Thank you for your reply.
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You're welcome!
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It didn't seem like just regular curiosity, he started searching through the drawers as soon as Rusk was out the door.
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Yes...I think you are on to something here. As I noted above, Hitchcock(and his famous screenwriter Anthony Shaffer) really wanted to use the drawers to set up the roundelay of Babs clothes from drawer to Blaney's bag to police station and how quickly they spell out "RUSK!" as the killer to Blaney.
So perhaps we are talking..."forced plot contrivance" in Blaney moving so quickly to open the drawers.
Maybe another -- weak -- take on the scene: "Instinctively," maybe Blaney doesn't quite TRUST Rusk. Rusk's cheery, hearty manner is a bit suspect. Maybe Blaney feels there is GOOD REASON to investigate Rusk's flat.
I dunno. Its just too hard to get a "really good" explanation. Either Blaney's too snoopy or he subconsciously suspects Rusk...I'm not sure either explanation is "good enough."
I think, probably, you have caught Mr. Hitchcock in a "weak plot set-up" moment!
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I would definitely not open those drawers. I have been left alone in other people's apartments a couple of times, and while I am curious to see which books they have on their shelves etc. I have NEVER opened drawers and the like.
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Nor I. And I, too, have been left alone in people's apartments or homes. We're good people.
Also...I think I'm always scared that if I see the wrong thing, and my host KNOWS I've seen the wrong thing...
Hitchcockian guilt. And maybe a punch in the nose from my host.
PS. A "cinematic thing": Babs clothes in this scene are mainly a bright orange suit-dress. Its the dress she is wearing in her long scene where Rusk walks her to his flat, to kill her. Hitchcock uses that bright clothing to "cement the memory" of that clothing -- as BABS' clothing -- in our minds. We will remember the orange suitdress when we see it in the drawers, and we will remember the orange suitdress when it practically pops out of Blaney's bag at the police station. Contrived it may be, but its visually sweet in the payoff.
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