Understanding 'Let's Rock'

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That image has been waiting for something to pop out lately.

"perhaps that Cable is bent/corrupt - perhaps that he's bending a refined metal/something pure/reality?"

"Steals," but there's something shifty about it, like maybe misappropriation of something he could legitimately have for purposes other than what he's actually doing, or perhaps relying on loopholes --bending the rules somehow-- instead of outright robbing, or some such. Maybe Sam's estimate of the value of the Sheriff's office furnishings is meant to reflect his own thoughts on that point. Two different mental styles, but both "saw" the same thing.

A floppy thing exerting tension on a much less floppy thing. The sort of thing that gives you a bow. Seems to me I shot one in college that might have been a laminate with a steel band inside. I'll bet there are more layers, because as you said, some trouble was taken to make it noticeable. There are many such visual links between the movie and the series, especially.


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"The bonsai: the ultimate miniature." —Will Hayward, Twin Peaks.

We have two Mikes. One is Mike "snake" Nelson. The other being Mike "arm" Robertson (MFAP).

I have the Wild At Heart soundtrack and during an Elvis song Nick Cage's Sailor exclaims "Let's rock"! He has a mic. Get it?

Remember, Sailor's trademark is his snakeskin jacket, yet another link to mic/Mike "snake".

So, snakeskin jacket = snake jack. What? Well, MFAP is from the Red Room which has red curtains seen at One-eyed Jack's where Jacques (rather obvious connection) worked. Let's Roque!
-- What's with the French references in WAH as well? More on that later --
OK, Getting back to where I was, Mike "snake" Nelson hooked-up with one-eyed Nadine even! I could go further and state what I think is the veiled and yet at the same time obvious (when you're "Thinking of Linking") reference, but what's it all about? Just where is this taking us?

Let's see, Ben Horn owned One-eyed Jack's and his walyer was none other than Leland Palmer who had fallen under BOB's (MFAP's "familiar") influence.
Ben was the one who made a "little Elvis" reference and lynch has referred to MFAP as "Little Mike". "Let's rock"!
Little Nicky Needleman certainly makes sense in this light ("Hare's another clue fore U AW, the lawyer IS...") and was not a pointless plot Contrivance as more than a few folk Have surmised.
The boy links to Nicholas (yep, Sailor) as Little Nicky when seen in a red suit with horns bringing to mind Little Mike in a red suit with Horne's Big Red One-eyed Jack Curtains in place of literal horns on his head? I believe so.

Both Nicholas and Nicky have been linked with Mike, but is Nicky connected to "snake" like both Sailor and Nelson? I'm not sure but if MFAP and Sailor were written this way, then I'll assume (yeah, I know what they say about ass-uming!) Nicky is as well because of, you know, that whole devil/snake/fallen Mike stuff a lot of people, to put it one way, are into.
So...little = Mike = mic/micro ultimately code for fallen? Fall would be associated with small, right?
Oh, yeah, that last bit reminds me -- Where was One-armed Philip Gerard (under Mike's influence) found by the police after he fled the Great Northern hotel?
By the falls (get it?), that's where! So Philip Gerard and Mike and Nick anD Nicky like I was getting at, not to metion the needle connection, RIGHT?!

Having mentioned small as in Mike, the smallest crater on the Moon is named Hell of all things...I wonder why? Kenneth Welsh (actor playing Windom Earle) said that the Red Room was the equivalent of Hell. A crescent moon symbol is seen hanging on a red Curtain that Laura is posing in front of for Ben Horne's Flesh World magazine. That adds up since Ben's One-eyed Jack's has the curtains hung in the Red Room. Hornes and Hell (flesh world?), indeed. Crescent = croissant (remember, Horne even mentioned the word!)?

So? So, croissant, being French like other things Horne related (Jacques is a French-Canadian which again connects to crescent moon on red One-eyed Jack Curtains) links, imo, to the Crescent (or do I mean Croissant) City of New Orleans famous for its French Quarter.

You may ask myself where does "Let's Rock" fit into that last piece of the puzzle and I will tell you -- WAH, like I've been silently saying! Just what is the French food Connisseur Jerry Horne (who Just Hoovers the hell out of croissants and brie) doing in New Orleans in that film with a dude who places a (French?) quarter over one of his eyes, in effect rendering hisself (southern dialect appropriate here, so Ha!) one-eyed?

YeP, I realize that Wild At Heart and Twin Peaks: The Bronze Box SeereeS or whatever connect with TP:FWWM. It's a meta thing...? *

Now that you understand the tru ram ifications of the underlying symbolic connotations of 'Let's Rock', where you gonna go, where you gonna run, where you gonna hyde? Nowhere... 'cause you're already tHare, c?

"Beware Of Simore!"

"Let's Rock!" doesn't mean anything. It's pretty much "Here we go!".

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