Anna, you are spot on that there are hundreds of other movie scores that make this film sound like the Jupiter Symphony. The issue is, and I think you would agree with this, that Ladyhawke is such a very, very good story (a better story than it seems to have been a script, but who knows what the studio did in post-production?), that there is an inequality between the narrative and the music. As a touchstone, I compare the difference between the theatrical release of Ridley Scott's fantasy, Legend, with a studio-ordained score by Tangerine Dream (yeah, I know, by who? By a synth-addicted hair band) with the director's cut, which had a score by Jerry Gioldsmith, the high priest of scoring movies. In my view, the STORY told by Legend isn't half of the story told by Ladyhawke. I think Ladyhawke, with Hauer's bravura performance, Michelle's magnetic presence and star power and so simple yet so clever premise (hawks and wolves mate for life, yet this couple can never be together) deserved a more harmonious (yes, pun intended) score. Nonetheless, I will always treasure this film.
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