They don't know where they come from. In this world, Earth may not even be a real place but just a part of the backstory invented by the Strangers - like Shell Beach. Or maybe it does exist. Who knows?
...
Perhaps Murdoch will use the machine to spawn new machines just like it. Bigger ones even. Teach the population how to tune, the way he does. Even if they never get home they could build a great civilization using the Strangers' technology. And some of the surviving Strangers could just tell the humans where they came from. Perhaps in exchange for a promise that John and the others will do what they can to help - for all we know their race could still be saved.
Almost anything can happen going forward. That's the message I got. This is a whole new beginning; given the ability to shape reality with thought alone, where things go is limited only by your imagination ... The End.
Brilliant! But we must not forget:
he's about to hook up with pre-anorexia Jennifer Connelly, which might just make up for all of the above.
As moviegoers, we tend to look for "neat solutions" that fit our pre-programmed notions of how movies SHOULD end. "My Best Friend's Wedding" and "Once" come to mind in the romance genre - we're surprised (and in both cases, should be pleased) that the protagonists DON'T find the love they're after, and in fact should not.
We expect to see Murdoch return everyone home, so it maybe never occurs to us that, because he can "tune," he's as "at home" as he ever needs to be.
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