Does this film make sense?


I’m all for abstract cinema but this seems to be a film that wants to tell a sincere, coherent story… and I’m not sure it does.

The rules are not clear. Freddy’s attacks leave ‘damage’ in the real world, like the deadly slash wounds to Tina’s body and the earlier slashes to her nightgown, but later attacks like ripping up the pillow don’t appear in reality.

Rod is attacked by hanging, but he awakes during it. Shouldn’t the attack end when he wakes up?

Nancy sees Freddy enter Rod’s cell. Is this during her dream? If so, is she still dreaming when she warns her dad? Did Rod even die at all?

Johnny Depp becomes a blood fountain shortly after Nancy’s phone grows a tongue - does that mean his death occurs in… her dream? Did he even die at all in reality??

Obviously the ending is messy because the studio tacked on the ‘still dreaming’ closer, but prior to that I’m still not sure what’s real, what’s dream, what the rules are, and how Craven wanted it to end.

Can anyone enlighten me?




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I don't think they were ever really consistent about Freddy's limitations or the rules to his dream hunting. You just have to go with it. It's a nightmarish journey that's more about the mood and the imagery than the story.

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Mmyeah, this ain’t David Lynch. If there’s to be any sense of threat then the powers and vulnerabilities of the antagonist need to be clearly defined. Fail.

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No, I wouldn't say that. LOL.

Freddy was a memorable villain with his scars and his sweater and glove of knives. The scenes of him stalking his victims through their dreams were creepy. Lack of consistency is a problem with a lot of horror movies, especially supernatural horror movies. I enjoy a lot of them because I can look past that, I think.

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Inconsistent rules are a problem with bad horror films, good ones define them clearly.

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IMO some of them are still enjoyable despite some problems with the plot.

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Do nightmares make sense?

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No, why?

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Then why expect a nightmare man to make sense?

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My nightmares make a lot of sense

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To you.

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Well firstly ‘nightmares’ are not the same as ‘a nightmare man’ so… false equivalence.

Secondly, why are you asking if nightmares make sense?

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Oh so nightmares don't make sense. But nightmare men aren't the same as nightmares so they can't be excused from making sense. Got it.

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What the fuck are you talking about?

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And who said this is an abstract film?

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Doesn't Freddy gradually become more powerful the more his targets fear him?

(I didn't watch the whole series, so I don't know all the rules either)

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"Did he even die at all in reality??"

Decades of dope haven't done HIM in yet, but his career isn't definitely on life support

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Anyone who wasn't part of this Generation when this came out in 1984 is obviously going to find some fault and attempt to punch holes in it..

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Are they?

For my part I broadly enjoy the film and am trying to make sense of parts that, as far as I can tell so far, don’t.

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Originally, the movie was supposed to end with Nancy waking up to find everybody alive, and realising the whole thing had been a dream. The Nightmare On Elm Street was supposed to be that Nancy had a nightmare about a dream stalker called Fred Krueger, who didn't actually exist. He was completely fictitious in her nightmare. The studio changed the script slightly, so there was the opportunity for a sequel. So, what we ended on was a tacked on ending, where Freddy inexplicably came back to life, killed Nancy's mother, and drove Nancy and her friends off to an undetermined fate.

If you had the ending the way it was originally scripted, it makes sense that Freddy's powers were slightly inconistent, because that's how dreams are. Inconsistent and illogical.

The ending we got, didn't make much sense in the context of the story, and made Nancy turning her back on Freddy meaningless.

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Going the "It was all a dream" route would've come across cheap and facile in retrospect. For once, studio intervention may have actually STRENGTHENED a film

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That makes a lot of sense, thanks.

I wish they’d gone with the original script, esp since it makes sense of Freddy’s inconsistent powers, but I will say that the trollish surprise of the theatrical ending is hugely entertaining.

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I prefer the theatrical ending. And the ending Wes Craven originally filmed doesn't convey what he says it does. His is sbout the same as the theatrical but without Freddy showing up. She turns her back on Freddy, opens up her bedroom door, walks onto the front porch of her house, talks with her mom, gets into the car with her friends, and happily drives off with them. Then the last shot is the girls singing 1, 2 Freddy's coming for you. There is no wake up moment. It seems more she's going into another dream. Yet Wes Craven insists she woke up which isn't even shown.

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Is there a difference between the original scripted ending and the ‘Craven ending’?

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I am not sure but the actual Craven ending does not have a wake up scene in it.

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It just seems to be an "ahh, I'll get you" film. Based on the idea that a dude who was killed by mob rule, got pissed off and "came back" to get revenge. A bit like Vorhees. tbh, what was Elm Street number 1 about? it was "I think that dude seems to have a disfigured face and blades for fingers, but can't quite make it out".

I did notice....how does an electronic phone have a mechanical ringer?

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Retro stylings?

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Much more likely to be dubbed. Did they do retro in 1984? point is - there isn't enough room in an electronic phone, for the two brass ringers in a mechanical phone. Or ok I'll re phrase that - for the electronic phone they used in the film there wasn't enough room for a mechanical ringer.

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I never thought about Rod's death but you're right, he wakes up before he is hanged so that death is left unexplained. I think Glenn wakes up before he is killed too, that was never seen again in the sequels

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