MovieChat Forums > Robin and Marian (1976) Discussion > Love the ending (SPOILER ALERT)

Love the ending (SPOILER ALERT)


I was sort of bummed when I saw Robin beat the sheriff in battle, as I thought it might be a befitting result for him to die gloriously in a final sword fight against his longtime nemesis, one with which he seems to share a mutual respect. However, the final scene made up for that and much more. In fact, it was one of the most eloquent scenes (let alone a final) that I have seen in cinema.

Robin euphorically recounts the day’s events and plans on having many more such days until he abruptly realizes he has been poisoned by his lover. After an initial panic, he asks Marian “Why?” And Marian responds with what I thought was a beautiful response in articulating her love for him. And as Robin reflects, he rhetorically asks,

“I’d never have a day like this again, would I?”

to which Marian softly shakes her head as they both realize that their lives would only have been anticlimactic from this day forth.

This movie is way underrated in my opinion. I gave it an 8 though I could have easily gone a 9. I’ve only rated less than 3% of the 1300 movies I’ve rated that high. And since I gravitate toward watching highly rated movies to begin with, I’m saying I like this movie a lot and would have given it an 8.5 on the spot if possible. I may still rate it a 9 upon further reflection. The only reason that I didn’t go higher than an 8 is that the plot leaves me wanting to some extent.

However, this movie does one of the best jobs I’ve seen of portraying the “declining talent” theme. It pulls no punches and shows you the reality that the individual faces as he realizes that his ability is giving way to age, all the while showing that the passion does not decline with it. It doesn’t matter whether you are talking about a warrior, an athlete or a mathematician. The theme is universally resounding and this movie nailed it on the head, at least it did for me.



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I think it's good. There both great actors.
The only draw back for me at the end, was I cryed my eyes out.

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I thought it was the worst movie ending of all time...I thought it was gonna be a big cool battle and that Robin Hood and his people would triumf. I really hate Marion for her actions. So extremely selfish.

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The ending is absolutely psychotic. With a girlfriend like Marian, who needs the Sheriff of Nottingham or Prince John as enemies? Robin should've known she was cracked when she admitted to attempting suicide after he left to fight the Crusades. Terrible. And far from romantic. It was totally twisted.

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I think what Marian did was right.If Robin had lived through his injuries he and his men would have been pursued by the king and eventually captured and given an ignominious death by either hanging or beheading.This was a far better way to go out imo.I cried my eyes out at the ending too.

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The ending has been discussed extensively on these boards already, but I'll say my two-bits again anyway:

I thought it was quite clear that Robin was fatally wounded and wouldn't recover, so rather than watch him die in agony or become crippled(which really would've been worse than death--after all Robin is a man of action; he has to DO things, or he's not Robin anymore), she gave him the poison and took it herself because she couldn't bear to lose him twice. As she says earlier "I'll do everything for you but mourn." I don't think that Marian is "psychotic" or betraying him at all. I personally think that the final speech is incredibly moving and romantic(it might have been far too sentimental in the wrong hands, but with Audrey Hepburn saying it to Sean Connery...oh my). And Robin understands that "It's better this way."

For me the ending is sad, but in an affirming way. Robin and Marian move from life to legend, and so, in a way, can never really die.


I tried to dance to Britney Spears/I guess I'm getting on in years.

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Robin and Marian move from life to legend, and so, in a way, can never really die.

And that is the whole point. Even if Robin had survived the fight, he'd never be the man he was. He was old for the times anyway (He actually says to John at one point: "they say it's a good life if you reach forty. We're both past that").

Alive (even if he escapes the law) he is just an old man reminiscing about 'the good old days'. Dead, he is a legend.

Better the hero to die in is prime
Than live on as an old man, saying; "there once was a time......"


"The hour is come but not the man"

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But should Marian have taken it upon herself to make that decision? It might have been more poignant if Robin had come to that conclusion himself and had decided to end it. When he first discovered he was poisoned he actually called out to John for help! Then his psycho girlfriend convinced him he was better off dead because he wouldn't be able to experience the "glory" of battle anymore. The whole scene just rang terribly wrong to me. It didn't feel romantic in the least. It was just disturbing and crazy.

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If it weren't done as eloquently, I could see how one might come to that conclusion.

However, the fact that Marian took it upon herself to poison him, and herself, is what brings such poetic justice to the ending. First, she loved him more than anyone else loved him. That she would be willing to end his life in spite of her clear adulation of him speaks volumes to why it was the best outcome for him at the end of the day. Furthermore, if she were just taking his life and not her own, it might be disturbing but that she is willing to take both of their lives for what she felt was his sake, and his only, is what makes this such a beautiful and fitting end to Robin's life.

Marian is saying that in spite of what anyone else (including Robin) might believe, the best thing for Robin, and his legacy, is to move on to the afterlife. She knew that he would just be sad and miserable had he continued under the delusion that he was still some great warrior. It would have ultimately led to his undignified demise, either cut down in battle by someone less worthy or dying a useless old man. As an audience member, you have to believe that too, of course, to believe that it was a just ending, as I do. Once again, her taking her own life is what gives credence to this notion. And her most eloquent speech in professing her love for him did a great job IMO of binding everything together.




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This is interesting, if not bizarre, to me that so many people see it that way. It's a murder/suicide. Would Phil Hartman's murder be more palatable to people if his wife had decided that his best days were behind him and that he would never again be as funny as he was on SNL? As long as she gave Phil an eloquent soliloquy right before shooting them both, it's poetic and romantic, right? No, it's still psychotic.

Again, I have to stress... this shouldn't be Marian's decision. She took it upon herself to decide that Robin was better off flaming out in a blaze of glory than dying peacefully as an old(er) man. Do any of you actually want your own spouse or significant other making those kinds of decisions about your life and your future?

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You're missing a very critical point in your analysis and that is that Robin also realizes and acknowledges that this is the proper ending for himself, thereby absolving Marian of what you deem is a "psychotic" action on her part.

Let's also not forgot that this is a movie. That isn't a cop out but rather the realization that we allow for moral liberties in film and find art in unacceptable actions that we might otherwise deem to be monstrous in the real world. Michael Corleone killing everyone at the end of The Godfather makes him no more than a common thug if it were real life but that movie and ending and character is so much more than what we could label as just a "murderer" using your line of logic. We could literally go on endlessly with such examples.


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Yeah, I think we'll just have to agree to disagree. And you're right... these are just movies. But it's fun to discuss them, like we're doing here.

I still say that Marian doesn't get off the hook just because Robin eventually agrees with her. In fact, that didn't ring true to me at all. It was as if Robin allowed himself to be convinced of it, that he was blinded by his love for Marian, and perhaps it was his way of "absolving" her. But, it's clear that we see it differently and aren't going to convince each other otherwise. And that's fine. It does make for lively debate!

And not to hijack this thread into "Godfather" territory, but I actually do happen to think that Michael Corleone descends into monstrosity, particularly during the second movie. He becomes an unsympathetic, soulless husk. Once he becomes the Don he's actually a pretty darn unlikable guy. But this is part of his journey and arc, and by the third movie he seeks redemption and perhaps regains some of the viewer's sympathy. There are things Michael does in the first movie that I tend to give him a moral pass on, true. The killing of Sollozzo and Captain McCluskey. Sure. That's an easy rationalization. But even Vito knows better. He weeps when he learns of it because he knows that Michael has started down the path of damnation. And isn't that the whole point of that saga? Michael's fall and redemption? It doesn't mean anything if we give him a moral Get Out Of Jail Free card.

Wow, didn't mean to go off on that tangent. Sorry.

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In one of the Robin Hood legends Robin is killed by the Abbess of Kirklees Priory because she hates him. He comes in wounded and she poisons him the way Marian does in this film. That part of the legend is incorporated very well I feel.

I love the film and cry buckets at the end.

The Long Walk stops every year, just once.

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I just saw the Movie and i agree. I loved the ending. Very fitting.

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I just watched "Robin and Marian" after it was shown on TCM. It is an excellent film but I have to say that I think the ending is wrong. I am not someone who is against unconventional endings especially when every movie made today seems market tested so that an ending like the one in "Robin and Marian" would never have been filmed today (God help us if anyone decides to remake this).

As anyone of a certain age will remember, films of the 70s very often were took unconventional approaches to standard genres. The term was revisionist and "Robin and Marian" falls squarely into this category. In some films, the unconventional (or simply, unhappy) ending worked brilliantly like in "Chinatown". That movie actually had a happy ending but it was changed. In "Chinatown" the downbeat ending works because the whole movie is about corruption and greed.

I don't think the ending of "Robin and Marian" is terrible. It's too well acted and poignant but given the subject matter and everything that came before it, it's not satisfactory. This is one case where giving into brighter possibilities of a happy ending would have been better. Most likely a lot of people will heartily disagree.

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Its not really revisionist. Thats how some versions of the legend end.

The church may shout but Darwin roars

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