I am 15 years old, and I decided to watch this film, but had to turn it off because of how dreadful the music was. I watched this film, because I loved Pink Floyds' The Wall, and it turned me on to their music, and I was hoping this would do the same. Im not saying The Who is a bad band, I'm saying that they should have kept Roger Daltreys vocals in, instead of rerecording them. I later listened to the original Tommy in it's entirety and absolutly loved it, but the new versions completely missed the point of it. The new songs made it sound more poppy, and took away the operatic elements, thus defeating the point of labeling it as a "Rock Opera". I now know that The Who is a phenominal band, but I wouldnt be able to tell by this movie. Rant over.
SIDE NOTE: I am looking for a new Who album to listen to, which is better? Quadrophenia or Whos Next?
Check out THE WHO SELL OUT, QUADROPHENIA, and anything they made up until the '80's---I don't know the exact other albums they made, but I grew up hearing their stuff, and still love after all these years---you have good taste for a youngster---go for it!
he likes The Who and Pink Floyd, do you really think he also likes Bieber, I disagree with his comment, i think Ann-Margret, Tina Turner, Elton, Clapton all improved on the original version, but for a 15 year old, the boys got great taste. and i don't think you have to be 18 to have an opinion. good on you son. I was 6 when i first heard this, I loved it, does that make me wrong for loving this film?
What a stupid knee-jerk comment. The kid shows a great appreciation for music in the original post, and I agree with him that Tommy is great in its own way, but if you know the album well the music is not at the same level.
The OP was absolutely right -- the music in this film is dreadful. That's not to say the original Tommy was anything less than genius, but this terrible version? A fiasco, with Ann-Margret's bleating and Oliver Reed's lazy, off-key croaking.
It is absolutely brilliant that you reposted at 18. I think the people that criticized you earlier were idiots. Worse yet is that your reply, pure genius snark, is completely overlooked by people who are still fighting whether or not you are "allowed" an opinion.
I only read a little further down, before I scrolled back to verbally 'pat you on the back' and say Well Done! Have your opinions changed, or have you grown into another genres? My 15 yr old played Sax, liked big bands (my fault) and the pop/skateboarder "punk" that was out at the time. (I can only remember Sum 41& Tony Hawk Videogame Sndtrk). By 18, he liked Be Bop and Hip Hop. Went to Berklee Music College and ended up recording Rap, very chill jazz-hop. He had over 3,000 classic rock/blues/80s/punk etc to listen to, or Sample when he started making his own, but never was interested. What wasted potential.
Never stop looking for music you've never heard before - old, new, Japanese Flute, Beiber, Blues 78s, birds & crickets, Classical, the rhythm of the washing machine - it doesn't matter. Every note you hear followed by another one makes you an exponentially smarter, wiser and a more well rounded person than any of these idiotic snobs.
Also, Have Fun. There's no reason not to like FlipCoin's "Double Backed Beast".
At 15 I was a fair musician who understood and appreciated numerous genres of music. Some 15 yr olds have opinions that far overshadow those of "so called adults". I bought Tommy (album) when it was released. I don't think I was 15 yet. I played the crap out of it. Their finest was "Who's Next", however Pete Townshend doesn't agree.
I agree, I know I said, "WHEN I was 15, I appreciated all genres of music", so, @DaVooz, I'm assuming your response is to the first 15 yr old poster. Nowhere on this thread did I refer to horrible music. I began music study at 8 yrs of age. That's one reason I can appreciate a broad spectrum of music. Anyway, "unbalanced and insecure" might apply to your neighbor, but keep me out of that one :}. There is so much more to music than someones opinion, or if it made the charts. Music is art. Either you like, or don't like. But you don't compare.
@DaVooz I thought that was the case. No worries. I think we're on the same page. It's the people that know the least (usually kids), that like to talk the loudest. I'm pushing 60 yrs old, and have had the pleasure of absorbing a lot of interesting music. I just finished reading Pete Townshend's "Who I Am". What an incredibly fascinating person. It's no wonder his playing is so energetic. If you haven't read it, pick it up or borrow it from a friend. Have a great week.
If you stopped reading on that fact, you're shockingly closed-minded by definition. What, did you know nothing at 15 then discover all you know afterwards? You missed out on a childhood if you did. Be realistic: it's a highly-prejudiced, condescending view that says far more about yourself than anything else.
Let's have the OP speak. You've said enough, for all the merits your self-granted Rank Of Age got you. Typing idiotic one-liners that impress only yourself is the opposite of wisdom.
--------------------------------------------------------- Free your mind and the rest will follow
I am a devout Who fan, but the music in the movie is tired, at best.
I didn't like the cast recording version of the play, finding it too mannered and low-energy.
What I'd love to see is a version of the movie that hews much closer to the experience of the LSO version of the album, which I think is better than The Who's version (which, come on, we've all got to admit has kind of weak production quality). Although I don't like Richard Harris' spoken-word performance of "Go To The Mirror Boy."
"...And far away in his cage, the monkey smiled with his all-seeing eyes."
It's very different to 'The Wall', very different indeed. The only connection is that both bands were pop-to-rock bands of the same era but it stops there.
I'm sorry you didn't get what you were hoping for from it. I like it lots but it doesn't have the depth for me that the Wall's story has. But that's just me.
(Incidentally, ignore all the 'just 15' stick flying about here :-) I had a hefty amount of rock and pop experience by the time I'd reached 15, started from 4 or 5. I don't know why some people have to be a snob about it - music is freedom, pure and simple.)
--------------------------------------------------------- Free your mind and the rest will follow
It's very different to 'The Wall', very different indeed. The only connection is that both bands were pop-to-rock bands of the same era but it stops there. - loveagoodstory
Yes and no. You're right in that Pink Floyd is classed as progressive rock while the Who is straightforward rock, but although each band's sounds are different from each other, there are actually a number of parallels here.
First, both bands are roughly of the same age and era--they are war babies (World War Two) and came of age in the 1960s. This is significant because both Floyd's The Wall and the Who's Tommy have the catalyst of young boys whose fathers were killed during the war. (In the original libretto for Tommy, this is the First World War, but it's changed to WWII for the film version.) That missing father has an ensuing impact on the protagonist.
Next, both The Wall and Tommy became entities that took on lives of their own. Both were made into films and have developed lives in other media. And both have become emblematic of their respective bands, sometimes to the exasperation of each band.
Finally, I say this as a Pink Floyd fan and an absolute Who fanatic, both stories are ultimately pompous and overblown and are two good reasons why punk rock had to happen. Does that mean that never upgraded my well-worn LP copies of each? Of course not.
Your comment about both being "pop-to-rock bands" is an intriguing one. When both bands began in the mid-1960s, British bands were expected to have hit singles, at which the Who was more successful, but with both bands it wasn't as if either made a dramatic departure from fluff to tough. And Floyd's early singles ("Arnold Layne," "See Emily Play") were off-kilter to begin with; then there's the band's singular debut album The Piper at the Gates of Dawn, Syd Barrett's crowning moment in Floyd. ------------------ "Man becomes the food of the divinity he worships." - Chris Stevens
reply share
Thanks for your thought-through comments. I honestly wouldn't dwell too much on my 'pop-to-rock' note, it was just a broad brushstroke about the evolution of the bands. I'm glad you get a lot out of them.
Most of my point was that I detest (rare for me but true) people being snobbish about music, films and all sorts, really. I say that music *is* freedom and anyone can enjoy what they will. A feeling of superiority just by being older is an equal crime in my eyes. Closed-mindedness seems to come long before wisdom from the worst of these self-appointed 'older and wiser' morons. I've been doing this 'thinking' thing a long time, young and old, and found them morons views to be rubbish then and now.
Anyway, that's what I was objecting to: the "you're *only* 15" crew. Glad that dross is beneath you, good luck to you and revel in the sounds of two truly great bands.
--------------------------------------------------------- Free your mind and the rest will follow
Thanks for your thought-through comments. I honestly wouldn't dwell too much on my 'pop-to-rock' note, it was just a broad brushstroke about the evolution of the bands. I'm glad you get a lot out of them. - loveagoodstory
Thanks, although I added the "pop-to-rock" comment as an afterthought as my focus was on pointing out the parallels between Tommy and The Wall, and between the Who and Pink Floyd.
Most of my point was that I detest (rare for me but true) people being snobbish about music, films and all sorts, really. I say that music *is* freedom and anyone can enjoy what they will.
Actually, I'm pretty snobbish about all of those because my conceit is that of a critic and historian. However, I agree that there is a huge difference between arguing why one is "better" than the other and judging someone for his or her preferences.
Music especially is an overwhelmingly emotional experience, which means that by definition any "logical" argument about why one is "better" than the other can only explain part of the appeal (or lack thereof), and which means that people tend to take criticism of their choices very personally. You can't quantify taste as an objective measurement (which is the more neutral expression of the phrase "there's no accounting for taste," which tends to be used disparagingly), and while we tend to think that our taste is superior to someone else's, it is a mark of maturity (I hope) to acknowledge that someone eles's taste may not be the same as yours, but that doesn't mean that it's worse (or even better) than yours.
Anyway, that's what I was objecting to: the "you're *only* 15" crew. Glad that dross is beneath you, good luck to you and revel in the sounds of two truly great bands.
I saw that poster's comment and thought about responding to it. It's a sneering, condescending comment to make.
------------------ "Man becomes the food of the divinity he worships." - Chris Stevens
reply share
Actually, I'm pretty snobbish about all of those because my conceit is that of a critic and historian.
I'm sure that interest in history will have given you the realisation that there's no single best or worst. I know that God tried to test that belief in the peoples of the earth when he sent us Five Star* but that was a lapse even He looks back on with a groan. Be free, brother (or sister), and let them all be free with it.
A pleasure posting with you, friend :-)
(* and Apache Indian doing the Boomshakalak)
--------------------------------------------------------- Free your mind and the rest will follow
reply share