Terrific film, sad that Carpenter doesn't care for it much.
It's such a great blend of ghost story and slasher, all the concurrent narratives come together in the end in a very well done way, there's some scary and amazing crosscutting in there that is--well, not quite Hitchcock worthy but pretty damned good at ratcheting up the suspense and fear--those leprous ghosts with rotted, dripping clothes and their glowing eyes are scary looking, getting John Houseman in there at the beginning sets he perfect tone, and it's got Tom Atkins as a romantic lead. I love it and I've loved it since I was a kid. The initial kills on the Sea Grass are scary. And gory!
Oh, to have HBO in the late seventies and early eighties when they showed different movies all month long and not the same crap every day; and to watch things that you were way, way too little to be watching.
I know Carpenter had to reshoot, I know that Jamie Lee Curtis wasn't totally thrilled with the atmosphere on set because of the split between Carpenter and Debra Hill, it seems like everyone, even good old Tom in the commentary on the Shout!Factory release had an okay time but maybe not a great one. A stressful set atmosphere can have a real impact, but in the case of this film, I think it probably added to the tension on screen, so it works.
My only real complaint with the film, and it's not even a complaint so much as it is a plot device that I don't care for, is the kid. I know he's important for both Stevie's, Nick's, and Elizabeth's stories--Stevie's because he's her kid, and Nick and Elizabeth because that sequence of them saving him is one of those moments in the film where the editing is really ramping up your fear, especially when they're all back in the truck and then the damn thing is stuck, and that's where the crosscutting gets intense as hell!--but I'm not a fan of this particular kid in this particular horror film.
Stevie's being alone at the radio station and watching all this play out below her and then getting attacked as well is scary enough on its own, or at least it was for me. Even though I don't care for the kid, he's kind of got to be there, because that scene of Nick and Elizabeth saving him is probably the most tense and frightening in the entire film, and it works so well.
I wish more people liked this film. It seems as though some people see it as lesser Carpenter but nothing was as bad as Ghosts of Mars.
Right?
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"It's better not to know so much about what things mean." David Lynch