Ok, i just watched the film last nite and thought it was amazing. Even though its anime, i found myself feeling strongly for the Mima even more so than alot of live films!
But i just wanted to make sure i got the ending right. Her publicist or woteva she was, Rumi didnt want her to quit being a Pop star/idol so when she did, she kept in her mind that Mima was still a pop idol, which caused her to create this version of Mima as a split personality. This personality then slowly took over as it became her inspiration to become true.
I partly agree with you that Rumi didnt want Mima to quit her image as a Pop Idol. Yet bear in mind that she clearly knows that Mima has chosen to road to become an actress who acts in a rape scene and poses nude photos, not a singer any more. That's why she is "infurious" with Mima. In "Perfect Blue", Rumi, as a spectator in Mima's performance (no matter she is a singer or an actress), she gradually identifies herself as Mima.
As we know that the spectators in the film are all MEN except Rumi. Her fans are all men during her singing performance. The ones who watch and talk about "Double Bind" and read the magazine with Mima's nude photos are all MEN. Rumi probably thinks "a pure Mima" is so much much better than "a filthy woman with tarnished reputation" that she wants Mima the Pop idol back and gets rid of Mima the actress, begins identifying herself as Mima the Pop idol...
Btw, anime will definitety be better live-action film with regards to this psyhcological thriller. as an animated film, it's more "Believable", more "Real" than real live-action film, at least. I Love it soooooooooooo much!
I agree with what you are saying but I still don't understand a few things.
1. If the obsessed guy killed everyone why does Mima have the bloody clothes in her cuboard?
2. In the end, it doesn't look like Rumi in the home, and the other actress in Double Bind gets into her car and when she looks at the mirror she becomes Mima.
Please as I really wanted to enjoy this film but these factors just confused me!
1. Maybe it's Rumi, still in her "Mima" personality, who discovers the clothes in *her* wardrobe. Maybe it's the real Mima dreaming. Maybe it's just meant to confuse you.
2. I think this is meant to be Mima, but a few months/years after the other events of the film, which is why she looks different.
There's a bit of "double schizophrenia" going on, as another thread called it. Mima has all kinds of freaky visions (most obviously herself as the pop idol floating around the city) but the real, PHYSICAL murderers are Rumi and Me-Mania. I know near the end Rumi mentions Me-Mania as she's trying to kill Mima, and Mima says "How do you know him?" I took this to mean that Rumi and Me-Mania were in league together, as they have the same basic desire: for Mima to go back to being a pop idol.
It's debatable about who kills who--Me-Mania probably kills the photographer because Mima's vision shows the killer as skinny (although it's a vision, so who knows?) This "in league" theory is further upheld by the fact that, after Mima gets away from Me-Mania (even though his body is gone) Rumi doesn't seem all that surprised that her shirt is torn and she's all messed up. My guess is that she was trying to get Me-Mania to kill Mima so that suspicion wouldn't lie on her.
"1. If the obsessed guy killed everyone why does Mima have the bloody clothes in her cupboard?"
Rumi probably put the clothes there to freak out Mima (which it sure does).
"2. In the end, it doesn't look like Rumi in the home."
This goes back to the double schizophrenia. Mima's been having visions of herself as an idol, so when she sees Rumi in the outfit (which is what's happening physically in reality) she envisions herself. Rumi ALSO sees herself as the "idol" form of Mima, upholding her good moral side, so that's why we see her as Mima most of the time. The mirrors/windows show ACTUAL reality, which is that Rumi has stuffed her fat self into a skimpy Cham costume. Eck.
There's a bit of "double schizophrenia" going on, as another thread called it. Mima has all kinds of freaky visions (most obviously herself as the pop idol floating around the city) but the real, PHYSICAL murderers are Rumi and Me-Mania. I know near the end Rumi mentions Me-Mania as she's trying to kill Mima, and Mima says "How do you know him?" I took this to mean that Rumi and Me-Mania were in league together, as they have the same basic desire: for Mima to go back to being a pop idol.
This was also my reading of Perfect Blue. Mima, and to a greater extent Rumi, felt that the new direction in her career was becoming unnecessarily sexualised.
I'd rather be hated for who I am, than loved for who I am not.
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1. the bloody clothes in the cupboard and all the murder scenes were a part of the "acting" mima was doing. these scenes appear as though they're really mima's life because she keeps "waking up", but it's really just a part of the film.
2. it is rumi, but in the very end it's rumi seeing herself as mima. the nurses remark that they just saw mima pass, and though it doesn't look like her it is, just with longer hair.
personally, i think it was rumi posting on the website. that's part of how she fooled ma mania (the stalker) into believing he was really emailing mima. the scenes where he was typing and reading with her voice were just him reading what rumi had posted.
1) If you watch the scene with the Pizza delivery, it is not the stalkier doing the killing with the ice pick, it is Rumi herself (The 'Pizza boy' is far to large to be the stalker). Rumi plants the clothes in Mima's house.
1) Either Rumi put them their, or that was one of Mimi's 'confused memories', and what she was remebering was actually sometihng that happened ot hare character in the soap, rather than to her.
2) That's actually Mima, she's just grown her hair. It's a comming trick to show that time has moved.
I had to watch over the movie a couple times to get all the information I could straight and here is what I gathered:
-Rumi (Mimara's manager almost) used to be in the pop singer business herself. In one scene Rumi is talking to one of Mima's representatives in the office of the movie set and he says to her something to the effect of "things are alot different since Rumi was a pop idol" -Rumi was heartbroken that Mima decided to accept the role as a rape victim because she was worried what her fans would think of her and her reputation. -Rumi hired a hitman, the "stocker" if it were that Mima had always saw on her set to kill Mima and people involved in the drama series "double Bind." Rumi did this because she started to confuse illusions with reality (as did Mima and the stocker, as I'll later mention) and believed that she, herself, was in fact the real Mima and that Mima (the actual Mima who played on the drama series) was an imposter and was tarnishing her good name. -Rumi talked to the "stocker" through e-mail and told him that she in fact was the real Mima and that this "imposter" was interfering with her life and getting in her way. She assured the stocker that the real Mima would never do such scenes and degrade herself as this "imposter" did (in both the drama series and magazines). The stocker believed what she said to be true and started writing entries on a website he created called "Mima's Room" and wrote in what Rumi told him to. He told Rumi that he'd get rid of her. -The stocker had never seen the actual person he was recieving e-mails from claiming to be the real Mimara, otherwise, of course, he'd know that she, indeed was the imposter. The scene where he is typing at the computer desk with Mima beside him in her skirt-suit, was a figment of his imagination he interpreted as reality. -The movie was really confusing because it was hard to interpret whose illusions you were seeing whether it was Mimara's, Rumi's, or the stocker's. Mima had many illusions about her inner self and she was almost convinced she was mad and had killed these people herself. Rumi had many about her being Mima and performing with the group. -At the end you get glimpses of Rumi in the red suit (which is the reality) and glimpses of Mima (Mima's illusions of her inner self). -At the end the truth is revealed. Rumi is put into a hospital still believing she is Mima. But Mima now knows the truth.
Try watching the movie again keeping these observations in mind and I think it'll be easier to understand and try to come to your own conclusions on what is reality, what is Rumi's illusions, Mima's illusions, etc.
I still believe that we view nearly the whole film through Rumi's eyes, Rumi only using the mental image of Mima to relive her own past. Afterall this is what Rumi does with the doctors in her psychiatric ward, imagining them as the detectives in a TV show. Since nobody knows who she is and nobody has heard of Rumi, it almost seems to me as if she was never really much of a star, and perhaps the meeting with Mima was a brief interlude of sanity in the midst of her MPD. I also see me-mania as a protector of Mima and not a collaborator with Rumi. This movie is just so fun, its great to come up with a whole bunch of theories at the end. Who knows, maybe even the directors don't have a straightforward answer, but thats the point, this film isn't straightforward, it can't be simplified and it definitely doesn't use a literal turn of events to show what happens (Just because we see mima, doesn't mean it is mima etc)
Y'all forgetting that her life seems intertwined with the thriller film she's got a role in. She seems unable to tell reality from her acting anymore. The scenes where she is shooting the film reveals this because it's like the lines said in the shooting of the film seemingly applies to her real life as well.