It would be hard to battle somebody else's taste, but you might find quite a few fans of the film who will disagree with you. I saw it on TV around '83 and quite liked it a lot, but lest you think it's merely a Gen X nostalgia trip, I know quite a few twentysomethings who like it as well. There's an energy in its editing. The acting seems to be deliberately wooden from all involved, but that's not its strong suit: it's the visual energy with which the stoty unfolds. The ridiculous get-ups of the various gangs aren't meant to be funny but could be taken that way, but they're far more interesting than if the film had chosen a more realistic mode of storytelling. Plus, it's got Lynne Thigpen's remarkably expressive lips (and nothing else) as the DJ serving as a Greek chorus to give crucial information. If this had been made just two years later, the MTV aesthetic would have dictated how it would be made, but Walter Hill's film stands as an interesting and still-engaging unique experience that many people across generations seem to admire.
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