The piano score
I always favored the piano score by Dave Grusin, which some have described as “bouncy.” While you could call it that, it has different tones depending on the sequence. For instance, during the closing city chase it’s driving and portentous. There’s also a melancholic component when suitable.
The positive side of the piano score is that it makes the film timeless (generally speaking). Consider movies that are horribly dated by conventional scores from that general era, like “No Way Out” (1987) with it's horrid late 80's score.