This is Steve McQueen's most sophisticated and intricate film . . . as such, it must rate as his best . . . he did many good movies, but his one, the Academy Award winning Thomas Crown Affair is very special. If people only knew who he was really playing in the film . . . wow!
Indeed . . . this film may have been the only masterpiece that Mr. McQueen did.
And he and Faye Dunaway connect beautifully . . . ________________ The Windmills of Your Mind
He used the name "Thomas Crown" as a nom de hotel ever after. I think you're right; all the rest of his movies, while very good, were about other people.
This one is about him.
You're absolutely right. The scene with the glider and the song "The Windmills of your mind", makes you cry if you know what's going on there. Beautiful and ineffably sad at the same time.
People compare this to the remake, but I don't think it can be done. They're two entirely different movies that just happen to have the same name. The remake was a heist caper. This one isn't.
For some reason, Steve McQueen's early death had quite an impact on me. He was never an actor I had a crush on or even particularly thought about outside of the movie he was in, but when I heard he died I just sat down and cried. It haunts me still.
And this movie haunts in the same way. Some day I may figure out why.
It´s an amusing and pretty little film, enjoyable entertainment, but essentially all McQueen had to do here was to pose for the camera with a smirk on his face. He wasn´t exactly an actor with the greatest range anyways, but this was really more like a celebrity photoshoot. Also, it´s probably safe to say Papillon (the only film in which I´ve seen McQueen ´really´ try and stretch himself), Bullitt and The Getaway are much better movies.
Oh yes, and it was a photoshoot for Faye Dunaway even more so. I actually found it distracting that she appeared in every single scene, even the short ones, with a different hairdo and outfit (distracting, because it raised a narrative AND a meta-narrative concern: narrative - when on earth does this woman have time to do anything other than preparing for going out? meta-narrative - is this secretly supposed to be a Faye Dunaway homage slide-show?). And I usually like Faye a lot.
In fact I expected to like the whole movie lot, and to have my stomach seriously butterflied by Steve-Faye hot moments, but none of this happened. I haven't even felt much during the chess scene, where the gestures and looks felt syncopated, unnatural, about as immersive as reading the phrase "She is seducing him and he becomes irresistibly attracted to her". And I had this feeling about several other moments in the movie, such as the outcome of the heist ("He is too smart and the police can't catch him"), Faye solving the crime ("She is very clever and intuitive and figures out the criminal"), and Steve in his free time ("He is a hedonist and an adrenalin junkie"). The corresponding scenes might have been just as well replaced by intertitles. In addition, the sound recording was really odd, the only sounds we could hear were just those we had to hear - the voices, the music, gun shots and screams (for the heist scene), glasses tinkling (for a dinner scene), waves against the shore (for the scene on the shore) and that was it, any other background noise was completely silenced. Did they record the sound after filming the movie? Oh and we could also hear McQueen throwing several rounds of mad man laughter, which was just as mystifying as the straight face / GRIN! / straight face thing he did several times here.
Nope, not one of Steve's best, and I agree with you about the other choices as good McQueen movies.
As to the OP and first answerer - is there any reason why you don't want to share with the rest of us the secret meanings of McQueen's character in this movie?
there's a highway that is curling up like smoke above her shoulder