Playboy magazine listed the very best movie lines from 1980. Top of their list? This interchange between Sam the Scriptwriter and Cameron, after he learns that Nina had previously had an affair with Eli Cross:
Sam: I'm sorry. Was she supposed to be a virgin?
Cameron: (Dejectedly) Yeah.
Sam. I had a virgin once. I had to go to Guatamala for her. She was blind in one eye, and had a stuffed alligator with a t-shirt that said, "Welcome to Miami Beach!"
I don't know the exact quote, but there's a great "O'Toole rant" where he says something like, "...and then I'm going to kill him, and then I'm going to cut him into little pieces and eat him..." LOL...
I can shuffle cut and deal but I can't draw a hand
It's during the dinner scene, where Sam The Writer is grousing about how the studio is going to cut out anything good and leave nothing but the Swell Battle Scenes.
Eli: I know they're not going to cut my film, because they know if they touch my film I'll kill them. And then I'll eat them.
(Everybody laughs)
Eli: Sam, this film is my child. What if the studio came up to you and said that your six-year-old daughter would look better with her arms and legs chopped off?
Sam: Well, being an insecure writer...I'd have to call my agent...and get a second opinion!
****
Another great exchange between Eli and Sam:
Sam: What's wrong, Eli?
Eli: Wrong? The scene's wrong, that's what wrong with it.
Sam: The scene is beautiful. It reads like Marat-Sade.
Eli: It's *beep*
Sam: *beep* *beep* Who was it that called me at three in the morning, raving to me about the magical madhouse scene? Who was that, Eli, my upstairs maid?
In this scene Eli (O'Tool) and his crew are about to film the scene when the Dusenberg goes off the bridge. Cameron (Railsback) will drive the car. He's nervous because he's driving the last Dusenberg and they must get the scene right on this one take. The crew has put a camera inside the car.
Just before the scene is shot a local police detective, jake (Alex Rocco) is questioning Eli, asking him if he knows anything about an escaped convict who might be in the area. Eli, immediately understands that Cameron/Lucky is the escapee but says he has seen no one suspicious, and makes it seem that he has known Cameron for some time. Jake seems to believe Eli. Cameron hears the discussion between Jake and Eli and is now REALLY upset because he knows the police are looking for him and are right here now.
So now the crew is ready to shoot the scene, and before starting the other cameras he wants to check that the camera inside the car is working so he shouts:
"Camera on."
Jake, the detective, is standing beside the Dusenberg and sees that Cameron has not heard Eli's command. So Jake taps on the window of the car and shouts: "Camera on?" ("Camera on" souinds like "Cameron.")
Cameron, thinking that the detective knows his real name and knows he is the escaped convict, throws the Dusenberg into gear and speeds off, before Eli has shouted "Action."
I didn't notice this gem until maybe the third time I watched this film.
Denise the hair stylist on Nina Franklin's commercials: 'Selling douche powder she's good, but with the dog food, I don't think she's sincere...'
Raymond to Eli (about Lucky): 'My new cock and balls?'
Eli (after the camera guy calls cut): 'In 22 seconds I could pinch off your head and spin it around the pavement like a *beep* insect...in 22 seconds I could put 22 bullets inside your ridiculous gut...what I seem unable to do in 22 seconds is to keep you--from *beep* UP--MY FILM!'
Eli to Lucky: 'What are you, some sexual freak dashing across America in spurts...?'
...and Allen Garfield's bit about the Guatemalan virgin
my fave of Eli's: 'Probably all we know is that we shall die... (the rest is) nothing more than wrinkles'
and another I just (3/30/08) remembered: 'If you've got something to say in a film, you'd better slip it in while they're all laughing or crying or jerking off at all the sex and violence...'
'We all dream of being a child again - even the worst of us. Perhaps the worst most of all...'