MovieChat Forums > The ODESSA File (1974) Discussion > Hear the dialogs, made of wood

Hear the dialogs, made of wood


So I finally saw this film again- I've probably seen it as a child, long ago, but pretty much forgotten about it. And the first thing that stands out is the uninspired, stiff, wooden dialogs. Not a single pun or diversion, no irony or sarcasm, no emotion. Only an exchange of messages.

I was really wondering why the conversation was so monotonous when I checked the cast and, surprise, found out that many of the players are native Germans or Austrians (and the rest had to fake the German accent). Now my best guess is, that these Germans in 1974 didn't speak English terribly well- not good enough to express the finer intricacies of the language- so either their dialog had to be kept to a minimum, or they had to be lipsynced (yuck! But it would have been a just punishment for these jerries who've been synchronizing English films from the dawn of Fernsehen).

And then there's the old-fashioned cliché that German officers all barked commands all of the time, which is annoying, but up until the mid-eighties or so virtually all war films with Germans in them kept this up.

So I'm not certain that the dialogs were as flat as a pet halibut because of the actors, but they could have been quite a bit more interesting, more lively, if the director had maintained a more sophisticated level of communicating. It's still a fine thriller, of course.

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Yeah, I agree with you that Germans in the 1970's definitely couldn't speak English as well as Germans now can. It's called social evolution.

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I don't think for a second that it was anything to do with the German actors - many if not most of whom had appeared before in English language films.

However Frederick Forsyth's dialogue - and style overall - is functional, very matter of fact and lacking in humour. This isn't a criticism, it works for him and a lot of readers. The screenwriters were obviously keeping to the spirit of the book.
If you look at eg, Day of the Jackal, The Fourth Protocol or The Dogs of War, you'll find they are quite similar in this respect.

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Yes, I confess I was rather disappointed when I watched this again, having fond memories from childhood. Even when Peter is reunited with Sigi, after her attempted abduction, and Peter’s attempted murder, they can only muster a desultory conversation about her unpacking her luggage!
Another point: in the book, Miller (Müller) drives a RHD drive Jaguar (important to the plot) which fits his character’s unwillingness to bear a grudge against his country’s former enemies. He expresses empathy for the murdered President in trying to build bridges over the divisions left from the past (Kennedy’s Ich bin ein Berliner speech had been delivered only a few month before). In the film, he drives a Mercedes, well, ok that’s fair enough, because the plot device has now been removed, but the assassin used by ODESSA to terminate Miller is shown driving a white Jaguar E-Type. He is possibly a former SS man, and certainly a German supremacist, and as such, the last car he would be driving is a British Jaguar!


I've seen things you people wouldn't believe...

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