#1. When she heard the applause, why did Fanny "shoot" the audience?
#2. What does the sign "Taleisim" mean?
#3. What did Ziegfeld mean when he said, "Tutn on the rails."?
#4. What is a curtain call?
#5. Who is Theda Bara?
#6. What is Pate' Strasbourg? Filet de boeuf sauce bordelaise? Courvoisier? Creme de menthe frappe?
#7. When the waiter brought the drinks, why did he twirl the snifter?
(By the way: "Sinful Caesar sipped his snifter, seized his knees & sneezed." is a difficult tungue twister from a Carol Burnett show that was said by Roddy McDowell)
Hey,Thank you So much for your help! I really appreciate the peopl who take the time out of their BUSY lives to answer my questions from the movies! Thanks, again!
Thanks for reminding me of that line from Mommie Dearest! I've seen that film a number of times, and there are so many great lines in it, I never thought of this one.
Nobody answered this one, so I'll contribute it: "Taleisim" are the prayer-shawls that Jewish men (now women too) traditionally wear when in Synagogue. You know...the black-and-white striped blanket-like thing that men wear over their shoulders.
#7 - Good brandy/liqueur has a certain "stickiness" to the glass. A waiter swirls it to show how slowly the liquid slides down, thereby assuring the diner of the booze's high quality - and associated price.
#4 - A curtain call is a bow given at the demand of the audience, who refuses to stop applauding until the star returns to the stage. If the audience is super-pleased with the performance, they continue to clap even after the star has left the stage, necessitating the star to come back out and take yet another bow. Such clapping continues until finally the audience has expressed their satisfaction fully and stops applauding. Fanny's debut at the Ziegfeld Follies resulted in 5 curtain calls, meaning that the audience clapped to the point that Fanny had to re-appear and take a bow 5 times.
#1 - Apparently, she was fed up with how show business - and, by default, the public - had affected her life. Shooting the (absent) audience was her way of expressing how she wished they would all just go away and leave her alone. What is curious is that she mimics a tommy gun, a common weapon used by gangsters in the 1920s. Was this a conscious choice by the director - or was it simply Babs' default choice given that the play was produced in the 60s when, by that time, the notion of a rapid fire gun was linked to the tommy gun (they still sold toy tommy guns in the 1960s).
"Don't call me 'honey', mac." "Don't call me 'mac'... HONEY!"
#3 - I believe "turn on the rails" refers to the rails of stage lights along the front edge of the stage.
#6 - A pastry containing pâté de foie gras (pureed goose liver) and bacon, or pâté de foie gras tout court, was formerly known as "Strasbourg pie" (or "Strasburg pie") in English on account of that city's being a major producer of foie gras.
#7 - Good brandy/liqueur has a certain "stickiness" to the glass. A waiter swirls it to show how slowly the liquid slides down, thereby assuring the diner of the booze's high quality - and associated price.
that's not entirely true. You swirl wine so that you can see the "legs" of the wine -- the "draping" or viscosity of it. But not so with brandy/cognac. Those are swirled to release their aromatics and primary to warm them. They are best served above room temp -- and that's why the glass is shaped the way it is -- so that you can cup it in the palm of your hand and continue moving it around exposing it your body temp in your hand.
there's a scene in "Rear Window" (G. Kelley/J. Stewart version) where they're having brandy -- and she swirls so continuously it almost induces seasickness in the audience.