They need to resurrect the screwball comedy genre
Someone needs to convince the Hollywood producers that they should make more outrageous screwball comedies like this.
shareSomeone needs to convince the Hollywood producers that they should make more outrageous screwball comedies like this.
shareYes. Yes they should.
Hello, handsome, is that a ten-gallon hat or are you just enjoying the show?
Except I'm afraid that "they" don't know how to make a "comedy" without foul language and potty/sexual humor. I don't watch comedies anymore (well, the old ones, I do, but nothing since the 70's. I'm not an old prude. I just loved comedies without crassness.
shareI'll watch any comedy that makes me laugh, but so much I see today just relies on shock at the expense of humor. "They" won't be changing anything until audiences demand better, and I don't see that happening anytime soon. I'm fine with watching decades-old movies for the rest of my life because there were so many excellent ones made, such as this.
shareThe one that comes the closest that is recent is Miss Pettigrew Lives for a Day. It starts off as a screwball comedy but then falters at the end.
shareWhatever anyone thinks of Petere Bogdonavich, the guy is a brilliant director, and almost as importantly for a film like this, a historian, like Martin Scorcese. This film succeeds mostly because of his touch (great performances notwithstanding), and without the right person in charge, this subgenre of film can easily crash and burn (jokes fall flat, etc. another poster mentioned Oscar, which I wanted to like because of Marisa, and Vincent Spano, but unfortunately is a great example of what I'm talking about). The original screwball comedies were necessarily helmed by either all time geniuses (Howard Hawks, Preston Sturges, Billy Wilder, if you consider some of his comedies screwball) or very competent professionals (Leo McCarey). Bogdonavich understood this.
I agree, I wish they'd start making them again - as long as we can get the right people running the show!
Takes two to tumble it takes two to tango
Speak up don't mumble when you're in the combo
Not only Bogdanovich's presence, but the script was written by writing legend Buck Henry, 3 time-Oscar winner Robert Benton, and Oscar nominee David Newman (Bonnie and Clyde). Good luck getting behind the scenes talent like that.
Veni, vidi, vermicelli
I came, I saw, I had pasta
Well David O Russell and Wes Anderson still make screwball comedies.
~ I am the tiny voice inside your head.