Hey Flett--
Just watched Quigley Down Under this morning for the first time since the late 90s and noticed how well it has weathered the years. Looks brand new and not a bit dated!
Completely agree with you on that score about the final battle. I too was reminded of the last shoot-out in Shane. Hard, sharp, and fast, and very realistic because of that. Also, I think the fact that the characters of Shane and Quigley were so immensely likable, who risked everything to defend the defenseless, and were viciously stomped by the bad guy(s) at least once, strongly invested the audience in seeing Shane and Quigley get back up on their feet and thoroughly crush an evil-soaked villain, and move on to presumably live and fight another day. The audience is pulling (that's "barracking" for the lads in Collingwood--Go Magpies!) for the hero with the same gripping intensity in both films. Directors George Stevens (Shane) and Simon Wincer (Quigley) simply did their job and delivered genuine Western heroic stories for the ages.
I learned recently Stevens finished shooting Shane in 1951 and edited and added and took away and otherwise fine-tuned it for nearly two years before finally giving it to Paramount for release in 1953. So maybe he had loads more time than most to get it exactly how he wanted. Still, that's just part of how he made it. Whether Wincer got all the time he wanted in post-production (or a whopping two years like Stevens) is actually irrelevant. What matters is what gets on the screen and how the audience feels about it when the lights go up. Quigley broke even on first release (not a good thing), while Shane made $30 million on a $3.1 million budget, and those are 1953 dollars. Therefore, this comparison of final gunbattles has to bring Quigley up to Shane level. That is a pretty tall platform. Shane is on many top 100 Best Movies Ever lists and even some of the really stuck-up film cognoscenti in New York City who I would wager have never been west of New Jersey call it Stevens' masterpiece which can stand up to any film, Western or not. Wow. Of course they are correct, but...if you only knew how U.S. Eastern Coast-centered those people are about everything, it's stunning to hear such praise for a Western. As a recovering Quigley says before downing a live worm given him by his insistent Aboriginal nurse,"Thank you, ma'am, much obliged."
But Quigley Down Under (the film) now has a very high reputation compared to the break-even box office of it's first run 25 years ago. In another 25 years, 2040, it may be on an even higher level. You and I think it's already classic, but could it be widely recognised classic status, by then, maybe? Stranger things have happened.
In any case Quigley Down Under and Shane are classics today, one minor, one major, which only get better as they age, because their stories and characters are very strongly defined, well acted, and enlist the audience to barrack (MAGPIES!) for the heroic final outcome.
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