Count me in the camp who likes "Help Me" too. It does sort of stick out like a sore thumb amongst the other tunes, but it fits the end weirdly well. Marcy Levy's voice is awesome, I dunno why she never became more famous (though "Come and Follow Me," her end-credits song from "Short Circuit," is a vastly superior duet).
And "Damn Dog" is without a doubt my favorite song. I could understand not liking "Your Daughter Is One" or "Flowers in the City," but if you don't like "Damn Dog," then you kinda missed the point of the movie.
We can blast Robert Stigwood for destroying the film and imposing a Bee Gees tune - and he sort of deserves it - but we wouldn't have had the movie at all without Robert Stigwood. Double-edged sword. I'm still holding out hope that Alan Moyle's cut has been buried in a vault somewhere (labeled "She Got the Shakes") and is awaiting the day when someone finally discovers it. The workprint of Orson Welles' lost film "Too Much Johnson" has been found, so stranger things have certainly happened.
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