Paddy Chayefsky wrote the book and part of the screenplay to explore the dimensions of reality and consciousness that have been debated at least since the ancient Greeks. The most amazing concept that he reified (yes, Eddie did "deconstitute" corporally into a simian ancestor, temporarily) was that we all carry in our DNA all the history of all of our ancestors going back probably well prior to hominids-- and that it's possible, just possible, that we can access that history. Not a new idea, but Chayefsky wove in concepts from Julian Jayne, Robert Ornstein, Ralph Metzner, John Lilly, and others who wrote about consciousness (he mentions several of these in the script). Much of the dialogue is pure Chayefsky, and is a bit like Shakespeare-- Hurt, being a trained Shakesperian actor, was able to pull it off pretty well. Looking back at in now in 2010-- I last saw it probably 20 or 25 years ago-- it's obviously dated, and the special effects are quite hokey, but much of the dialogue and many of the visuals (think of Blair Brown turning into a Sphinx over the sandstorm of time) are still provocative. Until someone figures out God, reality, and consciousness, this movie remains one of the few to truly explore these concepts. Can someone think of another movie as literate that has delved into these topics?
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