I agree although at the same time I found it very, very funny =P
It's really a kind of macaber, absurdistic morbide-existential humour on which the whole ovie thrives.
Of off reading the other comments here I would guess that we are more sensitive to this sinister premise and ominous occurings and atmosphere of this film...
I, however, do not empathize primarily with Malkovich (I personally could identify the most with Graig) but overall I felt just uneasy, troubled by this idea, this philosophy, about how allot of people almost seem to be destined to treat (use) eachother and their fate of, hinted at by Lotte, lack of self-actualisation and their, most oftenly unintended, denial of such from eachother. I was shocked to see how this works out for the main characters when the circumstances are magnified by the factor of having a literall, fysical escapé.
I was also appalled by the character of Maxine and her hedonistic-opportunistic, subtly egomaniacal outlook on life. Essentially she was just a relentless egoïst with a dangerously appealing self-assured, manipulative controll over the powers of her own beauty. Really scary, especially when set in the contemporary environment of profit companies.
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