The initial emphasis in the film is on all that can go wrong via dreams, how much of them tap into the darkest parts of the human psyche, etc. Which is true, of course. What we tend to forget is that dreams also tap into what is best in the human psyche, all the potential & possibilities for growth & wisdom ... to me, that's what the aliens are, the sort of wise helpers of myth, the positive aspects of George's psyche, the embodiment & expression of his own basically Taoist worldview.
Indeed, if everything we see has been dreamed into existence by George, then Haber himself may well represent the Western part of his psyche, the supposedly rational part, the part he's been raised to believe is the salvation of humanity & reality. But when he essentially turns his life over to that part, in an effort to make sense of what's going in, it fails him & makes things worse in its attempts to make things better. At which point the aliens emerge, a counterpoint & alternative to Haber. They are George's salvation ... and of course, he's saving himself by becoming whole
Note also that the intervention of the aliens enables George to find Heather again: male & female, the sacred marriage of the psyche. Haber doesn't seem to have a personal, private life; love doesn't seem to enter into his worldview; everything he does is about control & power, even if he consciously believes it's all for the greater good in the end. Each "improvement" he makes in the world results in a more dehumanized humanity -- the world as a whole becomes a smoothly running machine, but the individuals are soulless cogs whose only purpose is to keep it running smoothly. Where is love & empathy & compassion & true wisdom in Haber's world? Those things don't exist for him.
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