This was on VHS in the late 70's early eighties...and it stunk then! But, when the choice was limited to about 50 movies on VHS you watched anything. About 1981-1982 this was re-released to theatres with a different name, and different poster art. Ignorantly I paid the $4 admission to a very secretive film with no trailers...AHA! as soon as the opening scene started I remarked to my friend that this was that horrible Tony Musante movie were all the actors spoke their original language, and all the dialogue was dubbed in later. The sound was so bad in fact that I would surmise that no sound was recorded on the film and it was all dubbed and foleyed in at whichever country it was being shown in. I imagine that in Iran it was dubbed in with Farsi and the traffic noise in Rome was a foley of camels and donkey carts with the occasional Land Cruisers.
"Be careful of what you look for Taylor, you just might find it!"
you're correct in a way. In italy, the actors speak their dialogue, but it's all dubbed later in different languages for international release. But I gotta say the dubbing her is excellent compared to some films. Have you seen A Blade in the Dark?
I gotta ask, if you didn't like this film, are you a fan of any of Argento's flicks?
"My mom started collecting beanie-babies...about 4 years after she died." Deputy Trudy Weigel.
Hmm..I will admit to knowing the name but not much more....I will work on it. Did he direct that badly dubbed "man on Fire" with Scott Glenn and Joe Pesci?
"Be careful of what you look for Taylor, you just might find it!"
I sometimes feel like an outsider in the ARGENTO FAN CLUB (whatever that means). I love his movies, and recently I've been doing a lot of re-watching because I feel that his movies only improve with mass viewings. However, this being said, and said with all due respect to my fellow Dario-loving comrades, I can't understand for the life of me why Deep Red and Tenebrae ALWAYS show up on everyone's top two/three when listing favorites. I've watched and re-watched these, and as always, like them better with every viewing, but I'm sorry to say that they surely do not top my list. I have yet to see several, including Phenomena which I am DYING to find a region 1/WS uncut version of. I haven't seen The Stendhal Syndrome either, or Four Flies on Grey Velvet. I'll attempt to put the ones that I own in some sort of order. Here goes:
1. SUSPERIA: ABSOLUTELY/WITHOUT A DOUBT
2. OPERA: LOVE LOVE LOVE the idea of the needles in the eyes!
3. INFERNO: It's beautiful, visually.
4. SLEEPLESS: Hilarious, gory and suspensful.
5. DO YOU LIKE HITCHCOCK: many thought it was just a rip-off. HOMAGE!!
6. THE BIRD WITH THE CRYSTAL PLUMAGE: I'm re-watching tonight.
7. DEEP RED: Like the story
8. TENEBRAE: Love the gore, hate the acting
9. TRAUMA: Many disliked this one; I liked it.
10. CAT O NINE TAILS: re-watching (watched it on painkillers).
11. THE CARD PLAYER: A little silly, but I could still enjoy it.
Please explain what puts Tenebrae and Deep Red on the top of so many lists!! I'd appreciate the point of views! Also, does Jennifer suck as much as people are saying??
well, please remember that my opinion on Tenebre is EXTREMELY biased, because it was the first Argento film i had ever seen, so it has a special place in my heart. i will admit that it is no longer my favorite, Suspiria is, but Tenebre is a very close second. The appeal, for me, is that this is one of Argento's most stylish films EVER! Growing up with american slasher flicks like Friday the 13th, I'm used to the "stab/slash and move on to the next" kind of film. But when was the last time you seen someone chased up stairs, slashed in the back and throat, and fall slow-motion through a plate of glass, or seen an entire chase and murder take place in 1st person? (besides Halloween of course) Every one of the murders in Tenebre are absolutely fantastic. But the thing i love the most about Tenebre is the music. As always, Goblin outdid themselves. The main theme and the murder theme (Flashing) is WONDERFUL!
As for Deep Red, it's my fourth-favorite, and when i first watched it, I hated it! But it has grown on me. As you mentioned, the story is excellent, everything makes sense for the most part. And Argento deploys his ultimate trick with the revelation of the killer. you can almost hear him laughing at us! And again, BEST MUSIC EVER! I mean the scores for Deep Red and Tenebre are very different, but each fit their respective movies perfectly.
Absolutely (agreeing with what you said). I agree with everything you said. I LOVE when he collaborates with Goblin for the soundtracks. It's part of the whole Argento Experience! And I'll have to re-watch both of them because they DO get better with each viewing. Don't get me wrong though, I like all of them. I haven't seen Phantom of the Opera yet; everyone seems to hate that one. Have you seen it?
Nope, haven't seen Phantom yet, but not because i don't want to. I can't find it anywhere (I'm not able to order things online)yeah, I've never heard anyone say that there was a worse Argento film than Phantom. I just can't wrap my mind around the idea that Argento made a BAD film!
I agree about goblin. In fact, i think that 9 out of every 10 films i love are the films that have excellent soundtracks. I think that's one of the best aspects of a good horror film, and boy, Goblin delivers every time!
To answer your question about Jenifer, it's perfectly average for an American horror film. But the problem is that you can't tell this is Argento. NONE of his style is present. The camera movements are flat, color pallete unispired, none of his signature violent murders, and a lackluster and straight-foward story. His worst film, but not too bad for a horror flick. The disc itself is AWESOME though, two interviews with argento, some behind the scenes stuff, and a featurette about the gore being the highlights.
Huh. I might have to pick up the Jennifer DVD just out of pure curiousity! I'm in the middle of Cat O Nine Tails now, and once again, enjoying it more the second time around. I've always thought that music makes a horror film. Think about some of the best; The Shining, The Exorcist, Halloween, Susperia; always a killer sound track to back it up and bounce it to life.
BTW, any ideas on why Four Flies on Grey Velvet is unavailable? Also, I'm absolutely dying to see Phenomenon. Is it really that great? I know it's being released in 07, but I don't know if I can wait that long!
Oh, here are some other horror films I think have amazing soundtracks, just for the fun of it:
Psycho Dawn of the Dead (both Romero's and Argento's - by the way - how is Two Evil Eyes?) Lost Highway (almost horror)
I also love John Carpenters composing. You can always tell when his pen was put to work on a film; like The Thing, Prince of Darkness, etc.
Huh. I might have to pick up the Jennifer DVD just out of pure curiousity! I'm in the middle of Cat O Nine Tails now, and once again, enjoying it more the second time around. I've always thought that music makes a horror film. Think about some of the best; The Shining, The Exorcist, Halloween, Susperia; always a killer sound track to back it up and bounce it to life.
BTW, any ideas on why Four Flies on Grey Velvet is unavailable? Also, I'm absolutely dying to see Phenomenon. Is it really that great? I know it's being released in 07, but I don't know if I can wait that long!
Oh, here are some other horror films I think have amazing soundtracks, just for the fun of it:
Psycho Dawn of the Dead (both Romero's and Argento's - by the way - how is Two Evil Eyes?) Lost Highway (almost horror)
I also love John Carpenters composing. You can always tell when his pen was put to work on a film; like The Thing, Prince of Darkness, etc.
There's some kind of rights dispute concerning Four Flies. Some company, i think Paramount, has the rights, but won't release them. Labels like Blue Underground and Shreik Show are trying to get them to give up the rights, but no takers. Just google "Four Flies Petition" and you'll find two or three petitions you can sign to get a dvd release.
I agree with what you said about the soundtracks, especially Psycho. Love it!
I've never seen Two Evil Eyes, so i can't help you there.
As for Phenomena, it's genuine Argento. You really must see it. I wouldn't say it's as good as Suspiria, Deep Red, Tenebre, or Bird, but it's on par with Opera. Both Phenomena and Opera have the same problem-poor writing. Phenomena's plot kind of wanders along, it takes two or three viewings before things start flowing smoothly. Also, there aren't that many murders, but the first murder in the film is GREAT.
My favorite thing about the film is again, the excellent music. Goblin gives us two or three scores, and some American bands,(i beleive Motorhead is one) have some songs in this film.
it's a site to help people with large dvd collections organize and keep track of all their dvds. it also helps me plan what other dvd's i want. it's really cool and easy to use, it took me 2 hrs. to add EVERYTHING. you really should sign up and try it, i'd like to see what other flicks your into.
You're right, man. The Goblin soundtrack is absolutely fantastic in Deep Red. I think my biggest problem with the movie is that after the first murder of the psychic, it slows down dramatically. It loses me a bit. But the movie is shot beautifully. I love the cinematography and of course the music. The death seens are pretty rad, too!
When you watch his movies, do you watch them in English or in Italian with English overdubs? Whenever I watch Japanese horror I always view it in Japanese. For some reason though, I always watch Argento in English. I'm giving Deep Red a chance in Italian at the moment. I must say, I'm enjoying it.
About the DVD site, I kind of made my own list to keep track of mine by just making a word document. I could copy my list of horror flicks and paste it onto one of these posts. (It's not as large as yours)!
Faves of mine:
Lynch, Kubrick, Burton and of course Argento. I don't think John Carpenter is any kind of genius, but I do admire his work; especially his sci fi side. I also love Tarantino and Rodriguez (Mexico Trilogy, From Dusk Till Dawn & Sin City are great). I love South Park to death, along with cheesey old 80's movies like "Liscense to Drive" and "Better Off Dead." I love slapstick and old sci fi (I love Metropolis) but don't have too much of an interest in Action movies. They're usually pretty mindless. Oh, and I love Vanilla Sky and it's original, Abre Los Ojos. Good stuff.
I watch his movies with the english dub. I don't understand a lick of italian anyway, so I'd constantly be reading the subtitles, which would take away from Argento's parade of visuals on screen. Someday perhaps I'll try to watch Suspiria or Deep Red in italian, just to see what it's like.
Man, completely different view on Deep Red. I've really enjoyed it this time. Funny how movies get better the more you view them. I think I can appreciate it more this time because I started at the beginning with The Bird, then The Cat, and then Deep Red, and I can appreciate how he stepped it up a bit to prepare for Susperia.
That's what I'm working on. :) I just finished Inferno. What do you think of that one? I think that visually, it is absolutely STELLAR. Musically though, it could have benefitted from a Goblin soundtrack. I didn't really understand the end, but hopefully the third movie in the mother trilogy will help a bit. Over all, I enjoyed it.
Oh, by the way, I took your advice and went ahead and ordered a copy of Creepers. I found one for $6.00 after shipping so I figured what the hell.
I'm thinking about ordering Phantom of the Opera as well. I've read so many horrible reviews by fans that my curiousity is killing me! It seems to be summed up by being an overly violent soft porn murder fest, and in my opinion, that sounds like a good time! I heard that it can be found in the $6 bin at Circuit City, but the one near me didn't have it.
Inferno to me is mixed. Not his best, but certainly not his worst. I love the colors, the awesome murders, and the music, even though a Goblin score would have been better.
Tell me what you think of Phantom when you see it. is it as bad as everyone says?
Ugh. Still waiting for Phantom and Creepers in the mail. I hope it doesn't take as long as "Halloween - 25 Years of Terror" took, which was almost a month!
BTW, have you seen Jenifer? I just bought it the other night and absolutely LOVED it. If you haven't seen it, you gotta go get it.
really? I hated Jenifer. his worst film, in my opinion. None of his style is present, can't even tell it's an Argento film. and the acting SUCKED! stick with Hitchcock, the much better new release of his.
The only shot of the entire film that felt like old Argento was the opening overhead shot. other than that, Jenifer could have been filmed by anybody.
My opinion on why this is- Argento didn't write it (at least, as far as i know) and since the story is so straightforward, maybe Argento didn't know how to go about it. I mean, Argento is known for his horror films, but he is first and foremost a mystery director. Even films like Suspiria and Inferno have mystery aspects to them (for ex. what does Secret Irises mean?) So Jenifer is kinda the black sheep of his films. I liked it, but it was just another average American horror piece, not the beauty that is Argento.
BTW, splattaflix, not sure if I mentioned this on a post or not, but I honestly (and you know how much of an ARgento fan I am)couldn't even get through this movie. I tried. I will try again. But for now, this is certainly the only "bad" film of his. I agree with the others, I'm sorry to say. :(
if i had to recommend Argento films to someone who has never seen one, i would obviously start with Suspiria, but Bird with the Crystal Plumage would probably be my second choice. i'd pick it over Deep Red basically because it's shorter. i think most people would generally agree with this. personally, i like Phenomena and Inferno a whole lot, way beter than Tenebra and Opera, both of which i think are somewhat overrated.
ps i really dislike the Stendhal Syndrome, but i very much enjoyed Jenifer.
if i had to recommend Argento films to someone who has never seen one, i would obviously start with Suspiria, but Bird with the Crystal Plumage would probably be my second choice. i'd pick it over Deep Red basically because it's shorter. i think most people would generally agree with this. personally, i like Phenomena and Inferno a whole lot, way beter than Tenebra and Opera, both of which i think are somewhat overrated.
ps i really dislike the Stendhal Syndrome, but i very much enjoyed Jenifer.
Suspiria The Bird With the Crystal Plumage Deep Red Tenebrae Phenomena Cat O'Nine Tails Four Flies on Grey Velvet Opera Jenifer (Masters of Horror) The Black Cat (Two Evil Eyes) Inferno The Stendhal Syndrome Trauma The Tram The Third Mother
(I find it pretty hard to decide between these next few; they were all very disappointing)
Sleepless Do You Like Hitchcock? The Card Player Phantom of the Opera Pelts (Masters of Horror) Giallo
(Still yet to see: The Eyewitness, The Five Days of Milan, Dracula 3D)
I really don't get all the hype about Opera. To me it was an artistic suicide. The acting was awful and the english dubbing sounded botched. The script was full of holes and the power metal soundtrack ruined all the fun I could have had watching the murders. And the ending, oh God... Definitely overated.
I didn't see all of Argento's movies, but I'd rate the ones I saw like this:
1. Deep Red 2. The Bird with the Crystal Plumage 3. Stendhal Syndrome 4. Two Evil Eyes 5. Tenebre 6. Suspiria 7. Opera
Pretty unusual scale if I compare it with the ones I saw here and there on IMDB, but I guess I'm pretty critical when I watch a movie, and in my opinion Suspiria and Tenebre weren't all THAT great, even though they both had their good moments.
Tenebre The Bird with the Crystal Plumage Suspiria Deep Red Trauma Inferno Masters of Horror: Jenifer Masters of Horror: Pelts The Stendhal Syndrome Phenomena The Cat o' Nine Tails Opera The Phantom of the Opera (I hated this) The Card Player (Same as above) I have seen Sleepless, but it's been like 8-years and honestly I don't remember much so no comment.
I tried doing that once, making every minute count. It gave me a headache- Adrian Monk
8/10 (good Argento movies, very entertaining, but missing something here and there): THE STENDHAL SYNDROME PELTS JENIFER TWO EVIL EYES THE CAT O' NINE TAILS
6/10 (terrible, yet there's a lot I enjoyed at the same time. guilty pleasure): PHANTOM OF THE OPERA
As someone said already, this often changes order because I love all his films
I have yet to see FOUR FLIES ON GREY VELVET, THE CARD PLAYER, and DO YOU LIKE HITCHCOCK.
Considering this is my first Dario Argento picture, I can only rate Bird with the Crystal Plumage. I'd give it a solid 7/10. I thought the ending was pretty out there, and not in the good kind of way. Won't spoil it for anyone who hasn't seen it, but the killer's backstory was a big let-down; although a good choice, they could have given a better explanation for why he/she/they (to confuse anyone who thinks I'm giving the gender away!)did what they did. Did anyone else have a problem with that?
I rated it a 5. The acting was pretty bad, some of the situations were ludicrous, and the ending was a mess. I also saw the twist coming right from the start, but it wasn't nearly as clever as the twist revealed very early on in Deep Red. So while this movie may be important as Argento's entry into his Giallo career, I didn't really like it as much as most of his others.
I think this is one of Argento's best movies. For one thing Vittorio Storaro, a living legend of cinema, worked in the cinematography, which contributed to making the movie visually amazing!
Then I also think that in terms of plot, characterisation and acting it's the best ballanced of Argento's movies. In this movie I think he still cared about the story making sense and creating rounded characters.
Also it has some fine touches - the way the bird of the title is used in the story to reveal the killer is one of those moments when the art of thriller reaches excellence.
I give it 8/10
This world is a comedy to those that think, a tragedy to those that feel.