This may seem a stupid question to some, but I am not a Christian and only some what familiar with American culture.
I just don't understand this whole thing with selling his soul to the devil. Is this for serious really? Because if not, all the four were seem to be talking very seriously about this thing in the car. Also, later, when they were singing at the party with all the fake beards on, the opposition party leader while opposing them, complained about the negro having been sold his soul to the devil, and it didn't look a joke to me.
I have seen some of the threads here concluding that the police officer searching for them was the devil. While I do agree that enough indication has been provided in this regard, but does it seem genuine to have a police officer teaching the black man guitar lessons in order to have his soul, in the middle of nowhere?
Well, no, it’s not a stupid question at all, although it is a bit difficult to properly answer (in simple terms anyway) if the questioner is unfamiliar with Christian doctrine.
Let’s start off with what few kernels of truth are played with in the film. The character Tommy was loosely based on a real person, Tom Johnson. As hinted at in O Brother, Where Art Thou? the real Tom Johnson was quite talented at playing the guitar. The story about the real Tom Johnson having sold his soul to the Devil (simply meaning that Johnson played so well it couldn’t be because of natural talent, he had to have given something up in order to be as good a guitar player as he was) was actually told by Tom Johnson’s brother years after Tom had died.
The short answer, then: It’s just a story.
Now this next part is where things might get a bit muddy, but I’ll try to keep it as clear as possible. Although it might seem in the way I explain things in the next few lines that I think you’re an idiot, I truly don’t. I’m merely trying to answer an honest question as honestly as I can.
Not knowing where to begin, I guess the simplest way to put it is that in Christianity the Devil is the ultimate evil. Didn’t start out that way, but that’s how he’s regarded. His greatest happiness comes when he is able to tempt a Christian away from the path of “right” to the path of evil. (For purposes of this explanation let’s define a Christian as a practitioner of common decency toward others.) Behaving in that way while alive is a guarantee of eternal life free of want, cares – a Paradise, essentially. Along the way may come temptations leading down the pathway of ultimate Evil to “the Devil’s domain” so to speak. They who proceed down that path are condemned to an eternity of pain and endless suffering. Does that make sense? (That’s why Delmar was so upset on hearing Tommy’s story about meeting the Devil at midnight in the road fork.)
The latter part you mention is far easier to explain, actually. There were and still are folks in the southern US to whom their religion is an extremely serious matter. So the news that a young black feller has sold his everlasting soul to the Devil is something they wouldn’t exactly be thrilled to hear if that makes sense.
It’s been a while since I’ve seen the film, but didn’t Stokes only bring that up because it was the only way he could think of to turn the crowd against Pete, Delmar, and Everett?” (He was also trying to smear O’Daniel as well, I believe.)
One last thing which may clear up your final question: Satan (the Devil) may appear in any form, Just because folks are speculating here that the Sheriff is meant to be the devil doesn't mean that the sheriff was the incarnation Tommy ran into.
Thanks a lot for that generous explanation. I agree its just a story, but even within that story, should we understand that Clooney, his two mates, and all that party crowd at the end, really believed this story? Is superstition that widespread in US in 1930s?
Well, I'll express it this way: The comment Everett made about "Everybody's looking for answers" was quite true in the 1930s, much as it is today. Some find their answers in faith (or philosophy, which is perhaps a more accurate descriptor) others find them in politics or other activities.
The film is as much a satire as it is anything I think. No one is spared. There are religious overtones here and there, but what is Big Dan Teague the door-to-door Bible peddler but a con-man and a thief?
Even the Governor - what position does he take but, "Well, now if it'll get me elected another term, how'd you boys like an official pardon?" (He goes so far as to make that pardon offer if I remember correctly in front of that large crowd and over the radio. (The sheriff has no radio and of course knows full well that a convict will say anything.)
The whole story about the treasure is a scam cooked up by Everett just to get Pete and Delmar's help in escaping so he could save his marriage. Everybody's a sucker for something - and in O Brother, Where Art Thou? no one is immune.
Reading "too deeply" into it will only leave you profoundly perplexed, I would say.
Selling your soul to the devil is a very well-known and recognizable trope in Western culture. Google "Faust," both the legend and Goethe's treatment of the legend.I don't know how many people actually believe it, but it is such a common concept that it is easy to suspend one's disbelief and accept it as true in a fictional work.I don't know how many people actually believe in Santa Claus, but when Santa Claus is in a movie, I don't think very many people ask if it is a common superstition.We know what is intended, and we accept it.
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Okay, 1) people were EXTREMELY superstitious, especially in rural areas of the 1930s due to lack of education (most kids dropped out of school to help share crop or do something to help the family survive, and that was the Depression came along), 2) it was a EXTREMELY religious time and area as well. Thus the rise of the Baptists. The Devil was a real danger in their beliefs, and thus, such a thing was very much possible as far as they were concerned. 3) Most of the people the guys meet along the way, are either 1930s versions of the obstacles Odysseus went up against during the Odyssey (Women bathing = Sirens, Big Dan = Cyclops) OR moviefied versions of real figures of the time Tommy (Jazz musician who allegedly sold his soul to the devil for the ability to play, which was attributed to more than one jazz musician of the day), Pappy O'Daniels (based on Texas governor W. Lee "Pappy" O'Daniel. As well as a character from The Odyssey, Menelaus), and of course Baby Face Nelson (who would have been dead from a shoot out a few years before the movie took place at the age of 22, wife by his side).
Chase: Wow. Yeah, I get it. House is adorable. I just want to hold him and never let go.
I'm not sure if there is any connection to The Odyssey (on which this was loosely based). Did it happen really? No. Was there exaggerated superstition in the film? Yes. Basically it is a way of saying he is inhumanly good at playing guitar, so he must have traded his soul for guitar skills because no one can actually be that good. It really not directly connected to Christianity in any way other than Christians believe that Satan is real, and the story takes place in the US where the predominant religion is Christianity.
It's also popular southern/blues folklore about "the crossroads" in Mississippi. Story had it you could go there to exchange your soul. Which is why tom says "had to get to the crossroads at midnight to meet the devil". It's inspired movies and songs as well.