I can see the how the opening of the screenplay would go. We are in session in Congress, after ten years of listening to the frequency that transmitted the first contact, budgeting is being voted on. The nays have it. Resolution is passed and the program is shut down. Another ten years later a we are in an outer space position pointed in the direction of Earth. The shot travels and reverses the opening sequence of the the original. The transmissions that we here are 20 years after that 1939 Opening ceremony at The Berlin Olympics, so the fist thing we here is Sputnik's transponder beep. The camera progresses as we travel through the galaxy while the transmissions get newer, and finally into our system to earth, and to a suburban back yard. In the yard is an old large satellite dish for the old satcom network. We now show an electronic energy surge transmitting through a coaxial cable to an inside shot of the main board of the receiver. Cut to a shot of the out side of the receiver and its location. Its in the closet on a shelf. next to it is an auto dialer. All of a sudden the auto dialer activates. It sends a text to a phone to a young girl driving Ellie's Dad's 68 Impala convertible somewhere in the USA (there are lots of interesting places that we could put Ellie Arroways daughter). She says not another one. We cut to several shots of that same text being received, and all are false alarms after she calls the auto dialer back for access to the sound pattern received. But this time it's different. The prime number sequence is being sent again. And the story begins......
A good writer should be able to write comedic work that made you laugh, and scary stuff that made you scared, and fantasy or science fiction that imbued you with a sense of wonder.
Neil Gaiman
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