The movie's innate message is a warning, that vigilantism isn't the solution to stopping crime -- better policing is. Kersey had some justifiable intentions at the start of his killing spree, but he takes it too far. He goes out at night looking for trouble and is no better than the muggers he targets who also go out looking for trouble.
That's where the comment about abject moral poverty comes into play. Kersey starts the movie as a left-wing, bleeding heart pacifist. By the end of the film, he's lost any semblance of what morals he had in the beginning. He becomes more and more brave and bold each time he kills a group of muggers and gets away with it. By the end of the film, he's limping after the last mugger in Central Park like he's some kind of crazed ogre.
This descent into madness is also where Kersey's paranoid delusions take hold. Notice how there are no witnesses each time Kersey blows a thug away. In the subway, the train conveniently empties out just before he kills. The old man with blood in his eyes was too dazed to see much. And the others? Nobody around. What we see on the screen is Kersey's point of view of the events at hand: paranoid delusions about criminals and their motives, colored by the attack on his wife and daughter. For all we know, if we saw the muggers' side of the story, they could have been begging for mercy in the subway tunnel or back alley as Kersey shot them in their backs.
The movie is very black-and-white in that regard: citizens are good, street denizens are evil and must be stopped. If the movie had been made with Jack Lemmon as Kersey and Sidney Lumet directing (like originally proposed), a lot of these points might have been fleshed out a bit more fluidly, with more grey area. Kersey isn't all good, and the muggers he kills aren't all bad.
This is an old post, but I just watched this movie again last night. The film is not shot or framed in a way that suggest that what we are seeing is delusion. Yes, Kersey IS operating under a kind of wild western justice delusion of his own, but that is merely his state of mind when he responds to violence. The movie is not shown from his perspective it displays several in that compacted way that older movies tend to do.
It's also not morally bankrupt to walk around and ride the subway. It's not Kersey's fault that the city is overrun with criminals. You say this is a weak point of the film, but I think that IS the point of the film and you either didn't like it or are letting your desired interpretation color the facts of what happened. The fact is, crime is SO BAD in the city that such acts as walking in public areas at night can be considered "baiting criminals." Think of the absurdity of that. It is also true that his actions reduced the crime rate by about half.
So it's not so far fetched to see him as a hero, seeing as his actions more or less ONLY had a positive effect on the public as a whole. Yes, he was crazy. And yes, he was breaking the law. But the fact of the matter is, if he was out on patrol and no crime was committed, he wouldn't have reason to kill anybody. It's not like he created reasons for crimes to happen, the crime rate was so high that there was almost nowhere anyone could go where they wouldn't witness or be a victim of one.
As an aside. Look at all of the police resources they put into finding him. What the hell were the cops even doing besides. I don't think I saw a single cop respond to a regular crime until after the fact the entire movie. The city was practically lawless.
Crying children will dry their eyes. Sleeping babies will awaken and take to the skies!
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