I watched this movie twice, and I don't know if it was the accent or what, but I had no idea what they were talking about at the end. What happened? Were they visiting her son in jail? what was that whole storytelling thing about?
At the close of 'Nil by Mouth', Billy (Val's brother - the recipient of a comedic bite on the nose near the film's start) has been incarcerated for some reason - it was only a matter of time, given his heroin addiction. I think the point of the kitchen scene is to show the familiarity with which this family face such a situation. At one point, Val (Billy's sister) talks about the fact that he has been segregated, along with the 'rapists and nonces (child-molesters)', for his own protection. While this would normally constitute an alarming cause for concern among the relatives of most prisoners, this family chuckles amiably at Billy's situation ("Mind your backs!" - Val).
Their knowledge of the penal system is shown to be astounding; such knowledge of associated jargon and prison terms suggests an unhealthy familiarity with it. Ray speaks of his own experiences of 'doing bird' in a very casual way, almost with pride - like a badge of honour or a rite of passage. The general rules of society do not apply here, and it is quite normal to live outside the realms of justice.
I think the most shocking aspect of this scene is the relative normality with which the family treat Ray. There is nothing in this scene to suggest that he recently beat his pregnant wife to the point of miscarriage, or that he suffered a total mental breakdown and descended into an alcoholic depression resulting in the devastation of his home. It is as if nothing has happened. This may suggest that such behaviour is commonplace and ingrained, and therefore easily forgiven - that no matter how shocked and appaled we are as viewers, these people have seen it all before and can move on with their lives, however jaded this course of action may seem.
Thanks, you're very well spoken...I understood the meaning of the last scene, but my question was that the wife was telling a story about someone getting chased, and how something happened to some woman they knew, then the two guys exchanged a look. A look, as if they each knew not to say anything about them knowing about the situation, or something. I don't know nevermind. Wasn't Winston's performance wonderful? One of the most rememberable performances ever.
Yeah I noticed that too. Val tells a story about some woman and then Ray and Mark look at each other in a "Oh $hit!" kind of way, I never got that bit.
Griffin that was very well written and the sentiments are totally how I would convey the scene. I've lived around and grew up with those sort of people and normality is what these people go back to. It's like- just accept your lot in life, no matter how hard you have it. It's a beautifully acted scene by all and because I've seen situations like that I didn't find it uncomfortable- because Val will always go back to that and like another poster on here said- it has a double ending nin a way. Either they have a future ahead of them like this or things will change. I love the ending. It's very ambiguous. What I associate with more is Jamie Foreman's character. He obviously thinks a lot of Val but he wouldn't cross Ray's character either. He is his mate and can't get involved. It's there on screen in his eyes. Jamie is a brilliant actor and very good himself at portraying unsettling, frightening characters who can seem like every body's best mate. Here, he has a heart in there within the brutality of his lifestyle. I think that was a good part of Oldman and Foreman's characterization of Mark to have him have some love for all of Ray's family. I've seen first hand how bastards treat their wives and girlfriends and we (their friends or the girls friends) have to look on and just be uninvolved because everyone loses in the end. Family, kids, friends, in-laws,etc. It's a fantastic film and I must also say how brilliant Creed Miles and Steve Sweeney were too. My old mates are just like them and I lived that sort of existence- drugs, glue, sharing your super stregnth lager with passing street riff raff too. I Gary Oldman is certainly switched on to the absolute authenticity of characterization. He knows his characters so well, and it's a credit to him that he picked one of the greatest group of actors working today. You can see in Foreman's excellent portrayal that even he would like to see Ray change.
In terms of the family's treatment of Ray in the last scene, I would suggest he has been trying to go straight, at least staying off the booze and the violence etc. It's probably a few weeks or a month or two down the line considering Billy has already been convicted and sentenced, which would have given Ray a bit of time to try and sort himself out - or at least show he's improving. The key is that he doesn't want to end up like his dad, and it was never confronted until Val put it to him straight. I guess it made him think he was turning into his old man.
Winstone's performance was absolutely one of the most remarkable I have ever seen. Among all of the films I have seen, NBM also gets my vote for best ensemble cast. I have never seen acting come off so natural! And the ending- what an open end! Depending on how you view the rest of the movie, the last scene could very well be highly hopeful and uplifting, or intensely unsettling.
Yes, they were visiting her son in jail. Billy had co-operated with the police and so the criminal fraternity had it in for him, but it turns out that he was stabbed by a guy he's known for a long time because he was sleeping with the guy's girlfriend "Lisa". Ray and Mark do exchange looks, it could be just of surprise, although it seemed to be more than that, but I didn't catch any other reference in the film to a girl called Lisa.
The acting and direction at times make it seem almost like a fly on the wall documentary.
"they reacon that these pills make you violent, no not proper violent, like wierd *beep* like killing your mother."
Kathy Burke played the perfect domestic-violence victim too; the look in Winston's eyes when he was beating her shouting *beep* *beep* *beep* - unsettling.
Ray and Mark look at each other with that look on their face because Ray was sleeping with the girl but gave Bill as his name...the look they exchange is therefore becuase Bill has been stabbed for something Ray did Against all Gods
I would just like to add that in those cultures, fighting, violence and all the other things that happens are often very easily forgiven, but not forgotten. The flames between people are easily extinguished but the heap is always smouldering. I have seen people beat the hell out of each other and then just make up immediately afterwards as if they were best pals.
Do you think Ray had changed his ways at the end ?. I'd like to think that after Val told Ray what she thought of him, and with him getting upset in that scene, he would have realized that what he did was wrong, and with them getting back together at the end, i'd like to think that Ray had got some help and changed the way he acted.
The scene where he broke down crying when he was on the phone to Val was heartbreaking. That scene, the scene where he was talking about his father, and the scene where Val stood up to him and he looked like he was about to cry, made me feel some sympathy for him. What he did to Val was terrifying, and i'm not sure if she should have forgiven him, unless of course he did get some help, but this film makes you understand why people like Ray behave the way they do. Deep down they are insecure people. It's a very thought provoking film.
WHEN RAY WAS ON THE PHONE... WITH NO ONE by Dane Youssef
Remember when he was on the phone to Val... and then before saying anything, he pulled the cord out of the wall and uttered, "C--t."
She wasn't on the other end of the phone. He had just snapped, was off his rocker. He was pleading (and drunkenly slurring) and sobbing his case to no one.