'Inferno' by Dario Argento has a similarly surreal quality to it. It's often overlooked in favour of its more famous sister 'Suspiria', but I actually prefer Inferno as the narrative is even more bizarre and dream-like. Like in 'Messiah...' a lot of it doesn't seem to make much sense and some scenes come out of nowhere, like an unconnected quick shot of a woman hanging herself which is just inserted into the film at random.
Let Sleeping Corpses Lie (aka, The Living Dead at the Manchester Morgue) is kind of similar too. It has that same early '70s vibe, a hippie biker hero, a confused female lead coming off heroin (!), a mysteriously haunted painting, and it's all set in a small town in the North of England (not actually in Manchester itself, oddly). There's a lot more gore, but it has a very similar atmosphere to Messiah. You can definitely see how both films had a real influence on the post-Romero glut of grimy 'European' zombie flicks - which were usually less imaginative and just went in for grotesque splatter.
I would also recommend 'Dellamorte Dellamore'. Although it's played more for laughs, there's a lot of weird stuff going on in that film - plus Rupert Everett giving an unusually good performance.
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He left a note. He left a simple little note that said "I've gone out the window."
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