MovieChat Forums > A Clockwork Orange (1972) Discussion > Are we supposed to sympathize with this ...

Are we supposed to sympathize with this character?


Because I really don't. He got more than he deserved.

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We are indeed supposed to sympathize with Alex, but it's okay if you don't.




"I will not go down in history as the greatest mass-murderer since Adolf Hitler!" - Merkin Muffley

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I'm glad you posted this because it dawned on me today that this was very intentional. Alex was a terrible person who deserved no sympathy. But like many bad people do, he appeals to our good nature. You see this sort of thing everyday on the news, Kubrick was quite the prophet. It reminds me of the Malcolm X quote about the newspapers making you hate the oppressed and loving the oppressor. Only in this case you're forgetting the victim and sympathising with the criminal. We see this alot.

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The point was that Alex was both the oppressor and the victim in the course of the movie.

My real name is Jeff

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Kubrick was quite the prophet


You mean Anthony Burgess, right

~ I'm a 21st century man and I don't wanna be here.

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This isn't some piece of genius. It's been done tons of times. Protagonists aren't always good. A lot of films aim to make you see things from a 'bad' persons point of view.

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"It hurts, doesn't it? Being in pain." - Daredevil, a lawyer, 2015

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During some point of the movie I started sympathizing, which is of course wrong, he deserves more than this, but this is because of the mastery of the director and actor - the movies plays with the mind of the spectator.

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[deleted]

Yes, it plays with the mind of the viewer so much that one reviewer wrote that the movie should never have been made for that reason.

My real name is Jeff

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No. You're simply supposed to understand where Alex is coming from. And to that, there are situations specifically designed to help you empathize with him. He is very real and human in a lot of scenes. And a devil in others.

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Anti hero is perhaps a description overused, but rather suitable when it comes to Alex.

The somewhat socialist view of being a product seeps through the pages of Burgess' novel, indeed the idea that Alex could return to normal life after committing such horrible crimes was so disgusting to the American publisher that they cut it!

It seems Kubrick didn't get the premise either...

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I don't think Alex is supposed to be sympathetic. What I took away from the film was a larger commentary on human nature itself.

When Alex is powerful and ruthless, everybody is scared of him and he takes what he wants. He and his gang are shown to be vicious animals at odds with society. But once he is rendered helpless, the same "civilized" people become just as ruthless.

It's a very cynical illustration of survival of the fittest. The strong prey upon the weak.

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It's the opposite of cynical - it is idealistic to show the wrongs being committed by the very people who are outraged by Alex's behavior early in the film. We are supposed to feel sympathy for Alex so we can see the hypocrisy of society and the moral problem with the treatment Alex receives to "cure" his behavior.

My real name is Jeff

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We are supposed to feel sympathy for Alex so we can see the hypocrisy of society and the moral problem with the treatment Alex receives to "cure" his behavior.


I think it's a little more subjective than that. The writer that tortures Alex at the end himself was a crusader against the forced cure until he realized Alex was the very same kid that raped and murdered his wife, at which point his morality problems about the treatment went out the window (no pun intended).

FYC: Keanu Reeves https://www.youtube.com/watch?v=AvaCWTkSXdE

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How does that refute what I said? Are you suggesting that Burgess and Kubrick thought there was no moral problem with the writer's behavior?

My real name is Jeff

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Because it's easy to talk about how wrong the treatment is and defend the subjects until you realize one of them raped and murdered your wife. I think Burgess realized that, considering he made the guy a writer of a book called A Clockwork Orange.

Are you suggesting that Burgess and Kubrick thought there was no moral problem with the writer's behavior?


I'm suggesting they laid out complex characters and questions and let the audience come to their own moral conclusions.

FYC: Keanu Reeves https://www.youtube.com/watch?v=AvaCWTkSXdE

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That doesn't contradict what I said. And it doesn't in any way demonstrate that the filmmakers approved of the writer's behavior in tormenting Alex.

My real name is Jeff

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The filmmakers can't really say "The treatment is 100% wrong" and "Even people sympathetic to the subjects and against the treatment would change sides if the subjects did something to THEM" at the same time. Making the book's only opponent to the cure (who actually bares a resemblance to Burgess himself, considering they're both writers of books about free will called "A Clockwork Orange") a hypocrite blurs the line somewhat. It'd be like taking you, Jeff/Bobby, and having you torment Alex at the end. Both characters for and against the treatment are portrayed negatively. It creates an ambiguity.

FYC: Keanu Reeves https://www.youtube.com/watch?v=AvaCWTkSXdE

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The prison chaplain also objected to the cure.

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The filmmakers can't really say "The treatment is 100% wrong" and "Even people sympathetic to the subjects and against the treatment would change sides if the subjects did something to THEM" at the same time. Making the book's only opponent to the cure (who actually bares a resemblance to Burgess himself, considering they're both writers of books about free will called "A Clockwork Orange") a hypocrite blurs the line somewhat. It'd be like taking you, Jeff/Bobby, and having you torment Alex at the end. Both characters for and against the treatment are portrayed negatively. It creates an ambiguity.


Of course the filmmakers can say both that the treatment is wrong (as both the writer and the prison Chaplain said in the movie) and that many people sympathetic to Alex would change sides and torture Alex if they found out Alex had killed their loved ones. They can say whatever they want to say, and show whatever they want to show in their movie. Nobody was forcing the filmmakers to say any one thing in the movie and not say other things.

Likewise, there is no rule of movie-making that I am aware of that forbids the depiction of hypocrisy in a movie. Hypocrisy was obviously shown in large quantities in the movie. Everyone was a hypocrite - Alex and his gang, Alex's parents, the writer and other intellectuals, the police and prison officials, the scientists administering the treatment, and the politicians and the public pulling the strings at the end. The prevalence of hypocrisy is a major, or THE major theme of the movie. Does it create ambiguity? Of course. It portrays almost all of the characters negatively, yes - and that was a purposeful and very important characteristic of the story.

Ambiguity is prevalent in life - why can't it be in a movie?


My real name is Jeff

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So if we both agree the movie is ambiguous, then why are we debating the fact that I said it's subjective and up to the audience to draw their own moral conclusions? If we both agree everyone in it is a hypocrite, then why can't the audience choose to root against Alex and support the treatment? Or, as you said, sympathize with Alex and oppose the treatment? Or any other viewpoint that would fall under their subjective outlook?

FYC: Keanu Reeves https://www.youtube.com/watch?v=AvaCWTkSXdE

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So if we both agree the movie is ambiguous, then why are we debating the fact that I said it's subjective and up to the audience to draw their own moral conclusions? If we both agree everyone in it is a hypocrite, then why can't the audience choose to root against Alex and support the treatment?


I never said the audience could or should not draw their own moral conclusions. If you read the original post by me in this thread, you will see that I was reacting to your post in which you seemed to suggest that the movie suggests there is no moral ambiguity and no hypocrisy in what the writer did in the movie, or that the filmmakers were condoning the writer's actions in torturing Alex. If you didn't mean to suggest that, I'm glad you clarified your viewpoint now.

In a similar vein, if the audience simply chooses to support the treatment given to Alex, they also choose to ignore the real and terrible consequences of that treatment. Not only did the treatment remove an important part of Alex's humanity - his freedom to choose his own actions - but it also introduces another scary and important question about such treatments and "cures" for harmful conduct:

If a person's freedom to choose one action or another is taken away from him or her, how can that person make moral choices at all? If one has no choice about what one does in a given situation, one is not making any moral choice at all - one is simply doing what one is programmed to do. So, anyone who watches this movie and is not disturbed by the crimes committed by the gang and equally disturbed by the consequences of implementing treatments such as the treatment given to Alex is either extremely naive, extremely dim-witted, or both.

My real name is Jeff

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The thing is, it is indeed somewhat interesting that in this movie, we ARE indeed sort of supposed to feel at least SOME degree of sympathy and empathy for a young man who is essentially a rapist AND a murderer.

Whereas in plenty of films, not to mention serious discussions in real life, we have seen and cheered upon plenty of films where rapists (who may or even may not also be murderers) get their violent comeuppance, as in - we believe even prison or simple death may be too good for them.

Not that I or hopefully ANY normal person should believe this crime should not be punished.

But think of nearly ALL the rape and revenge genred films, be it I Spit on Your Grave, Freezer, Ms .45 and others of the ilk, I don't remember any of those films ever encouraging that we should feel sympathy or empathy for any of the offending parties.

And look at what people debate should be done to all those guilty parties in real life even AFTER they serve their prison sentence.

Yet in ACO, we are somewhat forgiving of the main perpetrator and realize - Yeah, justice should be done - but dear God people, let's draw SOME lines, OK?

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I never got the impression that the treatment was anything but a failure. Whether or not someone finds Alex sympathetic, the treatment isn't shown in a favorable light. He can now be abused by anyone and everyone, but on top of that, he can no longer have a healthy sex life (the very act of touching a pair of breasts when a woman is willing makes him ill) and he can't even enjoy his favorite musical artist. In the end, it results in him reverting back to his old ways. Both the book and the movie seem to favor free will.

As to the question of this thread, I do not feel sympathy for Alex, although I do find Alex curiously charming in several scenes.

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Well said

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[deleted]

Are we supposed to sympathize with this character?


No.

Kubrick couldn't care less if we sympathize with Alex or not.

Most movie directors (or storytellers, writers, ...) want the protagonist to be likable or relatable, so the audience can identify with them.

However, this is not always the norm. Some directors don't care about that and just want to tell a story. Kubrick is one of them.


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