MovieChat Forums > Sliver (1993) Discussion > What an AWFUL movie! BAd writing and act...

What an AWFUL movie! BAd writing and acting


I just got done watching this stinker. Sharon is emotionless and delivers her lines as stale as Madonna does. Horrible script that was as bad as Showgirls-seriously. Ridiculous how Carly came home, and found Tom Berenger's character in her apartment, says some corny lines, and does not even call the police, and it seriously, looked like she was trying to keep from laughing during this scene. And the ending was stupid ,,"Get a life." LOL. I could have seriously written a better movie.. Joe Esterhauz or whatever his name is, didnt do that great with Basic Instinct-average characters with sex appeal, and always incorporates sex and murder- the only decent movie he's written was Jagged Edge back in the 80s with Glenn Close, and even then, it wasn't a terrific movie.

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Totally agreed. All throughout the movie Sharon Stone's character smilingly accepts all these invasions and assaults. Some guy sends her underwear at work -- she smiles. Some guy sets her up with another guy at what was supposed to be a business lunch -- she smiles. Some guy shows up uninvited at her cocktail party -- she smiles. Someone has a telescope installed in her apartment while she's away . . . well, you get it. Bizarre character, stupid dialogue, nothing plot.

omg I've got this movie on in another window right now and I had to come back to add: It's also RIDICULOUS that she jumps into bed with Zeke when she's only seen him a handful of times. A babe like that would have her pick of New York's men, good and bad, and she's spend most of her time swatting them away.

~~~~~~~
Think cynical thoughts.

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From what I seen....that is who her character is!!!!!! Maybe paying attention to her background might be a start people! She had just gotten out of a long term relationship which she felt she was bound to, she is obviously vulnerable and even a little naive...does this not click in the head that maybe she's used to acting this way??

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For real---the main characters act like zombies (except for Tome Berenger's character)there was no feeling in their lines at all---in fact, the movie really didn't make you connect with them at all---you didn't feel jack about them. And,yeah, her character's reactions to things didn't make much sense,either----and the ending was stupid as hell. And then she's just sitting watching all the stuff he taped on her, and acts like it's no big damn deal? I was like, WTF!? No normal person would even act like this. No wonder this flick flopped--it just wasn't that good, which is a shame because it had what could have been a better and far more gripping thriller, but I just wasn't feeling it.

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I was willing to give "Sliver" a lot of slack because I enjoy Phillip Noyce's work generally...but I really can't deal with an ending as cynical, thoughtless, and assuming as this one. I was sort of half-interested in the plot and figured the story (based on an Ira Levin book) would go SOME-where....so I was willing to forgive Carly's indifference to Jack being in her apartment, having ZERO curiosity as to where the telescope came from - I'm willing to go with it all, sure....

but when that ending came around - from the moment Carly pops in the tape until the screen cuts to black, we're talking GRADE-Z filmmaking. I really was shocked at how incompetently staged that ending was.

"There is no inner peace. There is only nervousness and death." - Fran Lebowitz

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From my reading on it, Sliver is seems to be one of those movies that started out with a great concept and the original script was likely excellent. It appears Sliver ran into creative trouble likely through rewrites and became more troubled when one of the main cuts scored very low. Thus forcing a new ending and changing around allot of the plot elements.

Originally, Zeke kills the neighbor at the beginning; it was said because he was coming close to discovering Zeke’s voyeurism. Carly knows that Jack killed Vida Warren and knows he is a con man. Before Carly can see the tape of Zeke being the killer he pulls her away, although in the ending sequence she reveals she knows it was him and they both “drive into the volcano ash” with a cut back to Zeke’s lair and snow fuzz on all the monitors. Implying that everything is over.

This in itself sounds more interesting.

In the original Jack discovers Zeke’s ways but is playing it careful as he (Zeke)knows of Jack’s con man like ways and he did kill Naomi Singer. Jack and Zeke both have dirt on one another. Jack can go to the police with Zeke’s information, then Zeke can turnover him killing Naomi Singer…. The current version has Zeke saying “I have not had time to look” but in the original cut this was likely a lie. Once Jack is going to be charged with Vida Warren’s murder he begins opening his mouth about Zeke slowly to Carly (all cut from the final cut..Remember Jack liked to play games) but Carly already knows.

The removeal of these events almsot makes when Jack is hiding out in Carl'y apartment more confusing. "He is very very sick" but we never really know how Jack knows this. Zeke liked playing games to similar to Jack, he used the camera to get an advantage over woman he wanted to seduce.

Longer story short there is a rich narrative underneath of what we ended up seeing.

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@Tgogators -

I wondered what that "volcano" ending was all about. Thanks for sharing that bit of info - and yeah, it does sound a bit more existentialist and bizarre than what they actually went with in the editing room.

"There is no inner peace. There is only nervousness and death." - Fran Lebowitz

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[deleted]

I doubt even Meryl Streep would have found a way to make this character and the dialogue given to her, considerably less terrible. And Jagged Edge wasn't any better than this or Basic Instinct - as someone noted, he essentially sold the same brainless script thrice (and, quite inexplicably, made a fortune from it).



"facts are stupid things" - Ronald Reagan

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Could have been worse...

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