MovieChat Forums > A Christmas Carol (1999) Discussion > Two terrific scenes in this version

Two terrific scenes in this version


Its sometime since I've watched this adaption of the novel and having recently seen the George C Scott version, it was a good opportunity to make a comparison during this Christmas season. I think Patrick Stewart's characterisation of Scrooge is more disturbing, but also more human. The scene where he is witnessing his younger self do nothing when his first and only romantic love of his life walks away from him is intensely moving, especially when Ebeneezer pleads for him to talk to her. The other scene where he asks for permission to dine with Fred and his wife is also highly emotional. When Scott delivers the line: "Every idiot who goes about with 'Merry Christmas' on his lips, should be boiled with his own pudding, and buried with a stake of holly through his heart." he does so with a laugh, as if emphasising that this is not meant as a literal recommendation. When Stewart delivers it, Scrooge is absolutely deadpan and it comes across as a solemn and repulsive threat. Scrooge's transformation is all the more radical for it.

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Absolutely! Before I saw this version, quite honestly, I appreciated the story of a greedy old bastard that was converted to a good guy in his last days by some ghosts showing him the errors of his ways. I really didn't understand why he was like that so much nor did I really think about it.

Through Stewart's characterization, I see a man who made a choice of greed over love so long ago, who as he aged owned that choice to the maximum and outwardly worked to show the world and his business partner that he had made the right choice, but also when he saw his nephew, and when he walked into that huge empty house all alone every night he deep down knew he had made the wrong one. I see a man who harbors ultimate regret at that moment he didn't go after Belle. I see a man holding so much regret over sticking by that decision that I am certain that he thinks about it all the time, showing me the reason for the bitter man we see on the screen.

It makes me wonder, was it just all a dream? Were those ghosts part of his own epiphany that broke him from his prideful self imposed exile from love for greed? Did he convince himself to just drop the damn pride and just love people? Or were the ghosts a gift from Marley's own tortured soul for the consequences of living a life that eschewed love for selfish greed?

Either way, Scrooge became so much more a human to me through this portrayal.

"But I was so much older then, I'm younger than that now"

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It makes me wonder, was it just all a dream?


No.

The novella is very clear on this. While the visions of the past or future could have been remembrances (past) or delusions (future), the visions of Christmas present would have exposed this. When he went to Fred's house, he saw his niece (prob for the first time in real life) and all the guests, and the games they played exactly as he saw the night before.



Is very bad to steal Jobu's rum. Is very bad.

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You are right. Hadnt thought of that part. Imagination got ahead of the story. Still glad for this humanizing portrayal.

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You are quite correct. In fact the book goes to great lengths at the start to clarify this.

There is no doubt that Marley was dead. This must be distinctly understood, or nothing wonderful can come of the story I am going to relate. If we were not perfectly convinced that Hamlet's Father died before the play began, there would be nothing more remarkable in his taking a stroll at night, in an easterly wind, upon his own ramparts, than there would be in any other middle-aged gentleman rashly turning out after dark in a breezy spot -- say Saint Paul's Churchyard for instance -- literally to astonish his son's weak mind.


Let's pray the human race never escapes Earth to spread its iniquity elsewhere. C.S Lewis

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My two choices are the "Silent Night" sequence and the last event with the Ghost of Christmas Yet to Come (not to make a spoiler for anyone who hasn't seen it).

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