This is really weird. I checked this 'Witness' board looking for this very information, because I saw the movie again last night on TV and was left thinking "Where's the scene of the lovemaking in the field?". I watched it in the prime-time slot, interspersed with blocks of commercials - and yep, the commercials came right where, as I recall, the sex scene that I'm certain I saw should have been.
I think I saw this film either when it came out in a cinema (in the UK or in Germany) or in 1989 on VHS in Canada. I'm thinking it was probably Germany, since I was working there the summer the film came out. In the second half of the 1980s I was in my early to mid 20s - totally wired to that kind of sex scene, believe me - and I have a clear image seared into my memory of Ford pawing and kneading at McGillis' naked breast as they ravish each other. For decades this memory has been linked to 'Witness'. My recollection is that we also see her returning to the house in the very early morning.
I've just rented the DVD in my local rental outlet. It was a long shot but the scene seems to be gone for good.
Another bit of evidence that this scene made it much further than just the original cutting room floor is that - as alluded to by noirgirl - the jump from the kissing to the beginning of the final showdown scene was so abrupt as to be ridiculous. My memory says I've seen the pawing and kneading scene plus the post-coital afterglow deceleration, and these scenes are totally needed as a bridge to the story's final day anyway. I'm left wondering what film-industry imperatives forced an edit that took the action from a kissing scene in the evening to an action climax in the mid-morning of the following day, all without even a fade-out/fade-in.
Amazing, really.
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EDIT:
Maybe I'm way off and I'm confusing it with the scene in Ryan's Daughter with Robert Mitchum and Sarah Miles.
But the editing objection still stands....
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