I honestly feel like Aliens functions as more of a take-down of macho and gung-ho attitudes in your typical action flicks of the time (or antidote to them) than it does a sibling to them. Ripley's 'assault' on the nest and fight with the alien queen are action-packed, sure, but they offer much more in the way of catharsis and character-growth than anything you'd tend to see in the Arnie, Sly, Chuck or Charles movies of the time.
It feels a lot more like what became the popular 90s blockbuster trend of compassionate, rational civilians solving the problems that armies or the authorities cannot, i.e. Independence Day, Fifth Element, Stargate, Volcano/Dante's Peak, Godzilla, or Jurassic Park (which Spielberg admits is his own riff on Aliens).
And I honestly think it was Alien 3's nihilism, rather than it's return to smaller-scale, measured suspense, that was a turn off for critics and then audiences.
And of course, unbeknownst to audiences of the time, the story could never have been satisfying without so many of the important strands and themes that were cut and later restored in the Workprint Cut.
reply
share