MovieChat Forums > Body Heat (1981) Discussion > For Matty, procuring the dream is better...

For Matty, procuring the dream is better than living it


There is so much meaning that can be culled from a gesture, the look in ones eyes, or the inflection present in a
single spoken word. Such is the case with Matty at the end of this remarkable film, where she gives us so much
food for thought with a single word and a momentary glance. She has triumphed and against all odds realised her
dreams of riches and luxury in an exotic locale; she should be delirious with satisfaction and savoring the
fruits of her ill-gotten gains that she assiduously devoted so many years scheming, planning, and eventually
murdering for. And yet, when her handsome young boy toy speaks to Matty at her recently hard won paradise, she
responds to him with a single curt word, "what", that is rife with sourness, dissatisfaction, and a touch of
hostility. She then gazes off into the pristine ocean waters with a look that hints at a mind taxed with a degree
of uncertainty, unease, and perhaps even a sense of regret - what a fascinating note to end this film on, and such
an interesting observation of human nature and comment on the human condition.

So often in life we yearn, hunger for, and covet things which we are certain will bring us complete satisfaction
and pleasure, sometimes for many years or even a lifetime, and if we finally succeed in acquiring what we yearned
for find that the desire and craving for a dream is far more intoxicating and stimulating than the actual
realisation of it - it appears that Matty is no exception to this rule. She has spent so many years ruthlessly
driving herself toward this goal with every ounce of her being, bartering her body and soul in the process,
yet once she actually realises her dream and settles into her new "paradise" it proves essentially to be a
soft, banal, predictable, and boring existence for such a tenacious, energetic, driven, voracious individual.
How can this sedate, predictable life compare to her times with Ned, as their explosive sexual appetites and
complimentary personalities played out against the seething Florida heat; fear, danger, duplicity, risk, murder,
betrayal, suspicion, and blinding sexual hunger became the everyday tableau of her life - she certainly never
lived more fully or vibrantly as when she and Ned traversed the moral razor's edge and committed the ultimate
crime. Now her reward is to stare day in, day out at the surf with men who cannot possibly replicate the heat
and the passion that she has experienced with Ned. She has what she yearned for, but it is anti-climatic for her;
a soft, hollow reward compared to the wild, thrilling ride of danger, risk, and sexual energy that led up to her
"triumph".

She will never have the passion and intoxicating connection with any other person that she did with Ned. He was,
in his own heated amoral way, the closest thing to a soul-mate that Matty ever had or ever will experience; that
unique time and situation that she shared with him can never be duplicated, replicated, or relived with another.
Welded together as they were by there common bonds of lust and avarice, he would be the de facto choice to share
this new found paradise with her, for he is the only other person who can truly appreciate all that went into
its realisation; he is her partner in sex and crime and as they cooled their naked bodies in the evening breeze
under the gently swaying wind-chimes, that was the closest to real satisfaction and meaningful connection with
another human being that Matty will ever know.

When Matty tells Ned before setting off for the boathouse that "no matter what happens, I love you" these are not
condescending or empty words, because her feelings for him are as close to real love and affection as she is
potentially capable of; unfortunately for Ned, in Matty's twisted moral universe loving someone does not preclude
murdering them or leaving them to rot in prison if there is some advantage to be gained by doing so. If her face
betrays true regret at the end Matty regrets the absence of Ned, the omission of him from her life and the void
that it leaves rather than any pain, suffering or damage that she has inflicted on him; as with any pure
narcissist, the "love" of another is really only a warped reflection or perverse by-product of her love of self,
but it is her nature and hence the practical limit of what she is capable of giving. And yet as she stares out at
the ebb and flow of the waves, and has time to reflect on her life, an unfamiliar sensation of isolation and
loneliness may be creeping into her; for all the wealth and exotic toys that her dreams fruition has bestowed
on her, she is still dissatisfied, disillusioned and, in a very real sense, utterly alone....

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Good post on that last scene. It's like the phrase---"more tears are shed over answered prayers than unanswered ones." Though Matty is neither the praying nor crying type, she's definitely miserable in that exotic land.

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[deleted]

kt said herself in later interviews she thought matty was miserable without ned in the last scene and realised she'd thrown everything good away for 'something better' but ended up with nothing,it's highly shakespearian.

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[deleted]

The beauty of the film is that viewers and critics have remained in debate over the closing scene for over 3 decades.kasidan[the director] said the ending shot was deliberately opened to interpretation of how she was feeling and turner had nailed the shot perfectly with her blank expression.If he'd wanted her happy he'd have had her chinking a champagne glass with a smile on her face but he HAD HER LOOKING DISTRACTED LOOKIng and not smiling,i thought she looked sad and preoccupied,she certainly did'nt look to be enjoying it but rather her mind seemed somewhere else ie.ned. Remember too at the end before her escape she declares her love for ned before her escape,she knew she was getting away so why bother saying that if it was'nt true?

kts words in an interview over the last scene over Matty ''I think she realised that she got her fortune and lost her life,I think she realised that she really *beep* up''.The film is a morality tale remember,i've studied shakespeare in college and the film is hot in the heels of the themes of some of his greatest works-It's actually like a retelling of macbeth.Matty and ned could be compared to macbeth and lady mac beth who too realised that gaining power and desires through evil and corruption can never satisfy the human person in the end.

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at the end before her escape she declares her love for ned before her escape,she knew she was getting away so why bother saying that if it was'nt true?

Because otherwise it would have been less believable that she consciously walked into her own trap. If she loved him, then she could have been deeply hurt by his discovery of her betrayal, deeply enough to allow her own scheme to kill her. I'm pretty sure that everything about her was calculated. In the end she didn't seem sad to me, she just looked perfectly acclimatized to her dream, acting with a sort of royal ennui.

there's a highway that is curling up like smoke above her shoulder

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Kobiyashi -- I don't buy it either. Turner's character is a classic sociopath, a woman with ice-water in her veins who is capable of mimicking intense love and passion without actually feeling any. Maddy/Mary Anne used two men she had no real feelings for in order to "be rich and live in an exotic land," and, having gotten what she wanted, is perfectly content.

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[deleted]

I'm sorry KobiyashiMauru and filmklassik but whatever you would think about Matty that last sequence pretty well implies that she is NOT happy. Maybe for you it's out of character but it is supported by the film itself so it must be accepted. Also the fact that Matty did tell Ned that she loved him, something she didn't need to do, before she staged her death would further suggest that she fell in love with him.

Remember the title of the film is "Body Heat". It wasn't just about money. It was about sex too and Matty found the perfect partner in Ned Racine. And besides the man wasn't all that dumb by the end of the film. I think he was the perfect match for a woman like Matty. Or should I say Mary Ann?

It is a morality play. William Hurt called it that in an interview also. And what would be the moral if Matty also hadn't lost something in the process of all that treachery and deceit?

The film gains an added layer of complexity from that very resonant final scene.

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Yeah, no, sorry, ginger, where you see sadness and melancholy on Maddy's face in that final scene on the beach, I see only cool impassivity.

And you're right -- the movie is definitely about sex -- hot sex -- but I don't think Maddy cared about it very much. Ned did ("Someday your dick is going to lead you into big trouble, my friend").

Ned needed sex, and Maddy exploited that need.

(By the way, I'm not saying Maddy hated sex or was at heart asexual. Not at all. I'm sure she loved the pleasure it gave her... she just loved money more).

My conclusion: Maddy didn't give a sh*t about Ned -- not really -- except to the degree that she could use him in order "to be rich and live in an exotic land."

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[deleted]

I think she gives a *beep* about Ned and she loves him but she knows love will fade away so she would rather have the money. She can always find new men, she is beautiful and rich, even when she gets older she can get men to keep her company. Ned is pretty cool guy, he is cool guy in small town, he is young, he is smarter than the other hicks in town, but not smart enough to hang around till the end of her life. She need smarter guy than other townies are, because she wants a guy who understands her needs, specifically her need to keep the relationship secret other idiots seem like there is a risk they would go around bragging about it. Also she is smart woman so she wants smart man. She hates how much Ned loves her, she doesn't want to love anyone like that, she wouldn't want to return the favor because she feels love is fake. She doesn't want children and she isn't really that greedy but money is always good, she isnt social climber, she doesnt want to be friends with other rich women. She is beautiful and she knows it, she doesn't want her beauty to go to waste, she doesnt want to give more than she takes, she isn't greedy but she thinks if I can get more, I will take it. She wants money and sex, she thinks, what else is there.

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Yup, you hit the nail on the head - cool impassivity.

"Body Heat" is one of my all-time favorites. Saw it when it came out in 81, had the VHS copy for many years, now often watch the DVD, and I've never, ever thought Maddy was sad at the end.

That's the REAL Maddy, selfishly enjoying the beach and her drink. She doesn't have to act any more. She got what she wanted. If anything she's irritated that her boy toy has disturbed her rest with his banal comment about the heat. She doesn't miss Ned or Edward or any of it. I imagine her next words were, "Shut up and get me another drink!"

"Push the button, Max!"

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The last scene is simply perfect, in that it allows the audience to come to their own conclusions. I believe Maddy Walker was indeed, sad. But, she wasn't sad because of the murder and her betrayals. That sadness is simply her personality...nothing, not money, nor sex could ever fulfill her, or make her truly happy.

Maybe 'sad' isn't exactly the right word, perhaps wistful is better is describing her expression in that last scene. Maddy is just empty of any real emotions, with the exception of greed. It's as if she is dead inside. She didn't hate Edmund Walker, nor love Ned Racine.

Maybe with Racine she came closer than she ever had before in her life to feeling some true emotions. But, it was not enough to make her ever consider not following through with her plan.

She, as has been stated here, is a classic sociopath.

-AnaElisa

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[deleted]

i live in ireland where it's always wet and cold,i'd switch it for hawaii anyday so be happy

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Furthermore, the locale at the end appears to be Brazil, per the Portuguese spoken by the guy she's with (see the previous post 'It is hot' on this site). And Brazil is anything but boring.

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[deleted]

But does Brazil have an extradition agreement with the US, I think not
but thehn again it coulud be anywhere, your token exotic place the villain flees top at the end

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The ending scene was shot in Ca,USA .

...Grace beats Karma

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[deleted]

Kasden said he found a spot in Ca. that was perfect for the ending because it "looked" very exotic.

...Grace beats Karma

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Wherever she is, it's beautiful, and she has a handsome boy toy, and nothing to do all day but drink mai tais, but what does he say to her? "It's hot." That's what everyone said in Florida! She's STILL lying around in suffocating heat, and nothing has really changed. Talk about a letdown. Great ending.

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Brilliant post OP, about a brilliant ending. I believe that despite the fact that she has achieved something she has always wanted, after so much labouring and scheming, she misses the excitement, thrills and adventure with Ned - even though she didn't have what she wanted then, at least she had fun... "grass is always greener" kind of thing.

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[deleted]

I took the last scene one of two ways....
Either Matty was sad that she'd destroyed Ned & kind of wished he was around instead of her new Brazilian toy boy, or simply that the life she had at the finale still wasn't enough.
Clearly you're meant to think that she isn't content as the credits roll.

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What about Edmund Walker, Mattie's husband? If she wasn't sad for THAT, how could she give a reproductive act about Ned being in prison?

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Well it's speculation of course, but I think pretty much everything about Edmund disgusted Matty. She was only with him for one reason... and after all she planted the idea of killing him in Ned's mind. "Let's not think of all he's got" etc etc.
I'm not suggesting that Matty wanted Ned out of prison, but instead that she probably viewed him as unfortunate collateral damage & that she actually quite liked him.

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You don't frame the love of your life for murder, sorry. This whole affair was STRICTLY business.

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Gee whiz! One word in the movie really got you going, didn't it? I have to agree with you, however you didn't have to write "War and Peace" though it was interesting. This movie is one of my all time favorites, yet hardly anyone remembers it. The hot sax on the sound track as a fire rages in the distance sticks in my mind all these years. I first saw it in 1981 and the theater screening it cut out the nude scenes. I always wondered why others who must have seen it in theaters without censors talked about those scenes. NOW I know.

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