Bitter Disappointment
Hello All,
The general tone of this board seems to be universally positive, so I'll have to be the sole turd in the punch-bowl:
I scrambled to the theatre in 1975 during the first week of release to
catch this film. I was already a fan of both Mitchum & Marlowe (own all the
novels & short stories), and my expectations were stratospheric. At last,
I thought---the perfect match of player & material---a celluloid landmark.
Hard to describe the disillusion that set-in not half-way through. Mine
was one of the notorious early prints with a scene where Mitchum &
Rampling are vainly suppressing giggles over the dialogue (the studio was
not entirely successful in recalling these---at least one unedited print is still circulating on broadcast TV. How did the director & producer [[the over-hyped Bruckheimer]] allow this fiasco?)
Well, I swallowed hard and gripped the seat tighter . . . and tighter . . . telling myself that Mitchum's early "low-key"
persona would be "energized"
somewhat as we neared the climax---as Marlowe would have to rouse himself to outwit & survive a cabal of psychotics---but it didn't happen. This detective needed just a touch---A DROP---of the spring-steel evil Mitchum displayed in "Cape Fear." (DeNiro be damned!) Mitchum's famous crack: "Just paint my eyes on my eyelids. man, and I'll sleepwalk through it", was never more apt than for this "performance."
Ah . . . what might have been . . . if he'd just given a damn . . . if ANYBODY had cared!
It's nice of Mr. O'Halloran to chat with us, but on screen he simply didn't project the smoldering menace of Mike Mazurki in "Murder, My Sweet."
Now I only watch the Dick Powell version; it has true "noir" atmosphere,
though it's hard to visualize him handling a physical situation, such as
taking a knife away from a mouthy Mexican houseboy, as Marlowe does in
"Long Goodbye." BTW, I detest the Robert Altman/Elliot Gould travesty; just for that film, Gould richly
deserves to be ending his career working cheesy soap operas.
When you can, catch James Garner's "Marlowe" (based on "Little Sister"); not a great performance, but an acceptable job within the actor's limits.
Same comment applies to Robert Montgomery in "Lady In The Lake."
Gary In Arizona
"Gotta hang-up now; a rat is gnawing on my foot." Raymond Chandler