MovieChat Forums > The Russia House (1990) Discussion > Artistic production with a quality cast,...

Artistic production with a quality cast, but uninteresting spy story


Based on John le Carre's novel, this is a spy drama/romance and NOT an action thriller in the mold of James Bond. Its considerable attributes include spectacular (and rare) on-location work in Russia (shot just a couple years before the fall of the USSR), Jerry Goldsmith's sumptuous jazzy score with Branford Marsalis playing soprano sax and, of course, the notable cast.

The film is aesthetically pleasing and the love story is effective, especially its culmination, but the spy yarn didn’t interest me. This may because I didn’t utilize the subtitles and therefore missed a lot of the highly accented verbiage, which is a mistake when a movie is dialogue-driven, like this one. The depiction of intelligence work is presumably realistic (as opposed to 007), but static, boring, cynical and with little human decency.

Next time I watch it I’ll be sure to use the subtitles.

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Le Carre himself said “spying is waiting.” It’s often repeated quote in the book.

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Thanks for the insight.

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I would say it's not really a spy story, but an anti-spy story. [spoiler]A celebration of the end of spying, symbolized by the uniting of a Russian and an Englishman at the end, in defiance of the spies on both sides.[/spoiler]

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Good observation

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Thanks!

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