That sax solo is to die for... In fact, it's the only thing I actually remember from the film itself (except for its two protagonists); and I remember I enjoyed it.
But the music... I only heard it once, many years ago, and never forgot it. It has just the right notes to push my buttons, I suppose... ;)
Thanks for your comments blue green. I agree, it is David Shire's best score by a mile. Hits just the right notes throughout, a retrospective masterpiece. A record and later CD was made of the score, but does not quite capture all the intricacies of the actual film score. This film gets better with each viewing: cast, acting, sets, story....top notch ! (And better than "Chinatown" in my opinion).
I would say Farewell, My Lovely is arguably a better typical film noir than Chinatown and that Chinatown is obviously a much, much better and greater film than Farewell, My Lovely.
There's not a chance, however, that any score for a noir film is better than Chinatown. (Let alone as good).
My favorite David Shire score, and my first noir soundtrack LP bought back in the day at Rhino Records (they had stores with new and used). Except, that is, for his Taking of Pelham 1-2-3 score, which never was release until the late 90’s from Shire’s private tapes (masters presumed lost). You need the soundtrack releases to hear either in stereo as neither film was ever available in anything but mono. He didn’t do much score but these two are giants.
Now if I could just get an original stereo mix of the Quinn Martin’s Tales of the Unexpected theme ...
I heard David Shire, the composer, playing the theme tune on piano the other day. He plays it in a great jazz style. I preferred it to the more full-on version in the film. Great tune..