realized he raped Erika or believes he just did what she asked him to do?
due to her controlling mother, erika never had a chance to experience love or maybe even sex, let alone a normal social life. heck, the mother does not even want erika to wear a certain dress.
erika is sexually repressed. she knows nothing of sex and love other than what she sees in the porn films. she confuses the natural feelings and desire that all humans have inside. she thinks love is about control and dominance. after-all, her "loving" mother controls and dominates her.
in one scene erika wants to have sex with her mother. this shows how lost erika is. she wants to satify her desires, but due to her controlling mother, she has no outlet for these desires. erika even says she loves her mother to further show how lost she is.
erika cuts herself(sex organ) in the bathtub because the sexual feelings are driving her mad. she has been conditioned by her mother not to act on them. she is punishing herself for feeling sexual and wants it to stop and be able to focus on her career.
erika has been raised to be in control. she has been raised to show no emotion. to be strong. the first sex scene(bathroom) is proving this.
erika is not allowed to open up and surrender control. love is about surrender and opening up yourself to another. but she was not raised to be this way. this is why she writes the letter about wanting to be raped, tied up. it is her way of experiencing sex without her opening up.
in her mind, if she was raped, she did nothing wrong, yet, she would still be able to satisfy her natural urges and look innocent.
the final sex/rape scene proves this. she just lies there. showing no emotion. typical erika. inside, her urges are being satisfied, yet on the outside she maintains her stoic/controlled appearance.
she stabs herself in the heart because she does love him, or at least thinks she does. he was indifferent to her and she felt rejection.
ironic twist? karma? because she was indifferent to him in the beginning.
I think Erika actually used the knife as a sexual fetish at the end. I mean, what does she do when she sees the student bleeding? goes to the bathroom and masturabates.
Then at the end, she sees Walter... and ¨stabs¨ herself. It is obviously a sexual fetish and it is not a way to gain back control or punish herself. For her, its sexual pleasure in my opinion, and walter is part of that sexual fetish after that night.
What I dont understand is why she leaves....
anyway, I thought walter´s commments at the end showed that they were going to continue their relationship.
I believe she stabbed herself in her shoulder to make sure she would never be able to play the piano again. It was like she was punishing her mother and everyone else taking that away from them. That was my take on it.
To me the reason she looked rejected is because she planned on using that knife on him but he came in witha group of people. She then turned it and used it on herself. I also grappled with the "rape" scene and wondered if a person not prone to violence would have stooped to what she wanted no matter how much he supposedly loved her. I then wondered if this was his makeup all along. There are a lot of questions about his character change but I emphatically believe he raped her. Nothing more.
No I absolutely think it was rape. There was no consent there.. despite what she had previously written in the letter or whatever happened in the bathroom etc.
I thought immediately that it wasn't rape. Rape scenes in films really, really bother me, and this scene did not. Because he was doing what she wanted! She was being completely confusing to the guy, and wrote him the most detailed letter about a rape she desired (he actually gave her the tame version) and then she acts surprised when he somewhat acts on it? She annoyed me with that. At the time his motivations were wrong, however, had she not given him that letter, I don't think he would have done that. She treated him like dog s**t, playing with his head, with his feelings, with sex, with his masculinity. That doesn't mean she deserved to be raped, but I really don't think she was raped. When you treat a guy like that and give him an instruction manual on how to rape you and say "I want this. Ignore when I say 'no' and do it more. I'm completely serious". Then pull out your rape kit you want him to use on you. What do you expect, really?
Of course it was rape. That is not the question. The question is, did Erika make Walter a rapist, and all signs would point to yes.
She dragged his still young mind down into the sickness and depravity of her world and he simply could not adjust. When we are first introduced to the character, although he is brash because of his age, he wasn't a sexual deviant or rapist.
This can be seen with their first encounter in the bathroom. Walter at that time was still mentally stable, able to understand "Nos", "Stop". He truly was in love with that woman, but Erika's game irreparably damaged his psyche.
The heart crushing thing is, that when Erika realised she couldn't live without Walter and was willing to change for him, his mind, his demeanor had become twisted. Erika managed to pull her self out of the hole, momentarily, but forgot to pull Walter out as well.
The entire scenario was reversed. Walter was now the deviant masturbating outside of apartments, where as that was Erikas depravity, by the time Erika had come to a somewhat "sane" place. Walter was now lost to her.
It was so soul destroying. We now have to assume Erika has created a monster and with the end of the film, her realisation of losing him, she has slipped back into the madness.
MasterlessSamurai, I agree with most of your post except that it was not rape. Klemmer has his instructions from her, in writing, to "keep going even if I say stop". Yes, she did whisper "please stop", but he also stopped at least four times during the sex act. 1) to see why she is not responding [turned on] since this is what she asked for; 2) to beg her to respond and "love me"; 3) to ask her "to give"; and 4) to ask her "does this [lack of response] mean you want me to go?" She never said "yes, go" which would have meant he would've stopped what he was doing.
He locked her mother in her room because he knew that was all part of what Erika THOUGHT would turn her on. After the first initial slap he asks her "is this what you want?". The only thing i thought was pushing it was the kick (but she wanted much worse in her instructions) and in leaving her lying on the floor. He could have at least carried her to the couch/bed in "her" room.
Its only rape if Erika said it was rape. As a society we can stand on the outside and label something as rape. However as participants often times the lines are blurred. Kinky sex to one isn't kinky to another. Wipping someones ass is stimulating to some and punishment to others. Rape to one isn't rape to another. etc etc.
Hey, I agree with you about if a woman feels it is rape, is rape except, where this character is concerned and if a situation is iffy like this -the lines are blurred because of her requests in the letter and her overall mental instability.
How can there be any doubt what she wanted? In most of life we are held to "did you put it in writing?" Well, she did and people still think this was rape.
Frankly, I feel sorry for the guy. He had no really adventurous fantasies until she put the idea in his head that he could satisfy her this way. I'm sorry that he ever came into contact with her madness and hope it hasn't developed a taste in him that he may not be able to get satisfied with the girl of his choice. It may leave him out there searching outside of his relationship for someone who enjoys a bit of violence. Not saying that's bad for people who are into it together, but if you are into it and your monogomous significant other isn't. ..
And in response to those who think the guy is the reason she stabbed herself - no way do I think she stabbed herself because she was raped. More likely because her fantasies that she thought would elicit a fulfillment response created nothing in her.
And the selfish bitch - if she was so miserable she wanted to kill herself, she should have stayed home and done it instead of showing up at the concert Hall to try to inflict guilt on a guy who tried to give her what she specifically, in writing, asked for.
She dragged his still young mind down into the sickness and depravity of her world ... We now have to assume Erika has created a monster ...
MasterlessSamurai, I think you're reading this in a way that's both psychologically untrue and rather anti-woman.
Haneke is making the point that each one of us is a complex mix of light and dark; I think he's also suggesting that we have a tremendous responsibility to understand ourselves (so we can channel aggression and rage in ways that don't destroy) and that our failure to do so is at the root of this increasingly violent society. Erika didn't "make" Walter one thing or another; we all have the same raw materials.
The duality (for lack of a better word) of human nature has long been observed and commented on -- but now our refusal to evolve psychologically has catastrophic consequences, because we've figured out how to destroy others very quickly/"efficiently", and because we've upped the tension on every society by fouling and overpopulating the planet. Unaddressed human aggression isn't quite as big a problem when your most lethal weapon is a club and when you can easily find new territory in order to avoid those you can't get along with.
"All you need to start an asylum is an empty room and the right kind of people." reply share
I definitely saw it as a rape when I watched the movie. Her letter gave him specific and detailed instructions about what she wanted, and he neither agreed to them nor followed them when he busted up into her house. She may have asked for a specific sexual encounter, but he rejected her request so I don't think that gives him carte blanche to just show up and abuse her whenever he feels like it.
I think I'm also interpreting the scene as rape because I read the book, and it's written more clearly as an assault and his way of 'punishing' her for making him feel emasculated. As I recall the book has more of a feminist leaning than the movie does; Jelinek characterizes Erica as the damaged victim of a repressive Oedipal patriarchy desperately seeking freedom (and finding only destruction), whereas Haneke uses the story for one of his trademark "descent into madness/obsession" narratives and gives Erica more agency and cruelty in her motivations. They're both really well done, but I think the movie makes the relationship a little more ambiguous and Erica a little less sympathetic, so that may explain why people are coming away with different interpretations.
@ the_spiral - good post. I would differ in my assessment of the Erika of the book versus the Erika of the film. I found her a far more sympathetic character in the film than the book. In the book she's a monster. So the idea of her as a victim in the book whilst more cruel in the film I disagree with. But I like your assessments anyway.
Judging by the discussions the scene generated, its almost as if Haneke intended to make it somewhat ambiguous and did not quite make the perpetrator Walter into an "evil villain" who also gets hurt or killed in revenge for his misdeed.