Cinematography


I had the pleasure of working on this project for about a month as an extra but one of the highlights was watching Vitoro Storaro shooting this picture. You may not notice the camera work in this film but he was a real professional and an artist. It was thrilling to watch him set up each shot and sometimes it took him a long time. On occasion I couldn't help notice this made George Lucas nervous but Francis Coppola seemed to take it in stride for the most part. I can't believe it was 17 years ago. When I realized this was the case it was a bit of a reality check for me. The film is highly overlooked, I think. I was thrilled when Landau got his much deserved Oscar - he gave a brilliant performance and was a wonderful guy who spent time talking to those of us who provided background in the courtroom. A great film that everyone should make an effort to watch closely. It was designed to look like an old film and they even tinted the film to give it a vintage look. Awesome film. Jeff Bridges was robbed - he should have gotten an Oscar for this one. His courtroom speech is a classic!

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Storaro's a genius, one of the few still living and working in the cinematography field, right up there in my book with Sven Kykvist and Raoul Coutard. I haven't watched this film yet, but for his work on just Coppola (in particular Apocalypse Now) and Bertolucci's films (particularly Last Tango in Paris) he deserves some kind of life-time achievement award or something.

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The 2:00:1 aspect ratio was not Coppola's decision, but Storaro's. See the new FAQ on the Apocalypse Now DVD for the info. Storaro likes to frame his 2.35 films at 2.00. I will never dispute Storaro.

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Martin Landau was terrific in "Tucker" and was certainly noteworthy to the Academy. He did receive an Oscar for his role as Bela Lugosi in Tim Burton's "Ed Wood".

With respect to the topic, this is an example of a film that could be watched with the sound off and it would still captivate the one's eye and mind.

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