Judi Bowker (she's still alive and well and I'm told still acting).
Infact around the time I developed my major crush on Judi (which co-incided with a recent house-move so I was in a very emotional, bereaved, needy state which intensified all this) and even sent her an admiring fan-letter that received no reply (I cried for weeks)....
....I dug out Somewhere in Time and watched it again. Because of the circumstances it was far more a weepy than usual but it also comforted me in many ways. Reminding me how the most old school and almost ethereally elegant, lady-like actresses from the days of the stage with their emotional and sexual focused precision resonance of a ballerina poise can immortalise and project a living, breathing, female soul at its rawest and purest, in a way that can see the actress in question being on the receiving end of many a man's unrequited, uncontrollable love.
That's why I love the scene where Jane Seymour tells Reeve that the reason she initially rejected him is because that intensity of male admiration and some of the stranger of the influx of adoring fan letters made her fearful of the world and she'd developed a very shielded mindset to men like him, and that made me think maybe my letter to Judi hadn't said anything wrong or disrespectful that she'd disliked (I specifically avoided mentioning any feelings I had for her and just tried to keep the praise more on her talents and the TV work she'd been in that I liked anyway not just because she was in it), and maybe either she or her agent (who I'm told could be as much of an unsympathetic bulldog as Plummer is in this film) just found it second nature to throw away anything too long-winded or gushing.
There's many reasons I love that film more than ever now and I think that scene is the biggest one.
"See Tasha that's what I'm talking about! THAT is a WOMAN!"
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